Showing posts with label Stoner Rock. Show all posts
Showing posts with label Stoner Rock. Show all posts

Thursday, November 19, 2015

A Night Out with The Nolan Gate

While the future of United By Rocket Science may be in question, there are times when I feel it necessary to post material relative to Dave and my exchanges and experiences.
This past Saturday was just such an occassion when our friends The Nolan Gate played a rare show at Warwick, NY's Tuscan Cafe. The long running Nolan Gate which features old friends
Tom Farkas - Bass, Growls, Paul Andres - Guitar, Vocals and Dave's brother
Darin  - Drums have quietly been making deafening noise for decades under their current moniker and their original namesake Mothman.

The Tuscan Cafe quickly began to swell as my wife and I finished our respective burritos. As the band assembled I found myself surrounded by friends, family, loved ones and complete strangers. Before the night was over. I was most happy to hear how my wife, 
(A woman I originally found common ground with through our mutual love for Slayer, Motorhead and other Gods of noise.) remarked on just how good it was to see our friends gathered at The Nolan Gate .Separately, Tom, Paul and Darin are some of the best musicians I've lent my heavily damaged ears too. Together, they form on of the best trios out there. Loud, Heavy and very, very necessary. Below is documented evidence of this rare occurrence. J.D.




Friday, August 9, 2013

Recreant - S/T LP

When asking Tampa's
Andy Stern of the Feral Babies if he would refer me to any of the up and coming Florida acts worth checking out, he almost immediately put me on to the Sunshine State's swampy Recreant.

Upon listening to the sludgy brilliance of the LP's opener 'Rick Scott is an Evil Robot'
I felt as if I was being introduced to a south of Savannah version of Kylesa. That may have been true but with the overall diversity and excellence of the seven songs that followed, I heard influences and reminders of acts such as Portraits of the Past, Reversal of Man and Dillinger Escape Plan. All of these while really getting the feel for a band that is just as comfortable and at home in it's own sound.
Songs such as the epic  'For all the Grief You've Caused us, You should Slit our Throats',
the punishing 'After the Apple' and the chaotic 'Modern Day F Word' help to make this an inspiring release. Thanks to Andy for putting me on to this. Your good taste in music should be noted. James Damion

.Recreant  Bandcamp
Recreant  Facebook

Thursday, July 18, 2013

Purple Suns - Yours

On their second release and follow up to January's 'Mines' EP, South Jersey's
Purple Suns show they are definitely a band on the rise with their impressive take on Metal and to be more precise, Stoner Rock. 'Yours', like its predecessor features four tracks that left a deep and sludgy footprint on this listener. Purple Suns deliver early Sabbath influenced vocals with fuzzed out dirty riffs and downright depressing rhythms.  Elements that reach vicious heights on tracks like 'Villains' and 'Concussion'.
Though somewhat different in style and approach,
'Mines' and 'Yours' compliment one another when played as an album. 'Yours' showcases a progression in the bands evolving sound and style. Impressive considering these guys are still a band in their infancy. Purple Suns seem to be brewing a sound comparable to current heavy hitters Kylesa and High on Fire. Knowing that these guys are cooking things up in our own backyard of Jersey is a comforting thought.
James Damion

Get it Here  Bandcamp

Friday, June 14, 2013

Cold Fur - Altamont Every Night


The highly anticipated debut has finally landed and damn, it sure is good. For those living outside of Jersey Nation, Cold Fur brings together members of Rye Coalition (Ralph Cuseglio, Dave Leto) and The Want (Adam Valk,Jeff Mackey).

"Altamont Every Night", which was engineered by the legendary Steve Albini delivers eleven songs of 70's Rock N' Roll excess and swagger, featuring
Ralph Cuseglio's signature screams, and  some nice dirty guitar work from  a louder than fuck rhythm section that would impress even the most dedicated Sabbath fan. Not only is it noteworthy, it's bastard sound is flat out praiseworthy.

Tracks like "Bro'd to Death" and "Just Like Brian Jones"deliver rock n roll genius with absolute savagery. While "Fat Vampires From Planet Wolf" drown the listener with its slow stoner pace and slutty guitar. Each song perfectly personifies the embodiment of the records title, with its tight jeans and big mustache imagery you'll feel as if your speeding down a dirty dusty road in search of those elusive Kiss tickets.

Fans of Rye Coalition will not be the least disappointed with this gem. While those seeking a departure from the sound that band delivered might be disappointed. Nevertheless, "Altamont Every Night" goes a long way to live up to its title. Providing everything you would ask for from a Rock N' Roll record and band. Get it. Live it. Let it kill you. James Damion

Get it Here  Bandcamp

Wednesday, December 26, 2012

Sautrus - Kuelmaggah Mysticism: The Proloque EP

Every now and then we get a request for a review from outside of the country. The majority of which don't even seem to come close to matching the kind of material we cover here at United By Rocket Science. That said, when I first came across The Proloque EP from Sautrus I was not expecting much return on the bands download. Never mind the name, title or the fact that this came to me all the way from Poland. This complete "Out of Left Field" surprise is a complete gem and one of my most listened to EP's of the late year.

Kuelmaggah Mysticism offers four songs of sludgy,
Stoner Metal that also offers a good dash of bluesy, 70's Hard Rock debauchery. Weno's vocals are deep, soulful and bluesy while still holding down the Rock n' Roll fort. There are moments on "The Blackest Hole/Black Hole" that remind me of an insanely dark and sinister MRI I had last week at 2:30 in the morning. I found myself immediately hooked on these four tracks. One can only hope that the band will delivering many more dirty little gems in quick form. With hope the wait won't be long.
Very impressive. James Damion

Get it Here

Wednesday, September 12, 2012

Avoider - 2012 Demo

After witnessing  New Jersey's Avoider turn an opening spot at Maxwell's into a showcase of headlining promise. I was eager to dig a little deeper in order to see what the band had to offer.
Upon hearing this demo I see a band who's potential seems limitless. Avoider mixes elements of Metal, Hardcore, Sludge and Stoner Rock perfectly. Dishing out some really impressive results.
One can revel in the guitar work Arben Colaku displays on these six tracks. Switching up gears and varying from a full on Metal assault to a sludgier, somewhat evil grind. In particular, I really dug the swampy riffs that
"Toxic Sludge" offered. Warren Swan's vocal style rivals the oft baritone sound of his contemporaries with style that had me thinking back to the days of Leeway's Eddie Sutton. With song titles like "Pervert in a Candy Shop" and "Dick Parade", How can you possibly go wrong? Go download the bands demo on Bandcamp and be sure to check them out live. You will not be disappointed. James Damion

Avoider  Facebook


Monday, August 6, 2012

Satellite Beaver - The Last Bow ep 2012

Satellite Beaver are a stoner band hailing from Warsaw Poland who formed in 2008. The Beaver play a down tuned, somewhat fuzzed out style of metal, with vocals that range from clean to being reminiscent of Matt Pike from Sleep / High on Fire. Actually, my knowledge of stoner metal is fairly limited but I think it may be safe to compare Satellite Beaver to Sleep/HOF.

For the most part the songs presented on the "The Last Bow" ep  move along at a nice thick mid-tempo pace, however Satellite Beaver put the pedal to the metal on the third song  "Way Before" which pummels at a  nice quick pace. Overall, these 4 songs are very promising and leave me curious to hear more. If you're a fan of stoner metal I think Satellite Beaver will be a welcome new addition to your playlist...check em out..Dave G.

Thursday, March 15, 2012

An Interview with The Sun The Moon The Stars

Every now and then I accidentally come across a band whose live set just simply blows my fucking mind. On one particular February night  I was standing in the slim corridor of Maxwells when I asked Adam Bird of Those Mockingbirds if he knew much about the bands they were playing with that night. Without pause he cocked back his head and said, "You absolutely have to check out The Sun The Moon The Stars". "The band is fucking amazing live." Heeding his words I made my way through the revolving doors. That night I learned a couple of things. 1. Adam Bird tells no lies. 2. The Sun The Moon The Stars were a band I wanted to get to know better. That night I spoke briefly with Matthew and  took home the bands record Mind Reader. Upon listening to Mind Reader the hooks sunk deeper and deeper moving me to contact their bearded, barefoot, singer/guitarist to learn more about the band and what they were all about. James Damion


James: I was really sorry to have missed your record release show at The Clash Bar the other night. I heard you guys brought some much-needed energy to the place. How did everything go?

Matthew: Magical. We couldn't have asked for a better night. The support from our friends and family was absurd. Truly one of the best nights of music I've had in my life. It's a really cool little bar. I hope they will get a solid promoter and get some good music coming through.

James: Tell us a little about the new record "Mind Reader". How does it differ from "We are Swine"?

Matthew: "We are the Swine" was written mostly by me over the course of a year. I intended on making something for myself to find musicians and hopefully garnish some interest locally. At the time of recording "We are the Swine" I had already played with about ten different people, none of which really fit the mold besides Joe--and he barely fits into anything. Adam from Those Mockingbirds was living with me at the time and knew what I was looking for drum wise, so he stepped up and helped on drum duty for those demos.

"Mind Reader" came after Joe and Ian so we all worked on some of the songs together rather than it being a one-man show. Vocally I started to find where I am more comfortable. There is just a lot more dynamics to the songs. A lot more time went into recording/writing. Way more polished overall. The truth is we recorded Mind Reader a pretty long time ago. We just got smashed with delays. To see it finally materialize is a blessing.

James: How did your signing with Black Numbers come about?

Matthew: I've known Dave since back when I was in The Oval Portrait. We've been buds forever. Once "Mind Reader" was done and needed a home I showed him the songs and it just sort of worked out. Black Numbers is a more punk centric label, but both Phil and Dave were excited to put out something heavy and I've always loved the DIY approach they have. It's been an adventure so far.  

James: So you're in really good company. Have you played any shows with artists on the label?

Matthew: Not yet! We do have something lined up with Kill Wealthy Dowager. Banquets have been super busy as of late. The dudes in Luther love metal, so we really need to get down to Philly and party in a basement with those guys.

James: Are you planning on touring on the record?

Matthew: Regionally, yes. It's just not feasible for us to be on the road for 2-3 months at a time right now. This summer we are planning to do some dates with our buddies in Sydbarret and then some more with the riffs of Changes. Hopefully we can make it to a few fests later on in the year and maybe to Europe next year.

James: You guys are all over the Metal radar mixing a lot of different styles and blending all that aggression with a lot of harmony. It really makes you stand out. When you were forming the band and when you're writing songs now, is there a certain vibe or sound you're going for?

Matthew: We just like making loud heavy music you can bang your head and raise your fist too. Have fun, drink a beer, smoke a joint, be free and get loose--whatever gets you off. I've never been a "singer" before. This whole thing is new to me, but I just had some things I wanted to say and it all just worked out. So it goes.  

James: The Sun The Moon The Stars is a pretty all-encompassing name. I get somewhat of a spiritual vibe from it. What does it mean to you personally?

Matthew: Honestly this came right from Black Sabbath's NIB. That's not to say it didn't manifest itself into other meanings. Sometimes I'll name something or write something and later on it will hit me and I'll think, "Holy shit that’s what that meant." The unconscious mind is outstandingly powerfully. Sometimes I just trust what it's giving me and run with it.

James: You've had two Birds in the band one past in Adam and one present in Evan. Besides their instruments of choice. How would you describe the personalities, similarities and differences? Do you think they could ever co-exist in a band?

Matthew: Oddly enough Adam is not a drummer and Evan is not a bass player. The instruments they play in TSTMTS aren't their primary weapons. Even when we look at Joe, he's been a drummer in most of the bands he's played in. Ian and I mostly bass. Everything got all jumbled up. It keeps us honest and allows us to work harder. But Evan and Adam--like Adam and Eve/black and white. These dudes came from the same gene pool but are super different. Even the way they learn songs--Evan doesn't want anyone to show him, he just wants a copy in his email so he can figure it out. Adam is more hands on. He wants to sit down, learn it with someone, and then writes it down to take home.
Who knows if they could. I doubt it. It would be fucking incredible, though, and I would love to be part of it.

James: Tell me a little bit about the rest of the band, their personalities and backgrounds in music.

Matthew: Joe is a fuck. Dude picks up an instrument and it's like he's been practicing for fifteen years. I have to bust my ass to try and keep up with the dude. His comic book collection is unreal.
Ian is a fuck too. He's got the higher gamer score than Joe. I don't know where he finds the time to write music between watching reruns of Wrestlemania and playing retro console games, but dudes got volumes of music written. The two of them are compulsive collectors. And i hate collecting. And I'm no good at video games. Rehearsal is always interesting. We've all been playing in punk/hardcore bands since we were kids. I can rattle off tons of bands we played with but most important is here, now. Each of us have super distinct tastes in music that the other one wouldn't be caught dead listening to yet our roots are all the same. Somehow it works.

James: We talked a bit earlier about Buddhism. What was it that initially drew you to the philosophy? How much of it do you apply to your everyday life?

Matthew: Eastern philosophy has always attracted me mainly because it's so different from what I was taught when I was younger. I was looking for something new that I could relate too. All these esoteric ideas really caught my attention. But the more I study it's all very much the same. Look for the good stuff, weed the bad stuff out. Or weed the bad people out. I like using theological ideas, stories and characters and sliding them into songs. We talked about the song Mara//Traitor on We are the Swine which is heavily influenced by the Buddhist demon. And then on Sire it's a fabrication of Ganesha's story. On Mind Reader's Sand and Stone Methuselah from the Hebrew Bible shows up and gives us some advice. 

James: How long have you been growing the beard?

Matthew: Turns five in July. That's a long time not to see my face.

James: I bet you get a lot of attention at airports and such? Any stories you can share?

Matthew: Ya know the only place that ever gives me a problem is when I am flying back into the US. My cousin and I were coming back from traveling through Costa Rica and we were "randomly" stopped and searched. Not that good of a story really. They just want to find drugs on us. We smoked it all man!

James: That brings me to the feet. Is playing on stage in bare feet just an invitation to disaster? When did you start this practice and why?

Matthew: Story of my life. Really though, if I could I would never wear anything on my feet. I picked up the habit back when The Oval Portrait was on tour. Sometimes I would just feel constricted so I would kick off my shoes. Now it happens pretty much all of the time. It's like being able to stretch out your fingers--feel the freedom. Plus it feels more connected to where I am. The worst thing that’s ever happen is I get really bad cramps in my arches when it's super cold.

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Black Numbers Page