Showing posts with label EP Review. Show all posts
Showing posts with label EP Review. Show all posts

Tuesday, July 4, 2017

LimeGoat - S/T EP

If you know me... and I'm pretty sure you don't. But if you did.
You'd come to know that their are two things that consistently bring joy to my otherwise dark world. Those two things? Goats and sludgy, sloth paced Metal. Two things that almost instantly draw me the band  Lime Goat and their self titled five song EP embody these things perfectly with a sound that can easily be compared to early Black Sabbath and later defenders of the sludge,
The Melvins. Limegoat find themselves wading in a pool of muddy excellence. Looks good. Sounds good. Try this one on for size. I think you'll like it.

Available Here 


Monday, January 11, 2016

Dead Blow Hammer - S/T 7' Inch

I was trolling the aisles of  my somewhat local record store the other day when my eyes were drawn to a vaguely familiar name on a very nondescript looking EP priced suspiciously lower than the small gathering of
7 inch records in the stores racks. Whether or not it was the discounted price or odd familiarity that had me take it to the counter along with my much anticipated vinyl reissue of Leeway's "Born To Expire" is unbeknownst to me. I was quickly reminded later that night that it was the band my Hoboken friend Adriano Garcia was fronting with old band mates from the 90's Hardcore act Against the Grain.


The opener "Not Tonight" doesn't really serve as a very good introduction to what turns out to be a generally good first offering from these old timers . "Transporting " follows authoritatively upping the skill level while ranking as my favorite of the five offerings. With "Controllable"  following as a close second. Dead Blow Hammer's sound runs in the "Loud Fast Rules" territory of Hardcore. Yet still finds room for some mid paced fun in it's two plus minute warnings.

While Dead Blow Hammer didn't  grab me initially. A few thorough listens had me finding more and more to like, appreciate and ultimately win me over. The bass lines of Kabula (Cause For Alarm, Agnostic Front) and the out of the box vocal charge of Mr. Garcia really put their hooks in me. Ultimately, serving serving as the EP's most distinguishing elements. And as I find myself losing interest in Hardcore. It's bands like
Dead Blow Hammer that bring me back due to a slightly different approach and delivery that keep me returning to the fold. James Damion

Order it Here

Tuesday, September 2, 2014

Moral Mazes - Magic Tommy Jackson 7' EP

While terms such as  "Supergroup" and "Studio Project" often leave much to be desired.
The right chemistry, game plan and execution can often take a collection of talented pieces and turn a masturbatory cast of  A -Listers into a cohesive amalgamation of the talent gathered. Formed earlier in 2014 when Jonah Matranga (Far, Onelinedrawing),
Jeff Dean (All Eyes West,
Dead Ending), Darren Zentek
(Office of Future Plans) and
J. Robbins (Jawbox,
Burning Airlines) veered their friendship towards a studio project
Though the studio collaboration only produced two songs.
"The Long Way" introduces
Moral Mazes with it's sinister vocals and tribal drumming while "Stay Unprepared" makes itself comfortable with it's winding guitar riffs. Moral Mazes put their varied influences and experience on display through a post core efficiency and familiarity  that grabs the listeners attention and keeps it while leaving a lasting impression. One that, though familiar, feels unique to them. While I've just put an order in on this record this morning. I've listened to the download continuously for the last hour or so.
Considering these two songs come in at just over 7 minutes. I'd say this more than won me over. I'm really looking forward to hearing this on the turntable. Until then. James Damion

Bridge 9  Get it Here

Friday, January 31, 2014

The Cartwheelers - "Hot Socks! It's...The Cartwheelers"

Hailing from New Brunswick New Jersey. The Cartwheelers, a duo comprising of
Kevin McSorely
(guitar / vocals) and
Stefan Dias,
(percussion / vocals) play a saucy mix that includes garage, surf rock and a seasoning of Latin rhythms. The EP's jangly rhythms and quirky, off kilter vocals serve as endearing characteristics.

The opening track 'Birds' is an absolute joy. It's crazy latin inspired percussion and warm chorus are as addictive as any three minutes and eighteen seconds could be.
I almost immediately felt myself losing all inhibitions and going completely spastic on my make believe dance floor. The vocals took me to Nerdville where I felt I was hearing a crazy mix of  Brian Sella, (The Front Bottoms) Gordon Gano, (Violent Femmes) and Scott Thompson (Meet Pause). Pretty good company if you ask me. The Cartwheelers look to be off to a impressive start. I'm glad I had the chance to ride along for a bit.
It was certainly a blast.
James Damion

The Cartwheelers  Bandcamp


Friday, December 20, 2013

Mothman - Proboscis 5 Song EP

Before, or even instead of reading my review of this submission. I'd like to direct you towards Dave G.'s. One which he rightfully decided to post on his original blog, which by the way, was the name of his record label. The same one that released the orignal Mothman's 7 inch EP in 1996. JD
Here's the link; 
rocketsciencerecord

I really liked the band Mothman (now know as The Nolan Gate.) back in the earlyto mid  90's.
My buddy and blog partner Dave G. liked them so much he put their records out on his label Rocket Science. Personally, I have a picture of some graffiti from the bathroom wall of the long gone
East Village venue Brownie's that reads
"Mothman frightens my urine." (and they did.) Well, this isn't that band

Fucking unlistenable, unbearable and intolerable.
If I had any advice for this band, it would be to change the name to one that has been recorded on, become an instrumental only outfit and teach your singer how to be a roady. This five song screamo EP is five songs too much.
It's like listening to a chick in a fucking blender.When they actually do try to sing. You realize why they were screaming in the first place.

Being that the band are just starting out (Proboscis was just recorded this month.) and they seem kinda young. I'll try to cut them some slack. However, with the world wide web at their disposal. It might be a good idea to do a little research on the band name you pick.
Call me a dick, but I've seen this happening a lot in recent years and I see it happening a lot in the same genres. Up your game kids and good luck in the future. 
James Damion

Mothman Bandcamp

Monday, June 3, 2013

Doziac - What Do We Do EP

Formed in October 2012 New York's three piece act Doziac seem to be searching for a place to fit sound wise. Describing themselves as pop punk, grunge, rock, alternative to name a few. They seem to be a band searching for both their sound and identity.
"What we do" features five songs of doze, doze, doze, uninspiring and underwhelming pop rock.
"Had a Baby", the EP's opening track is a good example of what's to come with it's campy and sometimes unbearable vocals. The downward spiral continues with a cover of Zebrahead's "Anthem". A song that would be better left uncovered. "What Do We Do" the EP's title song is by far the best track here. It's sweeping rhythms and vocals offer a nice pop flavor that's reminiscent of 60's pop puppets the Monkees. And while the song "Ecstasy" definitely has it's quirky moments. As a whole, it doesn't really grab me. It's follow up and the Ep's closer "Irrelevant Love Song" is a go nowhere doze fest that perfectly closes the EP out just as it was opened. Poppy, yet dull and underwhelming.
Though there is some very good musicianship on display here. I honestly felt no connection to the songs themselves. "What do we do" did nothing to make me want to hear more or invest any listening time in the band. James Damion
Doziak

A rare side note; I understand the bands members are young and Doziac is still a band in it's infancy. But when describing your band and it's influences, stick to what you love. No one cares about what you don't like. Disrespecting another genre, regardless of any shortcomings it may have in your already advanced opinion is not very smart. And though you may have been influenced by The Beatles and Nirvana (Most bands have whether they like to admit it or not.) "We have been told we sound like The Beatles and Nirvana." 
Might be the biggest load of shit I've ever read.