Killing Horse Records Streaming 2014 Sampler

Our friends over at
Killing Horse records are currently streaming their 2014 Sampler. Featuring sixteen tracks from the bands you love to the bands we know your going to love. As I listen,
I become very excited for what the summer is going to bring. Featuring songs from
The Life Eaters, Cicada Radio, Overlake, Wreaths, TV Sound, Cold Fur, Secret Country,
The Everymen, Desir Decir and more.
Streaming Here
Killing Horse Records

Secret Country - 7 Days a Week EP

Do you like hot dogs, beer,
fried chicken, bbq, hog calling, honky tonks and outlawed Outlaw Country? Well son, I got two songs that are gonna make you bust your belt buckle and make you want to party till the cows come home.
New Jersey's sexiest sextet has returned with their first recording since 2010's
"Hard White Snow".  This is the bands forth offering on
Killing Horse Records and will be followed by the bands second full length due in August of 2012.

The EP features two songs.
"7 Days a Week", a song about drinking 7 days a week and "Deep Fried Delight", a song about fried chick, a buxom lady and some sweet, sexy down home love. If this doesn't get those bible belts up in a
hee-haw. I sure as hell don't know what will. For all you Punks and Hardcore kids that don't quite understand what's going on here; They just might be to Country Music what Murphy's Law is to Hardcore. Order a copy now and tell 'em Johnny Cash sent ya.
James Damion
Buy it Here

Secret Country's Ryan Gross on "7 Days A Week" and Drinking

As Secret Country prepares to mosey over to Kearny's Donegal Saloon to celebrate the release of  their new EP "7 Days A Week".  We dispatched our own Jordan McAliden to go straight to the horses mouth and find out what just what our favorite musical misfits were up to. Her's what guitarist Ryan Gross had to offer. James Damion

Secret Country is:

Jay Monaco - Lead Vocals / Acoustic Guitar * Katelynn Siegle  - Lead Vocals * 

Matt Siegle - Drums / Vocals * Joe Hart - Guitars / Vocals * Ryan Gross - Guitars * 

Tim Siegel - Bass

Jordan: How did a bunch of North Eastern drunks get turned on to Country Music?

Ryan: We heard a Rascal Flats song and decided Country Music needed a kick in the ass.
Country music used to be incredible back in the Outlaw days when Country singers gained credibility from being in prison. We pretty much wanted to make Waylon Jennings proud… and we just like drinking…

Jordan: What is the origin of the name "Secret Country'?

Ryan: We never intended it to be a band. We would just play covers in Jay's backyard, and as you know, Newark, NJ is not a huge "Country" town. So we decided to call the band "Secret Country".

Jordan: "7 Days a Week" comes out on May 18th. How was the music making process for you guys?

Ryan: It's been a while since we've released anything, so it's always great to get in the studio, throw a few beers back and get creative.

Jordan: How does "7 Days a Week" differ from your previous drunken releases?

Ryan: It has less songs and is being released on a dead format.

Jordan: Are there any surprise guests on the record?

Ryan: Well, it marks the final performances of Eric and Yan with Secret Country.
It was great getting one last one in before their departure from the band.

Jordan: What led to the departure of 

Eric "The Red" Munson? 

Ryan: He wanted to focus on his solo "Coke Rap" album. I believe it's titled "Fire Crotch".

Jordan: Secret Country walks a fine line between paying tribute to its Country routes and completely magnifying it's glorious stereotypes. How do you find a middle ground?

Ryan: That's a fabulous question. Stereotypes are generally based on truths. So, singing about them might seem clique; but we're also singing about the subject matter. As long as it isn't hokey like Rascal Flats. 

Jordan: Killing Horse Records seems like the perfect label/name for a Country band. Aside from you being a member of the band and half of the Killing Horse Records team. What has made you such good partners in crime. Have any horses been harmed in the process?

Ryan: The key has been infinite patience; And as far as we could tell, the horses liked it.

Jordan: We understand you have a full length on the horizon. Have you begun writing/drinking for it?

Ryan: Yes to both, it should be marginally good.

Jordan: What can one expect from May 18th's record release show?

Ryan: Drunken mayhem over the smell of burning incense.

Killing Horse Records  Buy the record here

Images From Killing Horse Records Second Anniversary Show at Maxell's 01/06/12

Though I had originally planned on writing a show review for the Killing Horse Records anniversary show, I just lost track of time. Instead I thought I'd go ahead and post some images and thoughts about the show. This was a not only a night of celebration for a label and the bands that call it home. It was a testament to the fact that we are in the midst of a thriving scene. When Dave and I started this blog I was looking for an energy and inspiration that Unite Fanzine was no longer giving me. At the time I had no idea just how much of that inspiration was about to hit me. Killing Horse Records and The Tiny Giants Artist Collective have given this blog and me personally, the fuel to not only do this, but fully enjoy and look forward to it.

Killing Horse has become a platform for some of the best bands and musicians in the area. 

They've helped foster a scene that continues to welcome new bands and inspire people to get involved and go to shows. They've recently signed the Nico Blues and plan on new releases in 2012 and beyond. The label is also a part of a growing community known as the "Tiny Giants Artist Collective". We look forward to the labels future success and growth. See you all at the next anniversary show.

James Damion

Michael Keefe Cicada Radio

Reed Adler The Nico Blues

Alan Gomez Invisible Lines

Producer Tom Unish with ¡No Pasaran!

Mike (KHR's) matches wits w/ Jay Monaco of Secret Country

The gang's all here

Killing Horse Records

"Taking a Closer Look at KillingHorse Records" Part II

As we get set to celebrate the second anniversary of Killing Horse Records tomorrow night at Hoboken's legendary watering hole Maxwells; I spoke with Mike and Ryan about the event, the bands and the future of the label itself. In part two of my interview I decided to touch on the show, the bands and the promising future of the label. Here's what the guys had to say. James Damion

James: You recently lost one of the areas best outfits due to a breakup. 
Did Ben Franklins break up come as a surprise or was it something you saw coming? 

Ben Franklin

Mike: It was a bummer for sure, we had no idea they were breaking up. I dont think anyone did. It's OK - we wish them nothing but the best, but in the end they need to do what is right for them, and we respect that. Things like that happen, but we still love everyone from Ben Franklin, and we love their music. They were one of our absoulte favorite bands from the area. It's like anytime one of your favorite bands break up.
Ultimately it makes the Urgency 7" we did with them that much more special. I'm so glad we took a chance on them and got that record made.

James: Did it have an initial effect on the label? What were your first thoughts? 

Mike: We were invested in them financially with the 7" we put out that year, so it hurt the promotion of the record, but thats no where near where our first thoughts were, we were just like "damn, we aren't going to get to hear anymore new music by them, or get to see any of more shows". The world needs more bands like Ben Franklin -they got it. Again, I'm just glad we got to document that. That's what having a record label is all about, and their records will always mean a lot to us personally. 

James: The bands breakup was followed by the signing of rising stars 
The Nico Blues. What was it about them in particular that blew you away? 

The Nico Blues

Ryan: We've been big fans of the Nico Blues for some time now. That record, "Blame the Boredom, Blame the Basements" is absolutely phenomenal. When I first got my hands on it,
I think I listened to it for three straight days. In fact, our biggest regret at the time was that it had already come out, and we had seemingly missed the boat on it. Yet here we are about a year later and it's coming out again on our label, and we couldn't be happier. Even beyond the music though, we're big fans of the guys in the band. We had our first real exposure to them when Mike booked them at The Irish in Kearny back in September of 2010. We hit it off real well, and they were clearly a group of people with whom we would love to work, so I'm real glad we now have that opportunity. 

James: Your planning on re-issuing their album 
"Blame the Boredom. Blame the Basements." Will it be getting any special treatments such as remastering or bonus tracks? 

Mike: We expanded the packaging to include lyrics, which is really cool. As for the record we wanted to leave the record as is, its as much a re-issue, a it is just out of stock, and we are picking up where they left off. We love that record as well, so we are really excited to be putting it out on Killing Horse. 

James: Are there any plans for a new record with them in the works? 

Mike: We are taking it one step at a time with them. They are not obligated to put anything else out on Killing Horse, but we definitely want to hear everything they record. If it works for both of us and the timing is right, then thats great. 

James: Can you tell me anything about your involvement with 
The Tiny Giants Artist Collective and if, how it would involve any future releases for KHR? 

Mike: The Tiny Giants Collective has been awesome, it has created a real sense of unity in the New Jersey scene, or whatever you want to call it. It's really a great representation of why we got into the business of putting out records. From the second we met the guys in The Nico Blues and Holy City Zoo, who started the whole thing, we just seemed to be about the same issues, bringing people together, pooling resources, moving forward. so it's great way to help connect the dots. Recently its been growing a lot. Its a great way to get introudcuded to like-minded bands, and I'm sure that we will either put out a record by another Tiny Giant band, or get intorudcuded to a band due to our involvement with them. 

James: The "Two Year Anniversary" show at Maxwells is coming fast. Any last minute jitters or thoughts? 

Ryan: Ah jitters - no, no, nothing like that. We're just so nonchalant and cool that we don't get the jitters... Actually, we're just super excited about the whole thing. It's our big birthday party that we put together, and at 2 years old, that makes us a pudgy toddler who just learning how to walk, so it's a great way to kick off a new year where we hope to find ourselves walking into new territories and bringing some great music to new listeners' ears. As for last minute thoughts, I think this is going to be a show for the books - we've got Cicada Radio, whose new material is blowing us away, the Nico Blues, who are making their Killing Horse debut, Invisible Lines will be debuting a new member - Mr. Geoff Bennington,
¡No Pasaran! will be performing their final pre-hiatus show - adding even more excitement to a guaranteed electric set, and Secret Country will be performing as an 8-piece band with the addition of myself on guitar and the alluring and talented Ms. Katelynn Siegle on vocals. It's going to be a night people are discussing so the only question is, do you want to be in the loop or not? 

James: One of the bands playing that night, Invisible Lines, we're recently injured in a plane crash or something. How are the guys healing and will they be ready to perform? 

Ryan: Yes, that is 100% correct, their private jet was shot down by Libyan rebels during a peacekeeping mission a few months ago. After fighting their way through enemy lines (taking no prisoners) they eventually made it to Tangiers, where there was the whole
"Fidelio incident" - which I can't go into for legal reasons. But they managed to get out of the country and fly back to the States just in time for the show. They've assured me that their injuries are not very serious (mostly just a few missing digits/limbs, some minor 2nd degree burns - nothing that a few aspirin can't fix) and they'll be ready to go Friday night. 

Cicada Radio

James: I got to see 
Cicada Radio perform the other night. The band is one of our favorites. I was just wondering if you're planning on getting around to releasing their EP on vinyl or CD any time soon. 

Mike: Cicada Radio has just been getting better and better, Ryan and I just can't stop talking about how much they improve everytime we see them. That's a testament to them, honestly. It's great to see a band grow like this. As for "Imposter", we'd love to release it physically. At the same time the new stuff they have been doing really showcases how much they have been growing. We are currently discussing with the guys from Cicada how we want to handle that dichotomy. I can promise you this though, we will definatly be releasing something by them physically. Hopefully sooner than later. 

James: New band releases, signings on the horizon? 

Ryan: We've definitely got some things in mind for the remainder of the year, both current bands and new, however not all the details are hammered out yet, so I'm not going to go into the details. But, to give you a little taste, chances are good that we'll be seeing a new
full-length from Secret Country, and as Mike mentioned earlier there should be some new Cicada Radio material at some point as well. 

Taking a Closer Look at KillingHorse Records Part I

In just a short time KillingHorse Records has managed to build a strong foundation and lasting reputation with a handful of incredible releases that have made an immediate impact on the New Jersey underground landscape and beyond. With releases from Ben Franklin (RIP),
Secret Country, Invisible Lines, Cicada Radio and ¡No Pasaran! the label is quickly establishing itself as a quiet giant on the independent music scene. As their releases become quick favorites I decided to ask Mike and Ryan about the labels origins and direction. Here's part one of my interview with the men behind the music. James Damion


James: You started Killing Horse in the midst of a fragile economy and at a time when a lot of record labels were on their last legs. What made you want to do this?

Mike: Our circle of friends became close because we all loved music. Where we are from, we are the music kids; a lot of us were in bands. We consumed records, talked about them incessantly and went to shows as much as we could. Seeing shows is where music became accessible to us, a lot of the bands we were seeing were smaller, young, and poor. They just got in a van, and made something happen, not only that, but they did it with a great attitude, they were generally psyched to see people from towns they weren't from at their shows. We would listen to bands like Black Flag, or Fugazi, and see how SST records, and Dischord did things, how anything could be done on your own, as long as you had the will and organization. We started noticing a lot the bands we liked were all on the same kinds of record labels, Like Merge or Sup Pop, labels that did things their own way and made things work. In the meantime we started our own bands, we would see our friends bust their ass to find a space to practice, put all their free time into writing songs, beg venue owners to let them play, and get all their friends to come see them. Then they would spend all their money to get a record made, they would have them sitting there in boxes in their bedroom or their apartment, and then the band would break up. They would be bummed that they had to look at this graveyard of unsold records that cost them all the money they had. Ryan and I had this vision, that we could take the knowledge we had from being in bands, working in the music industry, constantly listening to music, being passionate about our friends' music and the willingness to put some hard work into something despite expecting little return, and turn that into something that could benefit our group as a whole. If we could pool our resources and our contacts and let each other know about pitfalls, what worked and what didn't work. We could start a record label. We could do it with a realistic approach and set small goals for ourselves, so little by little, we could keep moving forward. For us the key is to keep our goals realistic and attainable, believe in ourselves, and do things that we like, we don't look at it as a way to get rich; we just want to be able help our friends continue to make music we want to listen to.


James: Tell me about your partnership with Ryan?


Mike: So Ryan and I are really close friends. We have a mutual respect for each other. Ryan is a quiet genius, the dude can play any instrument, and he’s a wiz with sound. When we started KHR, he was doing a great job producing and engineering records on his own out of the practice space he shares with ¡No Pasaran! and Secret Country. Between our friends he's our go to guy for anything that has to do with sound. Me on the other hand I'm different, I work at Maxwell's in Hoboken. I go to shows a lot; I'm talking to people in bands, booking agents, managers, and label reps on a regular basis. I am able to see what the needs are for people in bands. It really helps us grow our network of friends and like-minded people. I gravitate to anyone who has a DIY attitude about things, anyone who isn't trying to just make a quick buck. People who make decisions based on passion and their heart. Generally those are the people I want to hang out with, talk about music with, and ultimately work with. Also I'm a get-off-the-couch-and-go-do-something guy. When Ryan and I said to each other, “Hey dude- lets just start a record label”. We both knew that would actually happen.


James: How does the partnership work? Do you handle different parts of running things? Is there something you individually work on? 


Mike: Ryan generally does the technical stuff, if a band wants to record with us, he's available to do produce their record, like he did with ¡No Pasaran¡'s 'Porter In The Making". He manages the website, until we can get a nice professional one. He currently does the accounting stuff, handles the Inventory, talks to the Record manufacturers I do most of the PR stuff, work with the bloggers and the journalists. I work with our promotions team; we are constantly looking for new music. So that takes up a lot of time as well. I try to reach out to other venues whenever I'm out of town. However, we talk a lot and pick up the slack for each other when the other person is too busy.



James: My initial introduction to you and the label was through ¡No Pasaran! How did you hook up with them?

Mike: Well, let's see. Eric and I have been best friends since we were in 5th grade; we went to High school together played in bands together. Romel is from Kearny, NJ too, Just like Eric, Ryan, myself and a lot of the KHR bands. He's been in bands like Dog Tired and They Fought Back, local bands that were doing the same thing the KHR bands are doing now. It’s a bloodline that keeps going back. Those are the bands we saw play live, or looked at their 7 inches and said - I want to do that!  Tom, the drummer, was in the awesome Jersey City Band, The American Watercolor Movement (among a million other bands).  His musical taste and sense of humor clicked with not only the band but us as well as soon as we met. We've all worked at Maxwell's together at some point in time. We planned on working with them from the start, but wanted to make sure we did it at their pace.   ¡No Pasaran! is enjoying a much more active time now then they have been in the past couple of years, I like to think that the stuff we are doing with them helps them stay motivated and want to keep making music, which is awesome because everyone who hears or sees them loves them, because they put their heart out there with every show and every release. That band alone is a really good example of why Ryan and I wanted to start a record label.

James: "Porter in the Making" is a favorite of the blog, which begs the question. Are they going to be doing an LP with you in the future?

Ryan: Actually, we haven't discussed future releases much.  At the moment, those guys are busy plugging away with live shows and pushing "Porter".  Of course, we'd love to do an LP down the line - or possibly just another EP like "Porter".  In the end it's really up to the ¡No Pasaran! Guys, and we'll be more than happy to help them in any way we can.

James: What are the chances of a re-issue of "Credentials"?

Ryan: Technically, it would be just an "issue" of Credentials, as the album never really saw an official release.  We sent out a few copies as part of the reward system that we did with the Kickstarter for "Porter," so there are a select few individuals who actually own a physical copy of the record, and I do have a few more copies laying around - so it is possible that it could see a proper release in the somewhat near future.  I engineered the record myself, so I have a bit of a personal stake in it, and would love to see it come out.  We've been hoping the mystery would build around it - the fabled lost ¡No Pasaran! Record. So we'll see what the guys want to do, and take it from there.  Hell, the Beach Boys' "Smile" finally just came out, so maybe it's time "Credentials" saw the light of day too.

¡No Pasaran! Lay is down at the Brick City Sound Riot.

James: You used "Kickstarter" to help get "Porter in the Making" out? What are your thoughts on using that platform? Do you think fans share a responsibility in getting the bands records made?

Ryan: I think the platform is fantastic! It really gives DIY groups a chance to do some things that they ordinarily may have been prohibited from due to financial restrictions. Of course fans share some responsibility in producing new material.  After all, without them, there's no market and no demand for anything we're trying to do.  The Kickstarter platform allows fans, especially on this DIY, grass roots level, to really become part of the process and show their support in a way that can truly benefit the artists in a direct way.  When you boil it down, it's really just a glorified pre-sale with some extra benefits for people who choose to get involved, and allows us the gauge the interest in a project before it's completed.  With "Porter", the fans clearly showed plenty of interest in new ¡No Pasaran! material; we were able to fund most of the project through it. It was a great success for us, and we'll definitely use it again in the future, however, it seems that almost everything is funded using Kickstarter these days.  It's really exploded out of nowhere in the last year.  I think it's important to use the platform sparingly, and not for every single thing you do. Otherwise it becomes like the pay-to-play system where you're asking your friends to buy tickets for your show or vote for your band every day to the point where fans lose interest very quickly.

KillingHorse Records

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