Showing posts with label The Meatlocker Music Venue. Show all posts
Showing posts with label The Meatlocker Music Venue. Show all posts

Thursday, March 23, 2017

United By Images; Archie Alone

It's rare that I miss any chance to see Archie Alone at their home away from homes, Montclair's  Meatlocker Music Venue. Being that the show celebrated the birthday's of it's guitarist, Cindy Ward and it's drummer, Pete Clark. I made an extra effort to show up. Be sure to give them a listen on bandcamp and follow them on facebook. 


 
 



 

United By Images; Whiner

Over the weekend. I finally got the chance to check out Whiner. Champagne and a particularly celebratory mood filled the room. As Archie Alone members Cindy Ward and Pete Clark celebrated their birthdays. New Jersey's Whiner have been on my radar for some time now. The chance to finally catch them live was quite rewarding. You can check out my show review and images from the show at my new Jersey Beat column Here.










Thursday, March 2, 2017

United By Images; NGHTCRWLRS, The Subculture, Roswell Debacle and Lunch Ladies

This past Saturday I spent the night at Montclair's cavernous, home away from homes, The Meatlocker. Below are some images from what was a pretty stellar night.

Lunch Ladies
Bandcamp


 Roswell Debacle
Bandcamp


The Subculture



 NGHTCRWLRS
Bandcamp



Friday, December 2, 2016

POINT BLANK- 'Life's Too Short' At Montclair, NJ's The Meatlocker

I'm still reeling from the fact that I wasn't able to make Point Blank's show at Montclair's Meatlocker. Having  reviewed their CD demo and the 7 inch that followed. It's easy to say I've been trying to get my aging ass to a show. Being  that they played so close to my own home base only makes the sting of missing out hurt a bit longer. Lucky for me lead singer Ken E. Wagner shared a video of their performance of 'Life's too Short'. I really do dig this track. And while I'm not yet sure if he sent it to ease the pain or prolong it. I really appreciate it. Thanks, JD



Saturday, March 1, 2014

Getting to Know Essex County's Archie Alone

As much as Essex County's Archie Alone have quickly become a must see live act.
The band has also come to serve as torchbearers for a burgeoning New Jersey
Punk / Hardcore scene. Merging melodic Punk with metallic riffs and emotive vocals.
Archie Alone have quickly earned favorite status with this particular blogger. Since my initial experience with the quintet in May of 2013, I've had the pleasure of seeing the band numerous times at venues including ABC No Rio, The Court Tavern and their home base in Montclair, The Meatlocker. In that time, my curiosity, as well as my appreciation for the band have grown considerably for the band. After a recent show at Paterson's WPCS Radio. I decided to speed up the interview process and have the band fill in the blanks while answering some of my curiosities. Thanks to everyone in the band for participating. 
James Damion

James: My experience with and knowledge of the band only goes back as far as the
Spring of 2013. Can you tell me about how the band started and how long before
Archie Alone took shape?

Archie Alone: Since originally forming in 2008 the band has had an ever changing lineup.
In Spring of 2012, that lineup consisted of Nicole Mesce (vocals), Tony Mastrolia (bass), and two former members. We took on guitarist Cindy Ward, whom we had met while playing with her previous band. Shortly after Cindy joined the band, Nicole suggested her friend,
Pete Lepore, as our second guitarist. Thus filling the vacancy. After playing throughout the Summer and Fall. Our drummer decided to leave. His position was soon after filled by
Pete Clark, a former band mate of Cindy's. Since our first show in January of 2013,
the lineup has remained the same.

James: You mentioned Cindy was in a band prior to coming over. What was the bands name? Are they still playing together?

Archie Alone: Cindy was in a Metal-core band called Fantazma. Our current drummer Pete Clark actually joined them towards the end of their run. Fantazma has since called it quits.

James: Cindy, a few months back I began hearing about a side project.
Can you tell me a little about the band and how it differs from Archie Alone?

Archie Alone: This actually ties in perfectly with your prior question. Cindy's side project ironically consists of members that were all at one point in Fantazma. The new project is called Sightings. Pete Clark plays drums for them as well. The best way to describe it is alternative metal/hardcore. The genre can be pretty ambiguous at times. It differs greatly from Archie Alone primarily because it is heavier music with female screaming vocals.
It does compare with Archie alone however, in that it's aggressive and dynamic.

James: The name makes me think of two things. Old Archie Comics and Archie basically taking things into his own hands. Does the name hold any meaning to you or was it just something you pulled out of your hat?


Archie Alone: The name of the band actually came from
Tony's brother who had suggested it in passing.
When the time came for us to record our first demos, the sound engineer we were working with needed a name to put on his schedule so we used Archie Alone as a fill in for the time being. Its stuck ever since. The name "Archie Alone" comes from an episode of Archie Bunkers Place, a
spin-off of All in the Family. In the episode Edith, Archie's wife, passes away.

James: Back in the Summer we spoke briefly about an album and
(my hopes of a vinyl release.) In recent months I've heard talk about you recording.
How far have you come? How long before we get our greedy hands on a copy.

Archie Alone: We started recording late fall of 2013 and hope to release the full length in late Spring of 2014. We are shooting for about 10 to 12 songs and will be pressing them on CD's as well as availability online (iTunes, Spotify, etc.) Vinyl would be a nice addition in the future but we have no current plans on it.

James: The first time I saw you live, I was there to see Nick Lee and Moon Tooth.
Since then you've toured with them and Polyphony. How did that come together?
What were some of the highlights? Lowlights and shameful moments?

Archie Alone: The first time we met Moon Tooth was at the show you mentioned at
Dingbatz in Clifton, NJ. We took a real liking to them musically and personally.
We collaborated with them and played a few shows here in jersey and Long Island.
As for Polyphony, we met them through practicing and playing at the Meatlocker in Montclair, NJ. They are also a great group of musicians. Through getting to know them we decided to do a mini weekend tour with both of them. A few memorable moments with
Moon Tooth were hanging out here in Jersey, making them breakfast after a show at the Meatlocker, and other "extra curricular" activities. A lowlight of the weekend tour with the three bands was when Polyphony got "shunned" to the upstairs part of the venue we played in Philly due to the fact they're not all 21+. Luckily they still got to play, but they were not allowed to watch any of the bands because there was a bar. We all laugh it off now but it was definitely a bummer when it happened.

James: Your sound is self described as Pop Punk, Melodic Punk and even Alternative, Personally, I hear a lot of Metallic riffs coming from Cindy's guitar. It kind of gives the band a sound those genres rarely deliver. Is that trait something that creeped it way into the bands sound over time? Or was it there from the very beginning?

Archie Alone: Yes, heavier, more metallic guitar parts. Elements that gradually made their way into the band. Especially since the additions of  Cindy and Pete. Their influencs by heavier genres of music definitely played a part. Pete's influences consist of Have Heart, Strung Out and Wilhelm Scream amongst others. Cindy, on the other hand, has experience playing heavier music in her previous band which, thus, carries into Archie Alone.

James: How are the song writing duties distributed? What about the lyrics?

Archie Alone: Pete Lepore, our guitarist, comes to practice with a piece of music and we will all jam on it until we reach a common ground. The song gradually develops over time while going through trial and error with parts that work and do not. With each practice, we bring in new ideas that further develop and give the song more character. As far as lyrics go, they are all written by Nicole, either premeditated or as we write the song.

James: Nicole is one of the most powerful vocalists I've seen in my days. It seems she pours every ounce of energy, sweat and emotion into every performance.
Where is a lot of that coming from? Does it ever take it's toll?

Nicole: First of all thank you, that means a lot. The earlier lyrics that I wrote were based on the past and how I felt at the time. As Archie Alone progressed so did the feelings and emotions that I wanted to discuss. For me personally it's been a realization of my past events and how they do not define me; It has been more of a discovery of who I am as an individual. My main goal is to have people relate not to the specific situation in the song but to the specific emotion in the song. I want it to be personal and relate-able for the listener and the things he or she goes through. Mostly, it helps me theoretically, perhaps because I grew up listening to bands like "Saves the Day" and and even "Title Fight" who have influenced me to write with my emotions.

James: Montclair's Meatlocker seems to be a home away from home for the band. What are some of the benefits and drawbacks of playing a place so often?
Does the crowd change much depending on who you're playing with or does it stay relatively the same?

Archie Alone: The Meatlocker is absolutely our home away from home. We're always there whether we're practicing, playing a show or attending a show. Cindy also books a lot of shows there for touring bands as well. We benefit from playing there because we have met so many great people and bands who we have established friendships with. The shows are always a blast and low-stress.
The drawback may be that sometimes it's the same crowd that is seeing us. While the crowd does change depending on the type of show, there is still a built-in crowd that is typically there every weekend.

James: I couldn't help but notice a rather large SUA button on Pete's guitar strap. I've been a fan of the band since they were called Jellybean. Actually saw them play with Nick Lee's old band Exemption. How do you know them? Have you had a chance to play out with them?

Archie Alone: Pete Lepore knows SUA through his friend Leigh who he met while attending IAR. We have played with them once at a house show in New Brunswick.

James: You've got a big show coming up with Dingbatz with Such Gold. Tell me about that.

Cindy: Yes we do! We are really stoked about this one not only because we all are big fans of Such Gold but it's a show that we finally feel like we fit well on. It is an honor for us to share the stage with a band that we take influence from. Shout out to
Anthony from ACI for making this one happen. We are currently working on a tight set which includes a new song that we just finished. We are really excited to show everyone the new song because we feel like it defines us most as a band.
We hope to continue in that direction. Looking forward to seeing everyone at the show!

Important Links to Archie Alone:
Facebook
Twitter
Sound Cloud
Reverb Nation

Monday, August 19, 2013

When it Counts, Archie Alone and One Fell Swoop Highlight a night of Local and Touring Bands at Montclair's Meatlocker

Not wanting to wait around I got to the Meatlocker at about 10:30, thus missing the opening band, whose name escapes me. As I entered the room local favorites Archie Alone were just launching into their set. If you're familiar with the blog and have read my show reviews Here, and Here or my review of their EP Here you'll know fully well how much I enjoy this Essex County band. Each time I've seen them perform live they've kind of upped that level with their all out performances. Nicole Mesce's passionate vocals and emotional delivery are nothing short of amazing. You can't help but feel the honesty and unflinching emotion of the music as she leaves everything on the dance floor. Add to that the incendiary guitar work of Cindy Ward  ....and an unrelenting rhythm section that lurks only inches away in the foreground and you have what is, without a doubt, one of New Jersey's rising powerhouses. The more familiar I get with their songs the better prepared I am when those notes, riffs and rhythms are just about to explode.
Archie Alone  Bandcamp

Yonkers One Fell Swoop continued the bi-state vibe with an amazing set that really kept those in attendance on their feet. Before the show I found myself lurking by the merch table wondering what the band would offer musically. What I got was a shot of adrenaline and a double dose of five hour energy that had me listening to their EP "The House Leaks" all  the way home. Overall, I found the bands mix of anthemic punk and melodic Hardcore to be quite uplifting.
 One Fell Swoop  Bandcamp

Scoutmaster Jack followed with a set that was both energetic and animated. Though their stage presence reminded me of so many of the intense Hardcore acts I've seen over the years. (The pointing, attacking the mic like a vandal, the over testosterone guitarist who launches in the air like a caffeine fueled monster.) The bands music seemed somewhat tame in comparison. Not really my thing musically but with influences ranging from Blink 182 to New Found Glory and Yellowcard, it doesn't suprise me in the least. To each their own, right? Regardless, they put on a good show and looked good for the camera.
Scoutmaster Jack  Bandcamp

As When it Counts began their set I was in the midst of trying to find my wallet within the various compartments and sub compartments of my camera bag. Being the unorganized goof I tend to be I often find myself forgetting where I put things. After running to the car to find it on the passenger seat I decided to run back to see just what these kids from Staten Island had to offer. Though the band didn't make an immediate mark on me I felt myself being won over by this Staten Island band. They ended the night on a high note, their songs still fresh in my ears by the time I made it to the Lincoln Tunnel.
When it Counts  Bandcamp

I've always felt that the intimacy level at the Meatlocker was compromised by the owners videotaping of the shows. Maybe I'd consider it less invasive if his choice of cameras wasn't the size of a 1970's boom box, or if the giant light that accompanies it didn't blind me when it was turned on the audience like that of an LAPD helicopter routing out a gang of Crips or Bloods out on a killing rampage. This time out I witnessed a first at both the Meatlocker and when I think of it, any other show I've ever attended. An older and somewhat out of place photographer had a set of two studio lights fitted with soft boxes at stage left at the far right corner of the stage. "It helps to illuminate the entire stage." he exhaled like a true rocket scientist. I asked him for a card in order to later see his results but he evaded me saying "I have many cards." By then the douche chills began running up and down my spine like a winter wind. Quickly and without haste I removed myself from the conversation. Be careful out there. Big Brother is definitely watching.

For as much as I piss and moan about this place. The venue does a great job of booking both local talent and touring bands. They also keep the prices low. Add to that a Dunkin' Donuts, Pizza, a liquor store, available parking all within a block of the place. You've got all the god damned ambiance you need. Until the next time, mind your pee's and eat your meat.
James Damion


Monday, March 18, 2013

An Eclectic Mix Gathers at Montclair's Meatlocker

As I entered Montclair's dark, cavernous dungeon The Meatloacker. I thought to myself the same thing I think each and every time I enter the towns long standing ass in the wall. "What the fuck an I doing here?" It was almost 10:00 pm and much of nothing was taking place. After standing around for a couple of minutes I headed back to my car and started the engine. Lucky for me, I changed my mind once again and decided to go back. The following is what transpired.

I was not the least bit familiar with Old Bridge, New Jersey's The Luna Laval and twenty minutes after they had taken the stage, I still wasn't absolutely sure if what I was witnessing was a prolonged sound check or the bands actual set. To be perfectly honest, if it turned out that sound check happened to be their set, I would have been just as impressed. The band played a a complex musical style that somehow escapes a lot of the trappings of genre addicted listeners. A trait that can both open and close doors for a lot of bands, depending on the listener. As I stood there I found myself somewhat mesmerized by Tom Risi's tasty Bass play and overall movement.
Though the bass has become my most appreciated instrument in recent years.
I find most of my favorite players are too often, stationary musicians who blend into the background, rather than the forefront. Risi's movement and presence reminded me fondly of Nate Mendel (Foo Fighters,
Sunny Day Real Estate. Brotherhood.) Considering they were the shows opening band and it was my first time seeing them. They left a lasting impression on me. Definitely a band I'd like to see and hear more from. The Luna Laval

The time in between bands can often be long and socially awkward for me. But just as the stage remained empty. There was music and a sense of community happening on the floor thanks to the warm sounds of John Bentonamo's ukalele playing. Talk about a spirited individual. At the moment I didn't want to upset the intimacy of the small gathering by stepping in. Instead, I decided to loom close enough to take in all the mirth and celebration while not disturbing any tribal rituals that might be occurring.

The Harrison Four quickly assembled and though this DC area band was a late addition to the show. They made their presence notable immediately. Even as the band tuned up I could swear I heard little Minor Threat and Fugazi riffs being tested. Their set had a warm upbeat nature that was musically impressive, while remaining fun and light hearted. The addition of a horn player for the show didn't hurt things one bit. I felt a strong Lookout Records meets DC vibe. The band even busted out a Cleveland Bound Death Sentence. Impressive, to say the very least. I looked the band up before writing this and found out their also vegans. Kinda cool if you want to break bread with them after a show.
The Harrison Four

Raleigh's Empire were up next and I had the feeling I was up for something dark and heavy when I got a look at the material they were selling at the merch table. The band did not disappoint one bit. Turning the floor into their extended stage and bringing it to the small crowd of on watchers. I kept a safe distance from lead singer Ben Daughtry. Steering clear of his spitting fits. I like my bread just as crusty as the next guy. Just don't want to get caught in a shower without an umbrella. The band sounded great and brought an entirely different energy to the show. I picked up their CD "Shedding Skin" and should have some kind of review posted in the near future. In the meantime, check out the bands page and see for yourself. Empire

After three really good and diverse acts had played, I was feeling a lot better. Three bands down and two to go. Polyphony were next and just happened to be one of the two bands I was there to see. If you follow the blog you may recall they were one of the first bands interviewed for UBRS and if I remember correctly, the first guest interview from Shannon Perez of I Hope You Die. I was really shocked that the bands singer Marshall Davidson even recognized me after only meeting me once. It's been two years and though my interest in the band hasn't wained, I think I've missed a ton of shows. The band launched into their set and I could instantly see and hear the musical growth these young but very talented people have gone through. When I originally caught them at the Court Tavern they sounded raw but very good. They also seemed very stationary. Perhaps confined by the small space the  room, just to the side of the entrance, permitted. On this particular night, the band had all the room they needed to release their unbridled energy along with any other odors Marshall "Marsh-mellow" Davidson was omitting at the time. Polyphony would best be described as a screamo outfit. (Judging from the fact their lead singer seemed to be vomiting into a bag in between songs.) However, they are quite musical. They've changed drummers since the last time I saw them and as far as these ears could tell, it's brought they're blitzkrieg assault to a new level. Shortly into their set it seems the nights arctic temperatures were more than their brave frontman could handle and with some help from the aforementioned John Bentonoma's help, the shirt and eventually the pants came off. Upon witnessing this one can only hope Marsh-mellow can find some time in his busy schedule to hit the weights and get some much needed sun. Polyphony

By the time Ola Madrid hit the stage, it was well past 1:00am and to be honest, I was quickly fading. About a month back the bands guitarist Dylan Young sent me the bands September 2012 debut release
"Distance to Decay".
The five song EP has been getting a lot of play here at the UBRS headquarters.
The chance to catch them live seemed like a no brainer.
I came to this show with high expectations for this band. To say they raised the bar would be the understatement of the early year. The bands energy level and musical proficiency immediately ignited the crowd and gave me the little extra boost I needed to get through the late hour and the drive home that followed. The band has a new record due out this spring. It would be wise to keep your eyes and ears on the look out. Ola Madrid
For someone who was about to leave before the show had even started, this turned out to be the best and most eclectic show in recent memory. See you all next time.
James Damion