Living Laser return with 3 song EP

New York favorites Living Laser have returned with a new three song EP cassette that's being made available through Frequency Deleted Records and online via stream. Living Laser have been a long time favorite of mine and Dave's. Having been featured here numerous times in the past. If you're into bands such as Bad Brains, Leeway, Burn, Cro-mags, Beyond or anything that's full of boundless energy and intensity. You'll surely love Living Laser.

https://livinglaser.bandcamp.com/

Off the Record with Ache Frontman Ryan Bland (Part I)

Whenever choosing an interview subject for this blog or any other outlet.
My approach has nothing to do with the agenda of a band, release date or approaching event. Honestly, it's never had anything to do with any deadline or time frame.
In doing United By Rocket Science, I've been given the chance to reach out and connect with people on a level that my own shyness or insecurities might not allow otherwise. Approaching Ryan was easy though. Having fronted bands such as The Bushmon, Home 33, Dead Serious and most recently Ache. Ryans aggressive stage presence and vocal approach are intimidating and downright animalistic. In person, it would be hard to find a more approachable, personable and real person. I originally approached Ryan about an interview shortly after I caught his band Dead Serious back in July 2013. For reasons unknown, I just never got around to it. In retrospect, I'm glad I waited. It's given me time to get to know him a bit. Time to step back, observe and learn. In Part 1 of what hopes to be a three part interview. I reached out to learn a bit about the music he's created both past and present. Here's what he had to offer. Thanks Ryan, James Damion

James: My first memories of you was your hanging from the ceiling pipes at The Pyramid Club with Home 33.

Can you tell me about how you became involved with New York City's underground music scene?

Ryan: I became involved with NYC Punk underground around 1988. My first real band was called Bushmon. We were basically a hardcore & Ska band. We were CBGB regulars from late 1991 until we played our last ever show at CB's in 1993 to a sold out crowd.
One band that always played with Bushmon was a Brilliant hardcore band called Opposition. When Opposition & Bushmon broke up some members from each band formed Home 33. Home 33 was where I really cut my teeth in NYHC. Sharing stages at early shows for bands like H2O, Earth Crisis, Candiria, V.O.D., 108, Downset, Madball, napalm death, NRSV, Fahrenheit 451 & many other greats! It was the 90's and the NYC underground was killing it!!!

James: There's been talk of a reissue of Jody's Coterie. How did the opportunity come about? Will there be bonus material or fun surprises?

Ryan: Yes!! Roger Lian
(who was the original guy who mastered the Home 33
"Jody's Coterie" album in 1995) & Me got into a conversation on Facebook. He told me my old band Home 33 was his first job. He got a lot of work after working on that record. He went on to mastering albums for Slayer, Candiria, Joan Jett, Pantera & countless crazy dope albums. I told him I wanted to make Jody's available as a free download to any one who would want it or remember it. So Roger offered to remaster The album. It's done & it sounds better than ever.
I'm super busy with my current band ACHE so the Jody's Coterie project is slowly but surely going to bleed some ears in the future. I also plan on a few other Home 33 recorded surprises when I get the time.

James: I remember how floored I was the few times I saw Dead Serious live.
The band seemed to have a lot of potential. What led to the demise of the band?

Ryan: Thank you very Much!! I was floored by Dead Serious too! I mean bloody on the floor in the pit!! Lol That was a blast! Raw & Punx as fuck. After the Guitar player Mark had to leave the band & eventually he moved from NYC. It wasn't really the same after that in my opinion. Mark took some of the fun with him. I also think after he left the remaining members started moving in different directions Musically. So we decided to do other bands.

James: While the demise of Dead Serious seemed a bit premature. It was the quick rise of Ache that seemed to take a lot of people by surprise. Can you tell me how the bands personnel came together and how quickly you were able to build the chemistry you seem to share?

Ryan: The Dead Serious drummer Ryan Seit & I wanted to stick together. Mattakins, my Ache guitar player was playing in NYHC band Abject! Matt & I were friends from hanging at his shows. He offered to help out Ryan & I until we found members for a new band. It just so happens Abject! breaks up soon after and Matt decided to stay with us & we all started ACHE. Rey Brutal our bass player has another band. He is the lead singer & guitarist for NYC Thrash band Bomb Scare. Rey & I became friends at Bomb Scare shows. I'm a huge fan of those dudes. So I feel super lucky to be playing with all these dudes in Ache.
All of us are real friends & it's nothing like making music with your real friends.

James: The demo received it's fair share of praise from numerous outlets. How do you feel about the bands official entry into the fray?

Ryan:  I think it's solid.
Stoked some people liked it! Hands down any credit for the demo goes to our Drummer Ryan Seit. He recorded & Mixed the demo. Not only is he a bad ass drummer but he's the man in the studio too.
He's currently preparing to record other bands so tell your friends and all that stuff. Word.

James: Is there a chance we'll see an Ache EP or album in early to mid 2015?

Ryan: Yes! We are writing an album & as of right now plan on tracking in January & February of 2015.

James: Unlike a lot of younger bands on the scene. Ache got out of their area code early on and played out of state with some pretty impressive bands. How did those opportunities come about?

Ryan: Mattakins, our guitar player booked us out of state. hands down my Favorite thing out of town so far was Boston for two shows. We played Boston Wreck center with
Opposition Rising & Foulmouth. They were all super nice dudes & everybody danced hard there. I appreciate the energy of the pit. It was a crazy bloody pit at one point. Females too, fucking shit up in the pit. I'm positive this one girl broke her nose. There was a lot of blood on the dance floor. Sick show.

James: Whenever the term Hardcore gets put into use.  The talk of family soon comes into play. Can you better explain that dynamic and how it's formed?

Ryan: Hardcore is absolutely my family. They excepted me as family. I was able to grab a Mic say anything on my mind. I had The chance to see other people express themselves in the same way. All the people I met in NYHC early on most of us didn't have a real home or a place that felt like home. We were truly angry outsiders making a home together.
These people became my sisters, Brothers so It's a feeling that you get in the community in the hardcore scene. It feels like family or blood relatives. I think if you haven't had that feeling at least once. I question you being a punk!!! Lol

ACHE NYHC

Death - ...For the World to See

Detroit's Death are one of the most intriguing music stories to emerge in years. Formed in the 1971 by brothers Bobby, David and Dannis Hackney. In 1974 the band, with the financial backing of Colombia Records Clive Davis, went into the studio to record their first album. When the brothers refused Davis' urgings to change the bands name to something more commercially viable. Financial and label support ceased. The band released a short run of 500 copies the following year. By 1977 the brothers called it quits. By all reasonable means, that should have been the end of the story. Thankfully for everyone involved, a recent documentary and official release on Jack White's Third Man Records is giving the band Death their proper due and respect.

...For The World to See features the original seven tracks from that fateful 1974 recording. Seven songs of minimalist, bare bones hard rock that clock in at around
twenty six minutes. A sound that, years later, would serve as building blocks to what would become Punk and eventually American Hardcore. One can't help but draw comparisons to the Bad Brains. Those comparisons tend to get trippy when the listener is reminded that Death and '...For the World to See' predate the highly influential band by years.
Songs that portray rage, frustration and alienation with a raw urban vibe that paints a perfectly bleak picture of early 70's Detroit. Think the Stooges meet the Bad Brains in soul soaked time warp. 'Rock-N-Roll Victim' and 'Where Do We Go from Here?' are two of the albums stronger tracks while 'Politicians in my Eyes' is just mind blowing and as socially relevant today as it was in those tumultuous times.

This recording serves as a reminder of just how timeless music and the raw emotions that inspire it can be. '...For the World to See' feels just as relevant and urgent today as it was when it was recorded decades ago.

DEATH

A Band Called Death; Official Trailer

Before the Bad Brains, the Ramones and the Clash, there was DEATH!

Bad Brains - Into the Future

It's never a good thing when you have a negative attitude about a record before even listening to it. Thus was the case with the Bad Brains latest release. Sad yet appropriate considering how much the band meant to me and basically everyone that listened to Punk or Hardcore in the 80's. The ROIR cassette and 'Rock for Light' were part of my introduction to Hardcore. I saw the Bad Brains many times between the release of  
"I Against I" and "Quickness". Including leaving my senior prom early with my date to catch them at the Ritz in NYC.

My love, respect and admiration for this band never really died but remained firmly placed in that 80's decade. When 2007s "Build A Nation", (the bands first album of new material in twelve years) arrived I harnessed that love and respect to have hope that the band would somehow gather the solid musicianship of Daryl Jennifer, Dr. Know and Earl Hudson, matched with  the production on long time fan, friend and supporter Adam Yauch to help overcome the fragilities of H.R.'s worn vocals and well documented mental state. Disappointment followed, as did my hopes the Brains would ever recapture old glory or even come remotely close to what they accomplished decades ago. Sadly this was not the case with "Build A Nation". Even sadder, it is not the case with "Into the Future". The band really does try to.

As far as I can see the problem with being the Bad Brains is living up to the incredibly large reputation the band is do deserving of. The problem I have with "Into the Future" is though the band is working hard on creating an album that will bring us back to that golden age, all while providing hope for the future. It comes off more like the Bad Brains have become a Bad Brains cover act. Sure, they can play the songs while looking the look; But they never come close to sounding or feeling like the original. Dooming themselves to playing weddings, high school reunions and frat bars. If "Into the Future" holds any clues to where we're headed. Book me on the first flight out of here. One can only dry hump the past for so long without becoming dehydrated and uninspired by glories long past. I will not be brainwashed into thinking this band will ever produce anything close to what they did in the 80's.
James Damion

Bad Brains "Look Into The Future" Streaming

Legendary D.C. Hardcore band the Bad Brains announced a November release of the album
"Into the Future". The bands first album since 2007's "Build A Nation". The band is streaming the title track to "Into the Future" on Rolling Stone. You can listen to it Here .

"Salad Days" Documentary in the Works

SALAD DAYS  is a documentary-in-progress that examines the fertile Washington, DC punk scene of the 1980s. This was a particularly important time in the evolution of punk and independent music, with DC based bands like Minor Threat, Bad Brains, Black Market Baby, the Faith, the Slickee Boys, Void, Government Issue, Marginal Man, Dag Nasty, 9353, 

Gray Matter, Beefeater, Scream, Rites of Spring, Fugazi, Shudder to Think, 

Nation of Ulysses, Jawbox and others defining the DC aesthetic. Local record labels like Dischord, Fountain of Youth, Teen Beat, and Simple Machines would become standard-bearers for the DIY revolution. 

Kickstarter

Trailer for 'Riot on the Dance Floor' Documentary.

Check out this awesome trailer for the documentary film about the infamous City Gardens club in Trenton, NewJersey. The film features a slew of interviews with musicians from bands that performed  there. Directed by Steven Tozzi, the film represents a piece of 

New Jersey history that needed to be told.

http://www.citygardensfilm.com/