Showing posts with label EP. Show all posts
Showing posts with label EP. Show all posts

Thursday, December 29, 2016

JUST - S/T CD

Having just seen half of what was one of the best show opening sets I've witnessed since Geronimo beat the Nazis.
Understandably, I was rather curious to hear what was within the prize handed out to us brave folks occupying the front of the room. As I attempted to upload the home made CD to my computer I noticed there was no track list or information available. Still curious, I went to the bands bandcamp page to find the information needed for s somewhat decent review.

With five songs barring the names 'Pan', 'Grass', 'Drain', 'Chest' and 'Treat'. I have to admit, I wasn't expecting much at all from Brooklyn, New York's JUST. Perhaps that set was just an apparition or a full blown hoax. What JUST lack in a creative name, eye catching logo and catchy song titles. They more than make up for in muscular, dirty up the dance floor Hardcore. Great riifs, time changes and authoritative vocals. I guess it's a good sign when you don't flinch after listening  to something a half dozen times in one sitting

Recorded in October 2016 at Barber Shop Studios. JUST left me wanting to hear more as well as catching a full set one day soon. Let's hope the new year presents just such an opportunity. JD

JUST

Friday, January 1, 2016

Living Laser return with 3 song EP

New York favorites Living Laser have returned with a new three song EP cassette that's being made available through Frequency Deleted Records and online via stream. Living Laser have been a long time favorite of mine and Dave's. Having been featured here numerous times in the past. If you're into bands such as Bad Brains, Leeway, Burn, Cro-mags, Beyond or anything that's full of boundless energy and intensity. You'll surely love Living Laser.

Friday, April 17, 2015

Into Another - Omens

Whenever a band decides to go the reunion route I can't help but think of the scene from
The Blues Brothers when
John Belushi say's "We're getting the band back together." Followed by Akroyd's deadpan
"We're on a mission from God."

Since his days fronting Underdog. Richie Birkenhead has owned the most dynamic and impressive set of vocal chords to ever come out of the NYHC camp. A quality that has aged well and carries the songs with an impressive sense of emotional command.

Overall, Omens was somewhat of a surprise and a markedly excellent return to form for one of the 90's most uniquely rewarding post Hardcore acts. Still sounding dynamic, original and ahead of their time.
After listening to Ignaurus almost exclusively for over a decade. I've found myself dipping deeper and deeper in to the bands catalog, finding hidden treasure within every release.
Whereas many reunited bands from past eras seem perfectly comfortable continuing as nostalgia acts. Into Another have proven they are much more. A band that, years later,
still has something to say. One that is determined to follow through on unfinished business.
It's easy to say that Into Another stand as one of the most important acts to come together over the past three decades. James Damion

Find it at the following;
itunes
Amazon
Spotify
Rdio

Friday, February 28, 2014

Not Blood Paint - Time to Deliver Available Now

'Time to Deliver', the new five song EP from Brooklyn's
Not Blood Paint is available for a "Name Your Price" option on Bandcamp. Mastered by
Kevin Blackler at
Blackler Mastering,
Brooklyn, N.Y. Cover by Booters Liebmann-Smith and
George Frye. 'Time to Deliver' marks the bands 6th release since their 2011 debut 'Tommy'. If the EP's artwork doesn't draw you in.
The bands glam rock guitar sound, prog rock genius and downright sinister delivery make for an interesting listen. Check it out.
James Damion

Not Blood Paint Bandcamp

Thursday, June 13, 2013

Pity Party - Do a Little Dance EP

After seeing Brooklyn's
Pity Party twice in just as many months, I decided to give a few of their records a spin to see if the bands recordings came close to their live energy and all inclusive party vibe.

Released in early 2013
"Do a Little Dance" does a lot more than it's working title might suggest. Offering a very danceable form of pop punk that, though indicative of everything those sub genres might suggest. Provides a little more edginess than that description might entail.
Lead singer Cassadys vocal delivery brings to mind a cross between The Muffs
Kim Shattuck and Big Eyes Kate Eldrige.
Worthy of mention is Fid's (Yeah, that's his name) edgy guitar riffs. They help give the seven songs some extra bite while adding some muscle and power to the bands overall sound. Did you happen to hear that, "Boys Don't Cry" riff towards the end of "Fortification"?  I sure did... And let me tell you, I really liked it.

All comparisons aside, Pity Party definitely have some good things to offer.
If you're in need of a little uplift or just want to get those feet moving. I'd highly recommend picking this up and checking them out live. James Damion

 Get it Here

Wednesday, May 29, 2013

Archie Alone - S/T 3 Song EP

After seeing Archie Alone perform several time in a matter of weeks, objectivity didn't just go out the window.
It completely broke it on the way out. My only reservations with picking this up was it couldn't possibly live up to the  expectations their live performances had quickly created.

The EP opens with
"Living Like Kerouac". A track that almost immediately establishes a very credible presence with singer Nicole Mesce's passionate and urgent vocal delivery. The song, my favorite on the three song EP, kicks the emotions into high gear, reminding me of when emo still had muscle.
(Think Lifetime, Kid Dynamte) The lead guitar on these tracks is jaw dropping to say the very least. Adding bulk and muscle to the tracks while giving the music somewhat of a metal edge. The opening riffs on "Red-Staggered" serve as a perfect example of power and perfection.
"Waiting to Exhale" the Ep's closing track offers some tasty rhythms proving that Archie Alone are the complete package. Overall, this is the kind of band and EP that makes me wish that Me and Dave would expand and take the blog to the next level and start releasing records. So much for that objectivity thing. James Damion

Wednesday, January 2, 2013

Clear For Takeoff - Line of Fire

What they say: "With the release of their sophomore album “Line Of Fire” recorded by platinum-selling producer Rob Freeman (Gym Class Heroes, Cobra Starship,
Hit The Lights),
Clear For Takeoff have been blasting the East Coast with their distinctive brand of punk-inspired vocal rock. Aiming for the lyrical prowess of Queen and The Beatles while maintaining the all out rock and roll mindset of Foo Fighters and Green Day. Clear For Takeoff have a refreshingly honest approach to their songwriting and live performances.
“Throw down your arms and make music” – the authenticity of the band’s message prevails, on stage and off!

What this listener says: This is the kind of Corporate Rock shit the industry has been spoon feeding the public for decades. "Line of Fire" serves as a reminder of just how sad and desperate the music industry has become with their signings and marketing campaigns.
I have no idea where the bands "Punk inspired" sound or influences come from.
I would imagine they got it from listening to a lot of Richard Marx and Bryan Adams records. The mere mention of acts like the Beatles, Queen and Foo Fighters is enough to get their PR man sued for liable if not prove that he was as high as a fucking kite when he wrote the bands bio. Each of the songs sounds like it was written to be featured in a future douching or viagra ad. The EP opens with an ode to their listeners in "No More Hate Mail". An upbeat, syrupy track that could draw close comparison to any upbeat, syrupy track that New Found Glory ever wrote. From there it's just five more radio friendly Taco Bell, Pizza Hut,
Birth Control jingles that make the listener want to vomit. If I were to leave you with anything positive about Clear For Takeoff and their second release. It's that they can play their instruments well and create some pleasing harmonies. If you're a parent of a pre-teen/tween and you want to have him or her listening to a radio safe alternative to Justin Beiber or
One Direction; This might be a safe bet. The band is playing Cheeseburger in Paradise in Pasadena MD on January 2nd if you'd like to catch them. James Damion

Band Site

Sunday, December 30, 2012

Brooklyn's Courtesy Tier Offers "Something Better"




Brooklyn's Courtesy Tier have a new track up on their Bandcamp. It was issued December 26th 2012 and is available in numerous formats at a "Name Your Price" offer. "Something Better" was Recorded and Mixed by Ben Rice at DeGraw Sound in Brooklyn, NYand Mastered by Alan Douches at West Side Sound. Just check the link below.

Something Better

Wednesday, December 26, 2012

Sautrus - Kuelmaggah Mysticism: The Proloque EP

Every now and then we get a request for a review from outside of the country. The majority of which don't even seem to come close to matching the kind of material we cover here at United By Rocket Science. That said, when I first came across The Proloque EP from Sautrus I was not expecting much return on the bands download. Never mind the name, title or the fact that this came to me all the way from Poland. This complete "Out of Left Field" surprise is a complete gem and one of my most listened to EP's of the late year.

Kuelmaggah Mysticism offers four songs of sludgy,
Stoner Metal that also offers a good dash of bluesy, 70's Hard Rock debauchery. Weno's vocals are deep, soulful and bluesy while still holding down the Rock n' Roll fort. There are moments on "The Blackest Hole/Black Hole" that remind me of an insanely dark and sinister MRI I had last week at 2:30 in the morning. I found myself immediately hooked on these four tracks. One can only hope that the band will delivering many more dirty little gems in quick form. With hope the wait won't be long.
Very impressive. James Damion

Get it Here

Sunday, September 30, 2012

Modern Chemistry - An Introduction

"An introduction" is probably one of the most understated titles to ever accompany a sampling as good as this. Modern Chemistry come out of the gate like seasoned pros with a distinct style and approach that is seldom seen in a band this early in their development.
"Remember this Bridge" and "Holla Atcha Boi" are instantly addictive tracks that have warranted countless listens.

The bands sound is a perfect mix of rock and post core with outstanding riffs complimented by an  impressive rhythm section and emotionally anthemic vocals. All of which blend together perfectly. Putting on a display that is emotionally charged without losing any sense of angst or aggression. I sensed a
Rise Against influence mixed with the appeal of New Jersey's The Wait.
The band itself sites Brand New and The Outfield amongst their influences. Pretty cool if you ask me.

New Brunswick has always had a proud history of producing one outstanding band after another. It looks as if Modern Chemistry are ready to join in that proud linage.
If this is an introduction to what Modern Chemistry can bring to the table... then we can look forward to  something very special.
James Damion

Modern Chemistry  Bandcamp





Wednesday, September 12, 2012

Boxed Wine - S/T EP

I don't know what took me so long to get around to
Boxed Wine. Having first heard about this awesome foursome from Adam Bird of
Those Mockingbirds. It wasn't until Boxed Wine's own lead guitarist Ralph Nicastro contacted me personally that I set aside some time to sample the bands debut.
Now, as far as debuts go,
this is about as good as it gets. Five songs of fun, quirky and very danceable gems that remind me of a cross between Vampire Weekend and
Boy Things. There's a warm, nerdy goodness to the songs that can't be overlooked. Songs like "Oh No" and "Feral" are instantly satisfying yet admirably memorable. The band has a three song follow up coming soon. In the mean time, go download their debut and get dancing.
I know I did.
James Damion

Download  Bandcamp
Boxed Wine  Facebook

Wednesday, July 25, 2012

The Mob - Back to Queens / That's it

Thirty years after releasing one of the greatest Hardcore EP's in Punk/Hardcore history with
"Upset The System"
New York City's The Mob return from utter obscurity with three slabs of Hardcore for the senior circuit. After reforming for a set at NYC's 'BNB' Bowl in 2012 the Mob headed to the studio to record their first record in over twenty-five years.

"Back to Queens"
(An ode to the greatest Borough NYC has ever known) opens up the short set with a good pace and energy. It took hold of me with it's opening riffs, rolling bass and up tempo beats.
Ralphie singing the chorus "That's where I got my walk, that's where I got my talk. going back to Queens, that's where I belong." Coming in at 2:47, this stellar track kept me on my toes throughout it's entirety.
The B side follows with a trashier sound more reminiscent to the ancient Mob style. Unfortunately, "That's It" and "Zoo Crew" are  instantly forgettable to the ears.

Though the band were seminal to a lot of kids my age getting into Hardcore. (And particularly in Jackson Heights, Queens.) But personally, the bands music, it's influence and their Hardcore legacy faded as time went  on.

This record doesn't really do anything that inspires one to look at the bands storied past; Nor does it get the listener eager for the future. I would suggest tracking down the bands classic work on "Upset the System" or "Truth Over the Airwaves." This just seemed like a lot of hype and little reward. The band is back in action and is planning more releases for 2012. One can only hope they get better as they come. James Damion

Buy it Here



Monday, July 9, 2012

Holy City Zoo - Nobody Sells For Less EP

As I headed downstairs I peaked downward into the hallway thinking to myself "this is the day that fucking record is going to show up in my postal box." "This is the day my train of thought will get the tracks it needs to plot its course."
As of late the mail man has been putting most of my records inside the door due to a rash of thefts in the neighborhood." Truth be told, I've been listening to the record for some time now. I just needed to have my hands on the actual product in order to give it the treatment I felt it deserved. That alone would unleash the Hunter Thompson within. Holding the record would rejuvenate the thoughts and feelings that crystalized the numerous conversations and transactions with band members about the songs, the recording, the packaging; All building up to the sonic orgasm that would be "Nobody Sells For Less".

Holy City Zoo are a hard band to generalize. The New Brunswick, NJ powerhouse take all the best elements of Hard Rock, Post Hardcore and Punk to form this unstoppable juggernaut. As I put the needle to the record I was immediately hooked by the full blown chaos that ensues with the the opening of "WW5". The track is a mind fuck with it's sonic prowess. Match that chaotic discord with an anthemic, singalong chorus and you've got a track that will have you climbing up the walls.
"Afterburner" opens with post core guitar riffs that immediately had me thinking of the band Quicksand. Joe Lanza's voice cries out like a madman, perfectly highlighting the controlled chaos that surrounds him.
The B side opens with "Paper Beats Rock" a track highlighted by a dynamic, layered guitar sound that has its share of beauty and eccentricities. "Meadowlark Lemon" opens with a nice sense of melody that gives way to a crash and burn style that really ties the record together nicely.
Add to that the bonus download tracks and you've got a record that's worthy of worship and celebratory human sacrifice. I had very high expectations for this record coming in.
Thanks to Holy City Zoo for far exceeding them. James Damion


Get it Here

Wednesday, May 23, 2012

Secret Country - 7 Days a Week EP

Do you like hot dogs, beer,
fried chicken, bbq, hog calling, honky tonks and outlawed Outlaw Country? Well son, I got two songs that are gonna make you bust your belt buckle and make you want to party till the cows come home.
New Jersey's sexiest sextet has returned with their first recording since 2010's
"Hard White Snow".  This is the bands forth offering on
Killing Horse Records and will be followed by the bands second full length due in August of 2012.

The EP features two songs.
"7 Days a Week", a song about drinking 7 days a week and "Deep Fried Delight", a song about fried chick, a buxom lady and some sweet, sexy down home love. If this doesn't get those bible belts up in a
hee-haw. I sure as hell don't know what will. For all you Punks and Hardcore kids that don't quite understand what's going on here; They just might be to Country Music what Murphy's Law is to Hardcore. Order a copy now and tell 'em Johnny Cash sent ya.
James Damion
Buy it Here

Tuesday, May 15, 2012

Go Deep - Counseling EP

After seeing Go Deep play a short, yet impressive set at the Stolen Sleeves Collective in Brooklyn a few weeks back.
I decided to investigate a little further to see what I could dig up about this seemingly unknown band.

The band plays an explosive brand of mid paced, positive Hardcore that has this relatively new band sounding more like seasoned veterans than new kids at the table. Go Deep's core revolves around
Kris Kneale and Danny Rico and hopes act as somewhat of a collective in the future with various players contributing.

On "Counseling" these Brooklyn vegans deliver the goods in short, distinctive bursts. Though each of the five songs featured come in at under two and a half minutes; they leave a lasting impression on the listener. The EP opens with "Late Notice" which rolls in slowly before delivering a devastating blow. "Elders" the EP's third track is, for lack of a better word, colossal. The songs tough riffs are insane and an apocalyptic feast. "Counseling" is currently available for download on their Bandcamp with hopes of being pressed sometime this summer. Regardless, Go Deep is off to an impressive start. I'm looking forward to hearing more from them in the future. James Damion

Counseling  Download
Generic Insight Radio Comp.  Download

Wednesday, May 9, 2012

Pilots in Orbit - Did You Grow Up Fast?

I've only been to Union a handful of times during my ten or so years in New Jersey. Whenever there I always felt somewhat unsettled. Understandable, considering that during each drive through I was in the midst of being completely lost. Maybe if i had known a little more about
Pilots in Orbit at the time.
I might have felt a bit more at ease. Perhaps explored the area a bit more.

On the bands debut EP,
Pilots in Orbit ask the question I've been asking myself for a very, very long time.
"Did you grow up too soon?"
The answer to that question, for me personally,
 is always and will always be a resounding "Yes". Lucky for us, these Union space travelers took their time crafting their sound and didn't rush honing their  sound. Lucky, because that time has produced one hell of a record.

The quartet offer a dreamy, ambient pop sound with guitar parts that are hooky as hell but aren't afraid to rock. Montero's vocals soar but never overwhelm you with any uninvited drama. Being one of the most uncoordinated people in the tri-state area didn't keep this listener from aimlessly dancing around like a wound up Peanuts character during a holiday special. Though not formally schooled in this particular format of sound I was instantly drawn in and comforted by the songs warmth. There's are lot's of interesting melodies and textures throughout and enough power to give it the muscle it needs keep the listener on their toes. "Past, Present, Future" just might be the perfect "rainy day" companion.
While the opening melodies on "As long as we got some…" are bright enough to wake the darkest of souls. They may not be the "Next Big Thing" out of New Brunswick;
But that's okay, because they're  from Union. Can't wait to hear more from these sky pilots.
James Damion


Get it Here

Tuesday, May 8, 2012

Melissa and Paul - Live Hard EP

Think of all the beautiful eccentricities of the White Stripes with female vocals and a more skilled and complex male drummer. That was the first thing that came to mind when listening to this beautiful six song EP. Melissa's soulful, haunting, banshee vocals and twangy guitar on top of Paul's loose, jazzy percussion are a perfect mix. The music is bluesy, soulful and instantly addictive. The lyrics on "Live Hard" speak volumes about the records title.  "The Suns gotta set to rise/Gotta be dead once to be alive" and "One things for sure - that I'm not ready to die" remind us how important it is to live every moment. Just as this record reminds us how powerful and important music can really be when it's done from the heart.

Though immediate comparisons to the White Stripes and the Screaming Females are inevitable; Melissa & Paul always come off sounding fresh and original. They are a
"Dynamic Duo" in every sense of the term.

"Live Hard" was recorded during a weekend in October 2011 which would otherwise be a side note if these songs didn't exemplify the mood of that particular month. With this release and the release of Those Mockingbirds "Fa So La", Star Beat Music is definitely making a name for themselves as a powerhouse in 2012 and beyond. The attention to quality on the music is matched by the detail and beauty of their packaging and the artwork within.
James Damion


Get it Here
Melissa and Paul

Thursday, March 15, 2012

Olde Ghost's Derrick Hachey

Derrick Hachey and I have shared an online friendship since the days when My Space was a relevant internet presence. Over the years we've stayed connected through both mutual friends and a love for Hardcore Music.  So when he contacted me and asked if I could give his band "Olde Ghost's" upcoming EP a listen and possible review I was more than happy to oblige. After giving "If We Ever Get Out of This Alive" a fair share of listens I was rather impressed. So with about a month left before the records release I decided to hold off on the review and send over some questions about the band, the record and the state that seems to have cornered the market on rain. Washington's Olde Ghost are set to release their debut EP  04/14/12 via 1,000 Knives/ Hardcore Maniacs. Be sure to get yourself a copy.
James Damion

Olde Ghost is:
Sara Russert- Vocals
Chris LaPointe - Vocals
Kirby Charles Johnson - Guitar
Derrick Hachey - Bass
Ego - Drums

James: The bands been together for a good two years now. Why did it take this long to release an EP?

Derrick: The truth of it is that we are all pretty busy… Sara teaches vegan cooking classes and caters; Chris has a demanding job with Earthcorps; Kirby is a fulltime student and also runs a company with his partner, Anika; Ego is a tattooer and artist; and I have a consulting company. So while we love making Olde Ghost music, it seems to take us longer than most bands to do so.

James: How are you planning to support the release? Will you be touring or just playing locally?

Derrick: Mostly we’ll be playing around locally and regionally in the Pacific Northwest. If there is an opportunity to go out and play some shows with friends beyond that, we would consider it if it fit into our schedules. As a band, we aren’t under too much pressure to ‘move units’ or whatever, which gives us the freedom to kind of do what we want. Mostly we just want to play fun shows with our friends.

James: Tell me about the title. "If We Ever Get Out of this Alive…". It's pretty dark to say the least.

Derrick: It’s a line from a song on the record called ‘For’, which primarily talks about animal liberation activists faced with the loss of personal freedom and imprisonment. The second part of that line, which makes it perhaps a little less dark is “I’d do it all again”, but for the sake of a title for the record we left it off, leaving the interpretation up to the individual in a ‘what If I got a second chance’ sort of way.

James: I just recently became a vegetarian. I'm curious about your status as a vegan. How long have you been vegan and was there an evolution of sorts from  meat eater to vegetarian to vegan?
My reasons for become a vegetarian came from more of a health standpoint. What were yours?

Derrick: I've been vegan for about five years or so, and was vegetarian for about twenty years before that. I'm sort of the newby in the band in that regard, the rest of the band has all been vegan for fifteen years or more. For me, basically, I made the transition from vegetarianism to veganism because I just felt I could do more to alleviate the suffering of living beings. I don't want to contribute to that suffering, and really didn't want to literally injest suffering and more. The transition was pretty easy, and Seattle is a pretty easy city to be vegan in, there are a lot of vegans here, and finding food in restaurants and grocery stores is pretty easy.

James: Over the years I've known a lot of people who were met with a lot of anger, aggression and prejudice over there chioce. More so than any choice over drugs and alcohol regardless pro or con. What was your experience like?

Derrick: I have witnessed and experienced the hostility from non-vegans towards vegans, however. I'm not sure what it stems from...why would anyone care if I, or anyone, don't eat animal products? Does it go against what most people were brought up to believe, in terms of what animal's perpose is? I guess. Most people are taught that cows, pigs, chicken and fish are for eating, dogs and cats are for pets, and so on. When that is challenged, I guess people become uncomfortable and lash out. Maybe it's born of guilt in their own dietary choices. I really don't know, but i do know that there is nothing anybody can do or say to get me to eat or use animal products.

James: When you decided to form the band what were you looking to accomplish? Was there a particular message or mission statement you wanted to put out there?

Derrick: Honestly, we weren’t (aren’t) trying to accomplish anything. The reason we started the band was because we are all friends, and wanted to make music that we love with none of the pretense that normally goes along with being in a band, like we all did in high school. No drama, no trying to ‘make it’.
As far as a message is concerned, we believe in total liberation for all sentient beings. No humyn or non-humyn animal should be oppressed or forced to live in servitude to anything or anybody. Racism, sexism, speciesism, homophobia…they are antiquated concepts that have no place in any society.

James: I really like the vibe of the male/female vocals. They definitely compliment each other. What went into the decision to go with two singers?

Derrick: Chris and Sara have sung together in previous bands, but not in a co-frontperson sort of way. We thought the dynamic and duality of it really added to our songs, and would allow us to have this whole different layer we wouldn’t have otherwise.

James: Was the male/female decision a conscious one or did it just happen naturally?

Derrick: It was really just a natural thing. We had a song early on that we thought would be better if Sara sung some back-ups on, which she did. It sounded great, so it just sort of happened…she was our friend, and feels the same way about political issues as we do. Plus, she has an amazing voice.

James: Listening to the EP I got an immediate 90's vibe. i can't quite put my finger on it but it brought me back to a time when there was a lot more going on than just a band writing Hardcore breakdowns. I felt a certain urgency about it. What are some of the influences musically and personally?

Derrick: That’s great to hear! You know, we’re all a little older, and came up in a time when it seemed hardcore was more than hitting the pit, so that type of influence can be heard through most of our songs. Bands like Swiz, Verbal Assault, Soulside, Embrace and Black Flag are a huge influence on us, along with revolution summer era DC bands, and newer bands like All Teeth, A Better Hope Foundation, and Run With the Hunted.

James: You always hear about how depressing and shitty the weather is in Washington. Yet, anyone I've known that has lived or travelled there loved it and considered it a very special time in their lives. What's your take on that? I heard it rains twelve hours a day. The other twelve are devoted to fog.

Derrick: Haha! We just tell people that so they won’t move here. Seriously, I moved here from the East coast about 15 years ago, and instantly fell in love with the Pacific Northwest. Seattle is such a special place…so clean and beautiful. All the rain just makes the sunny days that much better.  That said, as I type this it is pouring out…I’m ready for some Spring.

James: Olde Ghost does a lot of work in its community. What are some of the project and causes you're involved with?

Derrick: There’s a few things we do, either through playing benefit shows or volunteering time. We’ve helped out organizations like Precious Life Animal Sanctuary, which was founded in September 1999 by Ralph & Caryl Turner, who have been actively involved in local, state and national animal protection issues their entire adult lives. We’ve also helped out The CAIR (Community Abortion Information & Resource) Project, which is a 501(c)3 non-profit social service organization dedicated to removing barriers to abortion access, and many others. We also play benefit shows to support Pasado’s Safe Have, One Hundred For Haiti, as well as the work our friends our doing at the DIY music space Black Lodge here in Seattle.

James: What's the Washington music scene like?

Derrick: Well, without sounding too much like a history lesson, The Pacific Northwest has always enjoyed an extremely vibrant underground music scene. Going back to bands like Brotherhood, Christ on a Crutch, and The Accused, through bands like Undertow, Champion and Trial, up to the present with bands like Cowardice, Erode, Cynarae, Outlook, Dead Weight, and so many others. We’re really fortunate that so many people make the choice to play music and support bands and venues. Because of all that, so many national bands find it worthwhile to make the trek up here to play. Even if they didn’t, it really wouldn’t matter…we can make our own fun.

James: I always talk about leaving things better than you found them. Leave a positive footprint on the places you've walked. Something that seems to be a constant uphill battle where I'm from. Do you think bands/musicians have a responsibility to their community? I mean, "Your just a fucking band.".

Derrick: Bands have no responsibility to anyone or to do anything. They are free to do whatever they choose. Whether it’s to write songs with pit calls and breakdowns or songs about animal liberation, or if they want to wear bear suits, or whatever…their choices and responsibilities are only to themselves , because yeah…it’s just a fucking band.

James: What are you looking to accomplish with Olde Ghost?

Derrick: Really, I just want to have fun and make music I love with my friends…play some shows, and maybe get people to think about how they treat other people and animals, and the planet we all inhabit.


Monday, March 5, 2012

Man on Fire - I Thought My Friends Were Punk


I have to say I was damn right excited when I heard that local hero Dan Pelic (Chambers/Something About Death and Dying) was involved in a new band. I have grown quite find his throat scraping vocal stylings over the last couple of years and felt pretty confident that if he got involved with new music again it would bare good results. The fact that he was playing drums with the new band didn't do anything to lessen my curiosity or expectations. After sampling a track on their BandCamp I was able to catch them live and pick up their 7 inch later that night.
On "I Thought my Friends were Punk" you get four songs that deliver excellent results. "God's an Atheist" is an anthemic opener. Guitarist Matt Harvey plays like he was born in the basement of the Dischord House during the peak of the Revolution Summer. While Brian Goglia vocals are a Rites of Spring meets Ebullition Records giants Current. (Look them up. You'll know what I'm talking about.) The intro to "Wild Turkey" has a  dizzying affect while the bass lines on "Rex Manning Day" are worth serious praise. Throughout the record the band melds straight up Hardcore and Punk rather nicely with excellent tempo changes, breaks and gang vocals. All of this coming together making for an excellent mix. Recorded at Jersey City's Treehouse Sound and engineered/mixed by Royce Jefferies.
The EP features some stunning illustration from Robert Gray and eye popping photography of Luke Brereton. Add Man on Fire to the list of excellent and diverse bands on The Tiny Giants Artist Collective. I'm looking forward to hearing more from these guys in the near future. James Damion

Man on Fire  Bandcamp

Wednesday, February 8, 2012

Sara - Spud Brain

As I was about to give Sara and their EP Spud Brain a listen I couldn't help but think I was about to tune in to a female fronted pop band that sang songs about high school crushes, teen alienation and how     "Mom  will never understand". Though, that type of music has surely carved out it's little niche in musics broad landscape, it could not have been further from the truth when it came to this band.

Sara, in fact, are a three piece (each of them strapping young men) from New Brunswick, NJ. The band plays a style that mixes 70's rock with the aesthetics 90's indie and a bit of a low-fi value that ties everything together rather nicely.
     The EP's seven tracks are driven by some genius guitar work that produces a lot of unique and interesting twists and turns. Spud Brain delivers its share of up tempo and low key moments throughout. Each song  offering  its own unique identity and style. There are soaring moments on songs like the title track "Spud Brain" and its followup "Cancer Songs". While, offerings such as "Almond Hours" and "Criminals" offer a more intimate vibe. 

Overall I found this to be an excellent release that has a lot of different elements that come together rather seamlessly. I always wondered what it was about New Brunswick that turned out so much excellent music. Listening to Sara moves me to continue seeking the answers. This band is definitely worth further investigation. James Damion