Violent Reaction - City Streets

Modern straight edge hardcore with a touch of  early 80's British street punk thrown into the mix, at least to my ears. Overall, the music is tight, angry and raging throughout the entire length of the Lp. Violent Reaction do a nice job of keeping the listener on their toes by combining  a good mixture of mid-tempo stompers with a few songs that move along at breakneck speed while still maintaining memorable hooks and thick chunky breakdowns...Good Shit...Dave G.  

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Family Matters with Brooklyn's Cinema Cinema

It's been almost a year since I originally sat down with Cinema Cinema in their dilapidated Brooklyn rehearsal space. During that storied interview I got an up close and personal look at Ev Gold and Paul Claro. That night I learned about the bands music, their family ties and what drives them to spend just about every moment of their free time on the road, in the studio and on the stage. Since that early July night I've grown closer to Ev and Paul. 
Close enough to honestly call them friends and have them consistently refer to me as family. So in the midst of a new single (A cover of PJ Harvey's "50 ft. Queenie) dropping this week on Dromedary Records, yesterdays interview with the Village Voice and an opening slot with the legendary Black Flag just hours away. It seemed like the perfect time to test that bond and it's limits by asking them for an interview. Remarkably, it worked out and I'm still getting invitations to family gatherings and ceremonial bloodletting. Here's what they had to share. 
James Damon

James: Cinema Cinema is set to open for the legendary Black Flag Saturday night.
You've spent a lot of time with Greg Ginn over the last couple of years.
Did you ever have any idea that a Black Flag reunion, however splintered, was ever a possibility?

Ev: NO. Not a word was ever mentioned of Black Flag reuniting during any of the previous five or six runs we have done with Greg and his other projects over the last few years.

Paul: It was such an unrealistic thought, it wasn't even worth dreaming about.

Ev Gold's take on the dueling Black Flag reunions; 
"One is authentic and has vital contributions to make to the cannon in a whole new way in the present day and one is a cover band that will play your event for the right price."

James: Were you at all surprised about your inclusion on the bill?

Ev: Honored and surprised.

Paul: There was some shock value, for sure. But once that wore off I was mostly,
just totally thankful.

James: You mentioned in our last interview that Greg was never one to rely heavily on his salad days. Did the announcement of these reunions catch you off guard?

Ev: 100%

Paul: Definitely wasn't sitting around waiting for that phone call, something that could never be anticipated.

James: What's your take on the politics of the different Flags being flown?

Ev: One is authentic and has vital contributions to make to the cannon in a whole new way in the present day and one is a cover band that will play your event for the right price.

Paul: What he said!

James: As time has passed the initial rush of the reunion has cooled off considerably.
My attention has turned to the fact that a couple of good friends are going to be kicking up the resume by playing the show. What do you think the kids (excuse the term) can teach their elders?
Do you think Black Flag can keep up with what Cinema Cinema has been known to deliver?

Ev: Believe me, we intend to absolutely destroy at these shows.. but i know in my heart that CC wouldn't sound like it does or work the way it does without the influence of BF and I am sure we will still be learning new lessons from the side of the stage after our set is over as the new lineup that Greg assembled for BF is the strongest one yet, in my opinion.

Paul: Absolutely. This lineup is NOT to be fucked with. I want to enter in an endurance test with their drummer.

James: In one of the oddest pairings in recent memory Cinema Cinema is teaming up with
Dromedary Records for their 20th anniversary "Covers" release. Though Al runs a stellar label, Dromedary isn't known for its heavy hitters or skull crushing acts. How did the opportunity show itself?

Ev: In such a natural and organic way that we couldn't ignore the chance to work together.
I will try to keep it brief: "big-hearted music loving NJ label head throws annual benefit show at Maxwell's for Roots and Wings foundation.

Cinema Cinema is asked to play the 2012. We made a good impression to a packed room. (somehow!Being crazy men has an appeal, who know?) After the show Al explains that he has run his label with love and care for nineteen years, keeping it alive through any and all changes in the business.
He asks us to be involved in the twentieth anniversary covers compilation for his label in 2013. The compilation, celebrating songs from 1993 (The year Dromedary started) We chose and recorded
PJ Harvey's "50 Ft. Queenie". Al's first reaction is "Holy Shit".
We thought we could stand alone as well and move forward with vinyl and digital "eye to eye D.I.Y." based deal for the cover song and one of the songs "Adult Themes" from
"Manic Children & the Slow Depression" as the B-side. In the end, everybody is happy.

James: Have you always been a fan of Harvey's work?  Was there anything specific that made you connect with that particular song?

Paul: Ev had suggested it as a possibility for our cover choice. I loved the song, but wasn't sure about it at first. But as soon as we got into the studio and fucked with it, the decision made itself.

James: Will you be playing the song at the Black Flag gig?

Ev: Anything can happen,

but I believe that we will be taking the set list that we have been touring hard and honing since last summer's release of "MANIC CHILDREN..." and deliver it to it's largest crowd yet. That set list does not include "50ft Queenie".
Why change an already proven and effective playbook when there are dozens of ears out there that have yet to hear it? "Queenie" WILL be added to the set this summer, but i doubt it will show up at the Black Flag shows.

James: We've talked about your kinship within the band in the past. But after seeing you at
Grand Victory and hearing about how busy you will continue to be in the second half of 2013 and beyond. I couldn't help but wonder about your relationships outside the band.
Does all that time away put a strain on your personal relationships? If so, how do you cope with it and how important is it as a musician or any artist to have a supportive and understanding partner?

Paul: I'm lucky enough that I get to do this with someone who is both my friend AND my family. So its not as hard to cope, but there's always going to be a certain amount of strain involved. For the most part though, our loved ones see we are on the right path. They see how hard we work to balance it all. So, I find myself becoming more grateful for the time I have with friends and family (those not named Ev Gold).

Ev: It is a dream come true to share these experiences with one of my best friends/family members. A sacred privilege. It has its demands but its rewards are priceless..especially when your not in it for the money, but rather the release it affords you. Best part is, as we go forward we learn even more how to attempt balance and moreover to respect what we do and treat others with that respect as well.

James: Last but not least, I've seen you a handful of times (maybe once or twice) and each time watching the crowds reaction is just as interesting, if not more than watching to perform. No matter the gig, the playlist or the crowd, there's always one certain.
You always close out the set with this reverb, distortion sacrifice to the gods that takes on its own ritualistic nature. When you're exorcising those demons (or perhaps welcoming them) what are you going through? Being that it's a major part of your set, how much of it is a natural release and how much of it is stage performance?

Paul: Total natural release for me. I'm always trying to put on a good show for whoever is present, but in the end...our shows have nothing to do with the audience. Its about being free to be the truest form of yourself and using that freedom to make a statement. There's a reason why it goes to that place every single time we close a set, regardless of how many people are there. We have no choice, its just what we do.

Ev: You can't just dig a grave, you gotta go through with the burial.

James:Where does Cinema Cinema go after this Black Flag gig?

Ev: Europe in November with Martin Bisi.

Paul: More hard work, day-jobs, tours, day-jobs, practice, Europe, more hard work.

Cinema Cinema  Band Site

Dromedary Records Get the new single here

Thinning The Herd - Freedom from the Known

If you've been following the many highs and absolute lows of Thinning the Herd over the past year or so you will know how absolutely important this record is to the band and it's founder Gavin Spielman.
With a number of personnel changes over the years and upon hearing of the very tragic and unforeseen death of the bands drummer Rich Cimato on December 26th, I'm sure many wondered about the future of Thinning the Herd. Would they sink or would they swim? Luckily for all involved, the future would prove the latter.

"Freedom from the Known" is highlighted by Spielman's exceptional guitar wizardry, trademark thick muscular riffs and powerful vocals. The album opens with the Motorhead heaviness and menacing vocals of "Never Wanted". "Doctor Reed", my personal favorite track follows, bringing early Metallica to mind  with it's angry growls and abusive guitar attack.
The albums third track "Sludge" lives up to it's title by bringing things to a slow, grinding pace. It's muddier than a Warrior Dash, with elements of unrelenting bluesy stoner rock, with Sabbath inspired rhythms and power. Spiraling , spoken word samples sprinkled in give the album a nice narrative feel. While the lyrics convey a spiritual and survivalist nature that hints at transcendentalism.

Released on St. Marks Records, "Freedom from the Known" is a stellar collection of songs and a soaring triumph for a band that's been through the ringer. Gavin's musicianship, leadership and overall resilience stand as testament of what can be accomplished with the drive and determination to execute the overall plan. James Damion

Get it Here TTH music

Big Eyes - Almost Famous

When I originally picked up
Big Eyes 2010 Demo Ep it was with the hopes of balancing out my Grave Mistake Records cart. There I was bringing my cart to an even sixty dollars adding a band unknown to me strictly based on the label cred.
Little did I know that the ep's four songs would become the highlight of that days purchase, thus introducing me to a band that was residing right in my back yard known as Brooklyn.

A few years later, with a couple of splits and the
"Back to the moon" EP tucked nicely under their belts. The band, now residing in Seattle, have unleashed their first LP.

"Almost Famous" finds this very talented trio in top form. Excellent songwriting and musicianship marked by Kate Eldridge's youthful voice and hook laden, riff heavy, guitar prowess. Though comparisons to Kate Shattuck of the Muffs are both accurate and complimentary. I can also hear hints of Joan Jett's early solo work. "Half the Time" ever so slightly recalls Jett's "You Don't Know What You've Got." The eleven songs featured on "Almost Famous" highlight the growth, maturity and overall focus of a band who's beginnings always seemed less than humble. As many of us less than talented rock writers hit the mid point of 2013 and begin looking at the years very best releases, "Almost Famous" sits rather comfortably at the top of mine. My turntable, not to mention my ears, humbly thank the band. James Damion

Get it Here  Grave Mistake Records

Cold Fur - Altamont Every Night

The highly anticipated debut has finally landed and damn, it sure is good. For those living outside of Jersey Nation, Cold Fur brings together members of Rye Coalition (Ralph Cuseglio, Dave Leto) and The Want (Adam Valk,Jeff Mackey).

"Altamont Every Night", which was engineered by the legendary Steve Albini delivers eleven songs of 70's Rock N' Roll excess and swagger, featuring
Ralph Cuseglio's signature screams, and  some nice dirty guitar work from  a louder than fuck rhythm section that would impress even the most dedicated Sabbath fan. Not only is it noteworthy, it's bastard sound is flat out praiseworthy.

Tracks like "Bro'd to Death" and "Just Like Brian Jones"deliver rock n roll genius with absolute savagery. While "Fat Vampires From Planet Wolf" drown the listener with it slow stoner pace and slutty guitar. Each song perfectly personifies the embodiment of the records title, with it's tight jeans and big mustache imagery you'll feel as if your speeding down a dirty dusty road in search of those elusive Kiss tickets.

Fans of Rye Coalition will not be the least disappointed with this gem. While those seeking a departure from the sound that band delivered might be disappointed. Nevertheless, "Altamont Every Night" goes a long way to live up to it's title. Providing everything you would ask for from a Rock N' Roll record and band. Get it. Live it. Let it kill you. James Damion

Get it Here  Bandcamp

Low Fat Getting High - Bad Yoga

Gritty and emotive post core that hits you like a rush of adrenaline into the blood stream. Four songs of thoroughly impressive rock that experiments with influences and sounds ranging from metal to post hardcore and grunge. The opener "Better, Better, Worse"  offers blazing guitars and pounding rhythms that bring to mind a fuzzed out power of Queens of the Stone Age and/or "Bleach" era Nirvana. "Childhood Friend" follows with similar speed and precision, while "The Claw" speeds things up. It's the closing track "My Hate", which is the longest song on Bad Yoga, and my personal favorite that brings the EP to a crashing, pummeling and titanic end.
"Bad Yoga" never lets up and never lets the listener down. Thus serving as an excellent introduction to a band with a less than inspiring name. I can't wait to hear more. James Damion

Pity Party - Do a Little Dance EP

After seeing Brooklyn's
Pity Party twice in just as many months, I decided to give a few of their records a spin to see if the bands recordings came close to their live energy and all inclusive party vibe.

Released in early 2013
"Do a Little Dance" does a lot more than it's working title might suggest. Offering a very danceable form of pop punk that, though indicative of everything those sub genres might suggest. Provides a little more edginess than that description might entail.
Lead singer Cassadys vocal delivery brings to mind a cross between The Muffs
Kim Shattuck and Big Eyes Kate Eldrige.
Worthy of mention is Fid's (Yeah, that's his name) edgy guitar riffs. They help give the seven songs some extra bite while adding some muscle and power to the bands overall sound. Did you happen to hear that, "Boys Don't Cry" riff towards the end of "Fortification"?  I sure did... And let me tell you, I really liked it.

All comparisons aside, Pity Party definitely have some good things to offer.
If you're in need of a little uplift or just want to get those feet moving. I'd highly recommend picking this up and checking them out live. James Damion

 Get it Here

The National - Trouble Will Find Me

My wife has been a National fan for years, which means I have unintentionally heard their songs 100's of times, and for the most part I enjoyed what I heard, but I always thought the music came across a bit to heavy handed for my liking.

On the new album "Trouble Will Find Me" the band have put together a collection of haunting songs that move along at a snails pace for the most part, but gone to my ears is the weightiness of the music that always seemed to stop me from being fully engaged in their albums . On this new platter the vocal delivery is clearer, the guitars are clean and even shimmery at certain points and overall I can't find a bad song in the batch. Looks like I finally found The National album that I am going to listen to because I want to hear it and not because my wife has it on in the background...Dave G.

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Brain Vacation - "The Musicians LP"

I wasn't sure what to expect after the first thirty seconds or so of the opening track "Victims". In all honesty I thought I was about to hear a full on surf instrumental and found myself fully prepared  to move on to the next submission. Then suddenly something awesome happened. What had been coming down the pipe. Flipping a switch that gave way to a nice thick heavy riff. I was hooked and "Victims" quickly reeled me in.
The following track
"Reprimand Sandwich" bites even harder with an opening bass line and verbal attack that brings to mind the Bad Brains classic "Attitude". "Waste Mountain" is another favorite of the ten song album.
The song really put it's hooks in me with it's driving chorus, guitar chords and pounding rhythms.

Though I found the band is a little difficult to peg. (Which in essence is a good thing.)
The songs have an early LA Punk vibe reminiscent of bands such as Bad Religion and
The Adolescents. Brain Vacation can also be compared to current  Raleigh North Carolina's punks Whatever Brains in that both bands are fast and heavy with a sense of quirkiness in their approach. Overall this was a great listen that really kept my attention throughout it's ten songs.

"The Musician" is available for free download Here. However, I highly recommend ordering the vinyl. Pressed on severely heavy 180 gram “molten core” colored vinyl and housed in a printed matte jacket with 2-sided lyric sheet/insert, shrink-wrapped for posterity and limited to 250 copies. Pretty damn tasty if you ask me. James Damion

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Michael Ironside - Top Shelf Hooch

New Jersey's experimental duo Michael Ironside return with their follow up to their surprisingly good 2012 debut"Gelatin Moon". The fifteen song "Top Shelf Hooch", a collection of love songs about an alcoholic trying to find himself in the 21st century. Proves to this listener that a joke, when good, should be short and to the point.

The LP opens on a promising note with "Top Shelf Hooch". Highlighted by fuzzed out guitars that bring immediate comparisons to bands like
Fu Manchu and Mudhoney.

Experimental, campy and downright annoying at times. MI come off sounding more like a comedy troupe in the midst of performing a comedic tragedy. As most of the album rely's on the comedic aspect, "Top Shelf Hooch" becomes more of an annoyance or inside joke than anything.

Though I really enjoyed brief moments on "Top Shelf Hooch". Those where guitarist
Jeff Wassenger gets to shine. Adam Lepowski's voice and the mode of it's delivery is so incredibly annoying and over fifteen songs, absolutely unbearable. If it's any saving grace.
I feel things could have been a lot different if the they trashed most of the album and made an EP from the tracks "Top Shelf Hooch", "Vapid Whore"and "Look What's Under the Hood". Unfortunately this album is comes off like a bad college prank that went on way too long. James Damion

Doziac - What Do We Do EP

Formed in October 2012 New York's three piece act Doziac seem to be searching for a place to fit sound wise. Describing themselves as pop punk, grunge, rock, alternative to name a few. They seem to be a band searching for both their sound and identity.
"What we do" features five songs of doze, doze, doze, uninspiring and underwhelming pop rock.
"Had a Baby", the EP's opening track is a good example of what's to come with it's campy and sometimes unbearable vocals. The downward spiral continues with a cover of Zebrahead's "Anthem". A song that would be better left uncovered. "What Do We Do" the EP's title song is by far the best track here. It's sweeping rhythms and vocals offer a nice pop flavor that's reminiscent of 60's pop puppets the Monkees. And while the song "Ecstasy" definitely has it's quirky moments. As a whole, it doesn't really grab me. It's follow up and the Ep's closer "Irrelevant Love Song" is a go nowhere doze fest that perfectly closes the EP out just as it was opened. Poppy, yet dull and underwhelming.
Though there is some very good musicianship on display here. I honestly felt no connection to the songs themselves. "What do we do" did nothing to make me want to hear more or invest any listening time in the band. James Damion
Doziak

A rare side note; I understand the bands members are young and Doziac is still a band in it's infancy. But when describing your band and it's influences, stick to what you love. No one cares about what you don't like. Disrespecting another genre, regardless of any shortcomings it may have in your already advanced opinion is not very smart. And though you may have been influenced by The Beatles and Nirvana (Most bands have whether they like to admit it or not.) "We have been told we sound like The Beatles and Nirvana." 
Might be the biggest load of shit I've ever read.

Archie Alone - S/T 3 Song EP

After seeing Archie Alone perform several time in a matter of weeks, objectivity didn't just go out the window.
It completely broke it on the way out. My only reservations with picking this up was it couldn't possibly live up to the  expectations their live performances had quickly created.

The EP opens with
"Living Like Kerouac". A track that almost immediately establishes a very credible presence with singer Nicole Mesce's passionate and urgent vocal delivery. The song, my favorite on the three song EP, kicks the emotions into high gear, reminding me of when emo still had muscle.
(Think Lifetime, Kid Dynamte) The lead guitar on these tracks is jaw dropping to say the very least. Adding bulk and muscle to the tracks while giving the music somewhat of a metal edge. The opening riffs on "Red-Staggered" serve as a perfect example of power and perfection.
"Waiting to Exhale" the Ep's closing track offers some tasty rhythms proving that Archie Alone are the complete package. Overall, this is the kind of band and EP that makes me wish that Me and Dave would expand and take the blog to the next level and start releasing records. So much for that objectivity thing. James Damion

Deadverse - Carpet Burns 12" ep

On this brand new ep  Deadverse come across as Switzerland's answer to current american bands like Hot Snakes, The Bronx and Small Brown Bike. Though the band doesn't list Hot Snakes as an influence I hear a bit of the Hot Snakes and/or Wipers in the riff structure of these songs, actually the more I listen the more I'm leaning towards a definite Wipers influence.

 Overall, "Carpet Burns" is an excellent ep full of passionate uptempo post hardcore that begs for repeated listens...Dave G.

On a  side note, I would like to give some praise to Take It Back Records. I've only had the privilege of hearing a few of their releases, but everything I've heard has impressed me in a big way. If you like this Deadverse ep I'd recommend giving the labels other releases a listen as well.

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Bodega System - Taber-nakyl Jakyl

Over the last couple of days I've had Bodega System's "Taber-nackyl jakyl" with me on a pretty consistent basis.
Each time taking something different away from the experience.

Formed in 1995 and still kicking out a style that infuses the best of early hip hop, electro and lo-fi drone. Overall giving their sound a dark yet chill vibe that I found addictive.

"The Whorehouse McGuffin" plays like a midnight run into the heart of darkness. 

I can imagine hearing this on the soundtrack to my favorite movie. The part where the
anti-hero digs deep for  the strength he never knew he had in order to overcome or better yet, embrace his demons.

Bodega System reminds a lot of my early experiences listening to underground legends Dalek. It was undiscovered territory for me and though at first, I didn't really know what to make of it. I found myself wanting to dig deeper. It also conjured up vivid memories of hanging out with Patrick System during my mid teens. Hanging out in the school yard of P.S. 145, drinking 40's and perpetrating all sorts of shenanigans while discovering our love for acts such as Eric B. and Rakim, Public Enemy and The Beastie Boys. It was there that I feel Patrick was gathering the bricks that would build what was to become
"Bodega System".  James Damion

Boxed Wine - Cheap, Fun LP

Boxed Wine are a five piece indie pop act that have been featured on UBRS a handful of times in the past. The bands upbeat, get on your feat and dance rhythms have managed to transform the contributors here from old,bitter and jaded men to lighthearted and joyous ones.

"Cheap, Fun" the ten song full length follow up to the three song EP of the same name continues that trend with ten songs that are, much like the editors here, uplifting and celebratory. The LP opens with
"Into the Night" which immediately puts the listeners toes on notice. "Cheap Fun" quickly makes its presence felt with it's falsetto vocals and intoxicating guitar melodies. Qualities that made the band stand out from the crowd early on. Though "Cheap Fun" doesn't do much to break new ground for the band. It does more than it's part to allow us to dance on it. As a band, Boxed Wine reminds me that life is all about the little pleasures. Moments when we let go of our fears and allow ourselves to just live in the moment. "Cheap, Fun" spares no expense to let us do just that.
Enjoy every note... James Damion

Cheap, Fun LP  Download Here

The Recordettes - Debut 3 Song EP

On their debut EP the Brooklyn foursome known as The Recordettes deliver three campy as hell tracks that bring a slightly modern twist to some long gone sounds.
The band brings to mind everything from classic acts such as the B-52'a to current party rockers
The Everymen. Elements of Doo Wop, Surf, Garage and 60's Phil Spector girl group sounds all in short order.  "Candy Store" sounds a lot like it's namesake with 50's "At the Hop" meets 60's Phil Spector girl groups sound (Ronettes, Crystals) and the EP's best track."Shower Requested" is a "Back to the Beach" inspired romp that draws comparisons to Dick Dale garage/surf instrumental. "John Waters" by far the least likable of the three tracks that features a male lead that can only be described as a more campy
(if at all possible) Fred Schneider. Though the sound serves as a  a nice cheeky ode to the past.
The delivery fails to go beyond coming across as even slightly amusing. Just not my bag of magic beans. James Damion

Get it Here

Archie Alone, Polyphony and International Override play L.E.S. Stronghold ABC No Rio

While many of my friends and contemporaries were getting their groove on at either the Black N Blue Bowl or the countless other shows that were scheduled around the tri-state area. I decided to take the more relaxed approach and head to one of my old stomping grounds to catch a handful of Jersey locals play their first sets at the Lower East Side's Punk Rock holdout ABC No Rio.

I got to ABC around 3:00 (The time the show was listed to start.) and there was not a guitar, amp or snare to be seen. So with the help of ABC kingpin Escheider, I finally got the keys to ABC No Rio's zine library. Over the years I had heard of this massive archive of fanzines but having gone to shows there for over twenty years and having been friends with just about anyone and everyone involved in putting on shows there. I'd pretty much regarded it as myth. Likening it to that of Bigfoot or The Life cereal kid dying from an overdose of
Pop Rocks. As I stood amongst the endless bookshelves of zines I thought thought
"I can kill an hour or a decade up here." It was insane.

After a couple of years of not seeing or hearing much from New Jersey's Polyphony I've been experiencing a renaissance of sorts with the band in 2013 with their recent series of shows at Montclair's hole in the ass The Meatlocker. The band plays a mix of screamo and hardcore that I really enjoy. Their live sets alway seem to always ignite the crowd and get everybody moving. Marshall and Cameron (Polyphony's singer and guitarist) provide energy and a sense of anything can happen unpredictabilty while drummer Wiggins and bassist Ariel seem to anchor the bands sound. It's really great to see the progress these kids have made over the past couple of years. After the show the band jumped in their go karts and headed south to Philly for their second show of the day. Impressive

Polyphony

Clifton New Jersey's International Override played an excellent set of punk that fused elements of soul, funk, punk and even 90's revivalist ska. They totally had the uplift mojo party plan in check. International Override

If you've been reading my recent show reviews you are well aware of how much I've grown to enjoy Archie Alone. The self desribed Pop Punk band from Jersey deliver their sound with a lot more kick and power than that sub genre might limit them too. The more I get to hear them the more I'm reminded of former Jersey noise makers Kid Dynamite. Their set had a ton of energy. Keeping everyone in the room on their toes.  Archie Alone

I was in a pretty bad mood due to a lack of sleep and an overabundance of clashes with local junkies in recent days. However, despite the weather, the turnout and the fact that I decided to forgo a huge Hardcore show in what was this years Black N Blue Bowl. I really enjoyed seeing some new favorites play a venue that for me, holds a lot of good memories. Thanks to Polyphony, Archie Alone and ABC No Rio for reminding me that life is always about the little pleasures. James Damion

Red Hare - Nites of Midnite - 2013 Dischord Records

Red Hare is a new group featuring Shawn Brown, Jason Farrell, and Dave Eight - all formerly of Swiz and Sweetbelly Freakdown - and drummer Joe Gorelick (Garden Variety, Bluetip, Retisonic).  The bands excellent new full length Lp is currently available from Dischord and I would recommend that any fan of these guys former bands check this band  out asap.

The best thing I can say about Red Hare is that they have managed  to put together a brand new band that stands up all on it's own and doesn't need to rely on the band members past glories to help carry them along.  In other words, the new album "Nites of Midnite" is not a trip down memory lane or some nostalgia trip for 40+ year old's looking to relive their youth. "Nites of Midnite" is an urgent, energetic slice of catchy post hardcore that on one hand contains everything you would hope this collection of musicians would deliver, and on the other hand manages to deliver  music that is fresh and most importantly grounded in the  present day and not in the past...Buy Buy Buy...Dave G.

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Sick Sick Birds - Gates of Home

I was sitting in a Kearny Bar the other night about to order my first drink of the evening when Killing Horse Records Mike Sylvia appeared before me raising his hand to say
"This one's on me." It was only a few nights prior that I had seen his band
(The Life Eaters) a few blocks down at another Irish themed pub. Before Mike's band played that night he handed me the labels most recent release Sick Sick Birds "Gates of Home"

Mike Hall's voice seems to find inspiration from Superchunk's Mac McCaughan. Highlighted by an endless array of great hooks and melodies that bring to mind  how albums like Superchunk's
"On the Mouth" and "No Pocky for Kitty" made me feel. Much like the albums I just referenced. I can see myself speaking of "Gates of Home" with similar revelry years from now. Just as I have in recent days. I'm going to be revisiting this bag of magic beans regularly. The folks at Killing Horse records are doing a great job working with consistently praise worthy acts and producing quality releases time in and time out. James Damion

Killing Horse Records  Get it here

Sick Sick Birds  Facebook

Caught in an Altercation; Talking with Andy Guida Part I

In part I of my interview with Andy Guida I decided to focus on the reunion and history of the band Altercation. Saturday night the band will be taking the stage at Webster Hall for day one of this years Black N' Blue Ball. As far as reunions go, this will be one for the ages considering the band has not performed together in more than twenty-five years. 
Though they only had a demo, a handful of shows and a memorable WNYU set. 
They left a permanent mark on the first decade of the storied and oft misunderstood NYHC scene. In my mind the band always seemed to fit in perfectly with contemporaries such as Breakdown, Raw Deal and Krakdown. Good company if you ask anyone that was around at the time. This hopes to be the first of a trilogy of interviews I'll be doing with Andy. 
Thanks for the walk through. James Damion

James: Altercation were a special band for me back in the late 80's. I remember having an old army knapsack that had Altercation written with a big fat marker on it. The name Altercation looked perfect wedged between the likes of Raw Deal,
Breakdown, Krakdown and the NY Hoods. Can you tell me how the idea of bringing Altercation back to the present came about?

Andy: There were two near misses for Altercation reunions over the years. First, maybe 1989, we rehearsed at least once that I can remember. That was with AJ Novello on rhythm guitar instead of Myles. Then about ten years ago we thought of doing it. A promoter contacted me about doing a show. We even started rehearsing with
Scott Heatherly,
(Lament, Running Like Thieves) on bass. No second guitar. In the end we decided we didn’t want to do it. The band sounded great but we didn’t feel right about it. Over the years I’ve been approached a few times about releasing the demo as a 7”. I always resisted doing it for various reasons. But then we did the Absolution record with Ryan at Lushlife.

That went smoothly and he and I started discussing other releases we could do. Independently of that, I was contacted about doing the B&B Bowl this year. It made sense to reunite now. Myles can’t do it because of work commitments. Eddie wasn’t interested.
So it’s Paul, Jay and me for original members, and Dan Cav (Resurrection, Absolution) on bass. I think we sound great. I’m excited to get this band in front of people! We’ll see what else we do after the B&B Bowl.

James: What's going on with the 7 inch? Why did you decide to re record it? This practice of re-recording

old material is becoming somewhat prevalent with a lot of older Hardcore bands. As someone who was raised on these bands. It comes off as somewhat of a cop out. 

Why do you think bands tend to tighten the screws on old recordings as opposed to writing and releasing new material?

Andy: The record is not re-recorded old songs. It is the old versions of the old songs. It’s a phase corrected, mastered version of the original demo. We don’t have plans for any new material or re-recording the old stuff. But, there is a new outro on one old song in the live set. Maybe a free download of a current rehearsal recording playing the old songs? We have changed some things in a few songs. Just extending certain parts, not adding new. People want to hear what they love the band for. They don’t want to hear it all fucked up. When I saw The Police on their reunion tour I thought they were weak. "Next to You", as a mid tempo laid back groove is not good. I didn’t want them to rearrange the songs I knew from studio and live recordings. They changed too many songs. It’s one thing for a band that is consistently together to morph songs. It’s another when you come back after 20+ years and songs sound completely different, however recognizable. Altercation, in it’s current state as a reunion band, wants to give people what they remember.

As far as old bands re-recording old songs I can see why it’s done. In the case of Absolution we did it because Gavin and Djinji felt strongly that the recording and performances on their 7” was sub-par. I have to agree. And I think the record we did destroys the old one. I haven’t listened to any of the redo records except for Exodus doing "Bonded By Blood". I don’t like it. The original was well played, well recorded and it was heavy as fuck, perfect to me.
So I can see both sides. Some fans want the original. But to me, if the original isn’t good it needs correction. It’s all about perspective though.

James: I recall seeing Altercation several times and remember the Crucial Chaos set rather fondly. 

The band had a certain vibe and energy about them that was dangerous and explosive.
As if to say, "Before this set is over, blood will flow." Was that reputation more perceived or earned?

Andy: Some of the guys in the band got into plenty of fights. Some of the friends of the band got into plenty of fights. Of course, 15-18 year old skinhead kids tend to fight.
And we were pretty damn pissed off skinhead kids. But we weren’t exactly the Cro-Mags.

James: I understand one of the bands girlfriends at the time wrote a lot of Altercations lyrics. I can only imagine that was a first in the history of NYHC. How did that situation present itself?

Andy: I don’t know how that happened. I must agree, it’s got to be a first. Bianca, then Paul’s girlfriend, wrote the lyrics. I don’t remember how that came to be. I don’t recall caring, I thought they were great lyrics. We all did. We were young and clueless. And very, very angry. Anger looking for a direction. The lyrics aided in direction, I suppose. Though I never noticed it back then. There was mention of borderline "racist lyrics". 

James: There was a lot of racial tension around that time. I was curious about how those ideas materialized and how they were received in the Hardcore community at the time.

Andy: There was a pretty big skinhead thing going on at that point so we were very well

received by a segment of the people going to shows. I’m sure there were plenty that

thought badly of us. Within in a year of being in Altercation I had regrets about aspects

of the band. I read something where Walter Schreifels said he saw us and worried the

dark side was going to win. That cracked me up. That’s a powerful reaction to evoke!

Though, not the one I want at this point in my life. There were definitely prejudiced and simply misguided lyrics. Also some stuff that’s not correct. Robert Chambers, who, “Getting Away with Murder” was about, did not get away with it. He went to jail. Although the sentiment, the rich “getting away with it”, still is true. But I can’t change what was said. The music is great, and we can change some lines live. If we were skrewdriver I couldn’t stomach doing a reunion. We were hardly that.

James: When recording the record did you make a point of changing them?

Andy: Live Jay is changing some lines. When he remembers. Hearing it one way for twenty six  years made an impression!

James: Can we expect new material and songs from the band in the future?

Andy: Don’t expect new songs from us. It could happen, but it’s unlikely

Altercation  Facebook

Atercation Blogged and Quartered

Six III Studio  Andy Guida

Sickoids - No Home Lp - Sorry State Records

Sickoids are a raw and powerful hardcore band consisting of ex members of Direct Control, Government Warning, Witch Hunt and Bad Advice. 

The band's brand new Lp "No Home" will hit you like a full on kick in the sack. The music is thick, tight and raging from start to finish. Sickoids somehow remind me of the incredible old school hardcore/metal band DBC (Dead Brain Cells), especially in the song "Empty Death". I am sure this is completely unintentional and probably something that is only heard inside my own head. The band compare themselves to Poison Idea, and I also hear a bit of an old school Boston sound, and even Dr. Know in these songs.

Anyway, another top notch release from Sorry State Records that you need to add to your collection...Dave G.

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Christina the Astonishing - I am not the American Teen

After witnessing these kids perform an out of control set at Montclair's Meatlocker I half heartedly decided to take the bands CD home with me.

Turns out this was a lot better than I expected. Five songs of well played, well produced youthful anthems. Fast, driving and relentless punk with impressive musicianship.
Five songs that come in under ten minutes. "Bike",
"I am not the American Teen", "Null", "The Graak", and "Another Revolution" each pack  plenty of punk rock punch and aggression.

As I watched Christina the Astonishing play live the other night. I remember thinking,
"These kids look as if their still working on their freshman year of high school."
The bands bass player looked as if he was pushing twelve years. But in listening to these five tracks I'm reminded of how that was the age me and my friends were getting into Punk Rock and Hardcore. Going to shows and starting bands. If this is any inclination into what the future holds for the band. We all have a lot to look forward to. James Damion

Christina the Astonishing  Official

Montclair's Meatlocker Offer Punk Rage for the Under Aged

Saturday night I headed up Route 3 to Montclair's Meatlocker to see These Branches, Polyphony and Archie Alone to name just a few. During the week I got two invitations to the show and though I didn't see Archie Alone on the bill with the other bands. I was assured they would be playing. As I entered the club I was greeted by the shows booker and Archie Alone guitarist Cindy Ward. I really enjoyed the bands set in Clifton and thought it would be the perfect time to tell her. I guess I was talking to long because I began to get a mouthful from the Meatlocker's tough little door enforcer Ana. Cindy introduced me and I paid my way before she had any chance to draw blood. I really liked her tough girl attitude and swagger. It got to a point where I wasn't sure if I wanted to smack her in the head or kiss her. I decided instead not to risk any broken bones and headed downstairs.

ELI

Eli were the first band I caught. It was also my first hint that I had unknowingly entered a costume party. There were a group of young teenage girls dressed as if they were returning from a cast party for "The Great Gatsby". One of them managed to step on each of my feet as I stood by the wall. (You know what they say
"Big feet, Big ...) As the band began their set I immediately noticed the guitarist was wearing a Grateful Dead shirt. The plot thickened. I began to hope for candy and heavily spiked punch.
Eli's set was short, stationary and underwhelming. A cover of Nirvana's "Breed"
I was a little disappointed when at the end of their set the guitarist threw his guitar down .
I couldn't help but think, "I bet his parents paid a lot for that shit."

Christina the Astonishing 

Next up were Christina the Astonishing. As the band began setting up their gear the costume party theme got upped a few levels when the bands singer took the stage looking like he just got off tour with the Casualties. The Reagan Youth jean jacket patch immediately caught my attention. Being that he was so young, I couldn't help but wonder if he knew much about the bands legacy and tragic ending. Or if he just recently caught the newer version that's playing dress up these days. Quickly the band launched into their set. Their all out singer racing around like a crazed teen. Launching himself into the crowd, jumping off amps as he sang wild abandon. The really stupid part came when he struggled to pick up a cinderblock that sat behind the stage. Barely able to lift it above his waste, he launched into the crowd. Lucky for us it only landed about three inches beyond his feet. "Hit the gym kid." I laughed. Amongst their own songs the band did covers of Green Day's "Basket Case" and The Ramones "Blitzkrieg Bop". Regardless of any silliness and youthful hijinks on part of the band they were pretty damn good. It made me think of how I was once a fourteen year old punk. The truth is I wasn't cool enough to actually have a band.
Christina the Amazing took it up a notch.
Christina the Astonishing

Though I was quite disappointed having missed These Branches and Polyphony due to the fact that they played in some alternate show in an all to alternative room at the Meatcave.
I was really looking forward to seeing Archie Alone. I'd seen and heard the band for the very first time over at Clifton's Dingbatz a little over a week before and was thoroughly impressed with their set. See Review

While their set at Clifton's Dingbatz was certainly an eye opener for me. The bands Meatlocker performance was an absolute revelation.

Tony Mastrolia - Archie Alone

Continuing with the nights costume theme guitarist
Pete Lepore wore creepy skeleton makeup that reminded me of the dance scene from Karate Kid meets Heath Ledger's Joker role in Batman. However the unanimous winner of
"Best and most ridiculously sweaty costume would definitely have to go to
Archie Alone bassist
Tony Mastrolia's teletubbies suit. Wearing that suit was imaginative and ballsy to say the least. The mans tolerance for heat and for heat and discomfort should be taken to NASA for testing.

Archie Alone

The band describes themselves as melodic punk, an influence that can be found in Nicole Mesce's emotional vocal delivery. It's the guitar work of Cindy Ward and
Pete Lapore that really give the band a harder edge. Their set was was filled with an intense energy that took the entire show to another level. Giving it a sense of authenticity that I felt took things from a high school battle of the bands vibe to a gritty basement show feel. I found myself being transported to the days when I take the trek from Manhattan to some undisclosed basement show at John Hilt'z House (Born Against, Greyhouse drummer) or any random intimate basement setting. Seeing Archie Alone twice in such a short time span has been very rewarding.
Archie Alone

Aliens on the Wall

Aliens on the Wall followed continued the uplifting party vibe that seemed to be building with each band.
I really enjoyed the bands straight forward punk sound. Guttural vocals, an aggressive guitar and a rumbling rhythm section gave the band a cool edge I really liked. The bands sound was tight. They gave off a very positive energy. One which the crowd fed off. Their cover of The Killers
"Mr. Brightside" caught me by surprise considering it wasn't nearly as old as the others I heard during the show. I guess it could be attributed to both the bands taste and age. Regardless, it had everyone singing in unison.
Aliens on the Walls

By the time Aliens on the Wall were finished with their set. The Meatlocker

was in a celebratory mood I had never seen before.

That's when Cindy turned to me and told me how amazing the next band was.

Archie Alone's Cindy Ward with The Racer

It was one of those "Don't blink, you don't want to miss this." moments. Suddenly members of The Racer started to assemble the strage outfitted in full Cobra Kai (check Karate Kid) gear.
I kept thinking,
"Sweep the leg" "No mercy" and on and on. Then the music started and I got completely swept up in the frenetic energy of the music and the crowd. It was as if my feet were raised off the floor.
I wasn't caught up in something. I was a part of something. It was as if there were eight hundred people standing behind me. Each one sing, dancing and caught in whatever rapture I found myself caught up in. It was an amazing experience all around.
The Racer

A Boy Named John

Finishing the long night was
A Boy Named John.
The Parsipany five piece kept the uplift mofo party plan going just a little longer. Already exhausted from from a night of teenage angst I was more than ready to take my old ass home. Looking back I'm really glad I decided to say. The band played an excellent set of high energy pop rock that delivered just the right amount of energy to get home.
A Boy Named John

Thanks to Cindy for booking the show and being a great host. I had a great time.

Over and Out,
James Damion

Knife The Symphony/Swear Jar split lp - Phratry Records

In the press release for the Knife The Symphony/Swear Jar split lp they note their influences to be "Amphetamine Reptile's noisiest and most abrasive work, NoMeansNo, Shellac, Minutemen and Crucifucks." which is all fine and good, however the one band not mentioned as an influence  by Knife The Symphony is At The Drive In and for some reason they are the first band that came to mind upon hearing  Knife The Symphony, it's likely the shouted vocals that are drawing that comparison for me. The bass playing on the other hand has a definite heavy Shellac feel. Overall Knife The Symphony are an energetic unit that should appeal to anyone who is a fan of the bands stated influences.

Swear Jar remind me a bit of bands like Bastro and Rodan just for a reference point and they deliver their music with much of the same intensity and power that Knife The Symphony brought to the A side of this Lp.

Over the past few years I have often complained about the lack of bands who just blow it out in the 90's way that bands like Drive Like Jehu , ATR, Rodan etc did. It sometimes feels to me that there is a lack of bands who draw their influences from the heavier aspects of the 90's indie scene. Yeah there are a ton of punk hardcore bands playing the 80's style, but sometimes it feels like the kids of today only recognize and emulate the wimpiest aspects of 90's indie rock and they forget that there were actually heavy, aggressive, energetic bands releasing amazing records in the 90's...Thank you Knife The Symphony and Swear Jar for showing me that the best part of the 90's indie music scene hasn't been completely forgotten...Dave G.

  Listen and Purchase 

Thinning the Herd, Cinema Cinema and Some Shots of Jack Daniels Highlight My First Trip to Brooklyn's Grand Victory

Each year as the weather gets warmer and the days longer I find myself escaping to Brooklyn. Though I was born in Queens, New York. Brooklyn holds a special place in my heart. How could it not? Having gone to school there and worked my first "Suit Related" job just a few miles away. (Hey, my Mother was born and raised in the storied borough...)
On this particular night my reason for getting on to the L train had nothing to do with nostalgia or family values. It was to celebrate the hell out of the fact that two of my favorite heavy hitters (Thinning the Herd and Cinema Cinema) were playing the same bill. A show that would bring together two very heavy bands that though similar in their decibel levels. Take different routes and speeds when making deliveries.

This would mark my first trip to Brooklyn's Grand Victory. (I attempted to drive there once last year to see Cinema Cinema and got completely lost.) When I first heard of the place, the clubs name had me thinking of a larger club the size of perhaps Bowery Electric or even the Bowery Ballroom. A place that would featured thick necked bouncers with form fitting black shirts and flashlights. Luckily for me, that vision was more of a hallucination. In truth, if it were not for the small crowd outside the bar. We would have walked right past it.
Though it is quite nondescript exterior, the venue itself quickly became my new favorite watering hole. As I headed to the bar I found myself surrounded by some friendly characters. When I told the shaved head next to me that he reminded me of a young
Jimmy Drescher. (Murphy's Law) He raised his glass to me and ordered us some shots of Whiskey. I'm glad he took it as a compliment. The night was officially off to a good start.

As far as first shows go Pocket Pool raised the bar pretty high. Their high energy set featured everything from dancing and sing alongs from the attending crowd to partial nudity from the band. While sitting at the bar earlier the bands drummer explained to me the hidden meaning of the bands name. "It's about masturbation" he said. I looked up from my glass shocked from this revelation. "Really?" "That's downright salacious." In every possible way, their set was a fun and upbeat start to the night.
Pocket Pool

If you're anything like me, when you find a band you really love you want to see them live as much as possible. When putting that plan into practice you often run the risk of burn out. Sure, you love the band, that's already a given. However seeing them perform the same set numerous times within a six to eight month period can wear down that favorite band status. Fortunately for me, Ev and Paul (Cinema Cinema) keep their sets fresh and somewhat unpredictable. Many is the time I've heard them perform the song "Lady Abortion." Funny thing is I feel I'm hearing it differently each time. In seeing them numerous times I find one of my greatest rewards is watching the reactions and expressions of the faces in the crowd. That in itself is an experience. Cinema Cinema is playing with the legendary Black Flag at Brooklyn's Warsaw. Go, get out, get fucked.
Cinema Cinema

The band has had its share of personnel changes and personal struggles marked by the death of their drummer and beloved friend.... They since soldiered on releasing a new album
"Freedom from the Known" and playing shows with new drummer Garth Mackaleavey.
The band played an excellent set featuring much of the new albums material.
Gavin Spielman makes for the perfect frontman. The singer/guitarist/founder has an incredible stage presence.
Focused and ferocious, I can see him easily winning a stare down contest with Metallica's James Hetfield. The songs from the new album sound incredible to say the very least. Seeing them perform made me realize how much I've really missed these guys in the past year. Upon hearing their set, I felt assured that it wouldn't be long before our paths crossed again. I'm really glad I had the chance to see these two bands play a show together.
Thinning the Herd

Closing the night were Bbigpigg. I had never heard or heard or heard of these guys and did not have the slightest inkling of what I was about to experience. As the band assembled, one of the band members placed a studio flood light just adjacent to the front of the stage. I thought to myself "Okay, this is going to get weird." Luckily for me and everyone present at
Grand Victory that night, it did.
Noisy, experimental, loud and unexpectedly excellent. The bands style and performance could be best explained as a tribal ritual, a possession of not only the ears but the soul. Influences ranging from the Melvins to Jesus Lizard could be felt but their sound and style was one that was really all their own.
BbigPigg

I left fulfilled, exhausted and exhilarated all at the same time. Grand Victory is a great spot that seems to gather an excellent crowd of interesting and varied crowd. I plan on returning on a regular basis.

Until then,
James Damion