While We Wait - S/T 7' Inch EP

While the name "While We Wait" might read like the perfect handle for two guys waiting for the next thing to come along. The bond between Andy Guida (Altercation, Supertouch, Absolution...)  and Matt Warnke (Bold) go back to their time together in Running Like Thieves and more recently The Mistaken.

Less Bluesy and more connected to their Hardcore past than
The Mistaken were.
While We Wait's approach to Hardcore is more melodic and for lack of a better description, subtlety pronounced.

The EP opens with
"Kings Ransom". A song so ambitious with it's revved up guitar part, up front drum leads and emotionally drenched vocals.
The epic nature of
the song bring to mind the long lasting effects of Hardcore greats Supertouch and their landmark song "Searching For the Light" (A band for which While We Wait's Andy Guida played. a key role.) To even attempt describing the deep pull of the "Kings Ransom" without mentioning the emotional grip of Guida's backing vocals would be damn near criminal.
"By Now You Should Know Right From Wrong" follows respectfully with similar results before "All the Plans You Made" finishes the three song sample like a statement of purpose. It's all systems go with Matt's deep and soulful vocals belting out lyrics with both authority and purpose. Having listened to this a couple of dozen times  continually over a twenty four hour period is without pause, the highest recommendation I can possibly give.

Released on Freddy Alva's Wardance Records and available through Big Cartel. The record was produced, recorded and mixed by Andy Guida himself at Six III Studio. Matt Warnke wrote the songs, sings lead vocals and plays rhythm guitar while Andy Guida handles the drums, lead guitar, backing vocals.

Maybe it's time we move on from familiarizing ourselves with artists by mentioning or comparing their work to what they accomplished decades ago. Leave your preconceptions of what Hardcore kids can do as adults in the past and just listen. You might like what you here. I know I did. James Damion

Available Here

Fuck the Heartless - Bluebeard

Having been blessed with a very short attention span.
I'm more than equipped to handle single and shorts bursts of energy, creativity and pure power. So when some old friends asked me if I would share my thoughts and a few words on a recent burst of fury.... Let's just say, I was up for the task.

F.T.H. features three quarters of the band My Rifle.
With Hobi Klapuri being the only absentee on this track.
And though one can't help but draw comparisons to My Rifle. "Bluebeard" takes on an even darker, heavier approach. Driving guitars and pounding rhythms compliment dark, heavy and powerful vocals.
Unlike a lot of the heavier stuff I'm hearing these days, these guys don't rush through things. The mid paced "Bluebeard" decides to stick around a while. Coming in at 5:26, it does a good job of leaving a lasting impression.

Though the future of My Rifle remains questionable. The pieces assembled for this particular track really deliver. "Bluebeard" was recorded and mixed by Andy Guida at Six III studio in Forest Hills, Queens. It features Lewis Dimmick on bass and guitar. Andy Guida on drums and Jason O'Toole on vocals. James Damion

Bluebeard Download

Absolution - S/T 4 Song EP

Ever wish you could go back in time and hit the "Do-Over" button? Right the wrongs of the past and tidy shit up a bit? Well, that's exactly what the band Absolution did here. Originally released in 1989 by Combined Effort records.
The self titled four song EP was well received by the Hardcore/Punk community and deservingly praised as somewhat of a much needed breath of fresh air to a style of music that had grown stale due to mediocrity, caused largely by an influx of cookie cutter, paint by number Hardcore bands.
Fast forward twenty something years and a few reunion shows later. The band, which features original members Djinji Brown and Gavin Van Vlack joined by Hardcore veterans Dan Cav and Andy Guida, decided to right some wrongs by going back into the studio and tightening the screws a bit.

Upon hearing the band was going into the studio to record, I was sent into an anticipatory orbit. When Andy Guida, the bands drummer, engineer and producer informed me they were re-recording old material... Well, my anticipation quickly came crashing back to earth. Regardless of the results the improved recording and production might achieve. I couldn't help but scratch my head, wondering "What if that time in the studio produced new Absolution songs?" It felt like a cop out.

Fortunately for me, I decided to put aside any and all preconceived notions and listen with both an open mind and open ears. As the needle hit the records and "A Drop of Patience" kicked in. I was presented with a moment of precise clarity. It had been years since I last played the original EP. Yet, I could instantly hear the difference in the quality and overall power of the newer recording.

The marriage of Guida's colossul drumming and Van Vlack's signature guitar style create a sinister and unforgiving sound. Not to mention the addition of Dan Cav on bass. However, it's not until singer Djinji Brown enters the fray that I have to wonder aloud "I remember liking this band a lot." "How is it possible I didn't love this band?" While Brown's style will easily draw comparisons to a younger, healthier H.R. (Bad Brains). It also allows us a glimpse into, what was then, the not so distant future and Chaka Malik (Burn, Orange 9 mm). To close,
I'll say this,"Though I may have come to this record feeling a bit cheated."
"I left with a nice reward." The future of this band is yet to be determined. One can only hope that we'll see some new music from Absolution in 2013.  James Damion


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