Showing posts with label Dave Grohl. Show all posts
Showing posts with label Dave Grohl. Show all posts

Friday, May 23, 2014

Rye Coalition: The Story of The Hard Luck Five Documentary Premeire

RYE COALITION: THE STORY OF THE HARD LUCK 5 
Documentary Premiere 



An intimate and fiery rock documentary tracing the rise and fall of Rye Coalition
Premieres May 30, 2014 at the New Jersey Film Festival & June 8 in NYC

     When they signed with one of the world’s biggest record labels, Rye Coalition was primed to finally get their glory, or so it seemed. Like countless rockers before them, childhood best friends started a band in a basement with a couple simple goals in mind: have fun and play good music. As one of the first bands to develop the new “emo” sound, they were at the forefront of a movement that included Shellac, Sunny Day Real Estate, Jawbreaker and Karp (with whom they later recorded a legendary 12" split). Rye Coalition’s first recording was a demo cassette tape (1994's "Dancing Man", self-released), backed by an East Coast tour in a beat up schoolbus long before most of them had their driver's license. As their talent and fan base grew, they released albums on indie labels and toured the country for over ten years on bigger and bigger bills: (Mars Volta, Queens of the Stone Age,
Foo Fighters). After gaining momentum from 2002′s “On Top” LP, engineered by
Steve Albini, they were signed to Dreamworks Records and none other than Dave Grohl (Nirvana) came on as their producer. Then, it all imploded.

     The filmmaker has continuously documented these singular rockers for over a decade, brazenly chronicling choice moments with Rye Coalition (and those who know them well)
on tour, at home and in the studio. Although the band was praised by critics and supported by an absurdly dedicated grassroots fan base, somehow these Jersey rockers never got their due. Until now.  Dir: Jenni Matz, 2014; 77  minutes.
Featuring: Steve Albini (Shellac), Dave Grohl (Foo Fighters), Tim Green (Nation of Ulysses),  Jon Theodore (Mars Volta), Jared Warren (Melvins).

Documentary World Premiere: May 30, 2014

New Jersey Film Festival in New Brunswick, NJ at Vorhees Hall.

Tickets available day of show $10, advance tickets available via Paypal email NJMAC@gmail.com for information.
http://www.njfilmfest.com/screening.html

Documentary NYC Premiere: June 8, 2014
New York Premiere in Brooklyn, NY at the Knitting Factory 361 Metropolitan Ave
2pm doors $5 at door or available at:
http://tinyurl.com/RyeCoalitionNYPremiere


For more information, please contact:
Jenni Matz @ theryecoalition@gmail.com
ryecoalitionthemovie.com
facebook.com/RyeCoalition
Trailer at : http://vimeo.com/ryecoalition/trailer

Thursday, July 4, 2013

BL’AST!: Unreleased Recording Session Brought To Life By Dave Grohl For Release Via Southern Lord


"As far as stories of lost and found recorded material go, few tales can be told where all the pieces of the puzzle come together in fortunate ways, resulting in a brand new recording that surprised even the band themselves.
Having formed in 1982, infamous Santa Cruz hardcore legends BL’AST! released their first album, The Power of Expression in 1985. This debut blew everyone away and went on to become one of the highly sought after, “must- have” hardcore albums of the ‘80s. BL’AST! was beyond intense, continually pushing the boundaries of hardcore with their advanced musicianship, unstoppable energetic delivery and explosive live performances.
This overwhelming power caught the attention of SST records, who released the band’s second album, It’s In My Blood in 1987. Their third LP, Take The Manic Ride, was then released by the label in 1989. BL’AST!’s wide-eyed, ambitious approach and intense perseverance became an influence for many bands to come. Shortly after the release of Take The Manic Ride, the band broke up and their story was buried by time and dust….UNTIL NOW!
Earlier this year BL’AST! guitarist Mike Neider contacted Southern Lord with news that he had found some mysterious old BL’AST! master tapes in a abandoned storage locker.
Greg Anderson, a BL’AST! fanatic, wasted no time in sending the tapes to a studio to be baked. Needless to say, after 25 years gathering dust, the quality had deteriorated. Still, nobody could have anticipated what would follow. With the audio digitized, Southern Lord contacted fellow longtime BL’AST! fiend, Dave Grohl about mixing this recording, his response was an enthusiastic “FUCK YEAH!,"

Wednesday, September 12, 2012

"Salad Days" Documentary in the Works

SALAD DAYS  is a documentary-in-progress that examines the fertile Washington, DC punk scene of the 1980s. This was a particularly important time in the evolution of punk and independent music, with DC based bands like Minor Threat, Bad Brains, Black Market Baby, the Faith, the Slickee Boys, Void, Government Issue, Marginal Man, Dag Nasty, 9353, 
Gray Matter, Beefeater, Scream, Rites of Spring, Fugazi, Shudder to Think, 
Nation of Ulysses, Jawbox and others defining the DC aesthetic. Local record labels like Dischord, Fountain of Youth, Teen Beat, and Simple Machines would become standard-bearers for the DIY revolution. 




Friday, September 9, 2011

Scream - Complete Control Sessions EP

DC based legends Scream are back with their first release since 1993's classic "Fumble". Reunited in 1999 to play a series of shows including one at the DC's Black Cat during the blizzard of 2009. (Yeah, I was there)
Lucky for us they decided to head into the studio to record new material. As I pour over the seven tracks on Control Sessions I can't help but feel this is by far the bands best work to date.
Not to lessen the impact of the bands early work. Records like "Fumble" and "Bang the Drum" were epic recordings that still hold weight decades later. It's just that this record is that good. On Control Sessions
(Recorded live at Dave Grohls Studio 606 in February) the band fires on all cylinders.
It's great to see the original cast of Franz, Pete, Skeeter and Kent, along with the addition of guitarist Clint Walsh. The vocals and guitar work on the record are so good I was shaking my head in awe. All seven tracks have a "Stick to your ribs" effect but "Stopwatch" (The opening track) and "Jamin' at 606" are my absolute favorites. I'd highly recommend this to anyone. Even the most casual Scream fan can love a record that flat out "Rocks".
James Damion


Scream   Band Site