"Loose Leather" unfolds next,
it gives the sense that this band is looking toward bigger things than just a carefully-trimmed single or two for summer rock playlists.
Its Cave In-sized chunk, slick leads, and beyond-catchy vocal interplay between singers
Adam Bird and Tory Anne Daines bring me much closer to my alt-rock happy place.
The absurdly-catchy chorus of the pumping "Bodies on the Road" is probably my favorite on Penny, with the runner-up going to bittersweet pop-rocker "The Reckoning" and its declaration,"I don't wanna know what it's like to be happier." Elsewhere, where it'd have been easy to succumb to filler, the band toss us track after track with fresh flavors and elegant arrangements. "Destroy My Love" recalls the eerie indie-rock saunter of some of their
pre-Fa So La jaunts for a song packed with interesting contrast: The bass's stomp in the verse against Bird's feathery falsetto in the chorus; the timbres of the guitar and plucked violin as they both play the hook; the meditative bridge giving way to an embittered, explosive climax. "S.A.L.T." switches to downtempo shuffle with a gorgeous, mourning violin melody and layers of soaked guitar. Penultimate ballad "Model Myself" and closer
"I Feel Like I Died" turn toward a pensive mood with great effect, especially on the latter as Bird gives a crushingly frank morning-after reflection that creates an odd peace together with gently-fingerpicked acoustic.
Clearly a labor of love, Penny The Dreadful covers a lot of ground, and deftly so. Simultaneously blunt and subtle, simple and nuanced, Those Mockingbirds have struck a careful balance without sacrificing an ounce of passion. Like every strong debut, the feeling of satisfaction comes with imagining what they might try next. Penny doesn't provide any obvious answers, and I wouldn't have it any other way. Darrel Norrell