NGHTCRWLRS - Self Titled Debut

There's a scene in the movie Goodfellas where Tommy DeSimone comes to visit Stacks Edwards. As Tommy puts his pistol to the back of Stacks head he says "You're always late. You're gonna be late to your own fucking funeral." However violent, that statement sums up my history with reviewing new releases. Regardless of opinions, good, bad or indifferent. There's always a bit of room needed between my catch and release moments.

So with a recent record release show at Jersey City's latest venue The Dopeness still ringing in my years. I began to double down on NGHTCRWLRS self titled debut album.

Though somehwhat new to New Jersey's music landscape. The bands personnel have been making noise for years in acts such as All Sensory Void, Holy City Zoo, Lake Effect,
Nico Blues, Man on Fire and Washington Square Park.

On there 8 song debut the band does an excellent job distinguishing themselves with a variety of styles and approaches that allow them to escape the trappings that many bands seam to be falling into these days. Upon first listen you get a feeling that NGHTCRWLRS were hell bent on creating songs that each had a unique feeling and personality. And while the name NGHTCRWLRS might illicit thoughts of axe wielding serial killers or knuckle scraping Hardcore bands of the past. The bands sound and approach is more harmonious than such imagery could ever accomplish.

The album opens with "Smiling". A song that is spacious, spacey and all together spaced out. It's "Turn on, Tune in, Drop out" vibe feels as if it were born out of a 60's inspired LSD trip. Lasting side effects aside. It introduces the band properly. A mission that lets the listener know they're in for something different from what they might expect. "You're Living the Life" follows with it's repetitive, yet addictive chorus. Upbeat and uplifting to the point where I found myself singing the chorus long after the song and album were done. And while there are several other favorites Red "Beans and Rice", "The Amish Don't Wear Jordans" and the flat out weird "Homies".  It's the overall product that sticks out most. In order to surrender to the trip. You have to be up for the entire ride. In closing, NGHTCRWLRS debut was nothing
I ever expected. Yet, everything this listener could ever hope for. Get weird. Stay weird. James Damion

NGHTCRWLRS Bandcamp
NGHTCRWLRS Facebook

The Everymen - Givin' Up On Free Jazz.

For the band's sophomore full length, "Givin' Up On Free Jazz". New Jersey's
The Everymen team up with Ernest Jenning's Records. The nine piece, multi instrumental band, originally formed in 2009 and has since established itself as one of the hardest working band in show business.

The album opens like a rocket launch with a forty-seven second instrumental "Bl'ast Off". Mere seconds that prove, once and for all, that in reality, the "V" in guitarist Michael V.'s name stands for Venom.
The band quickly changes gears on
"A Girl Named Lou".

A song that puts a well deserved spotlight on Catherine Herrik's boundless vocal range.
The albums fifth entry and personal favorite, "AnotherThing to Lose", features a meaty bass line and overall vibe that immediately brings to mind Golden Earring's classic "Radar Love".
The Everymen invite Springsteen to the party with their cover of  "Ain't Good Enough for You." (No, Bruce does not physically contribute here.) The spirited homage is part E Street Band, part Asbury Jukes, all Jersey shore.
Overall, this is about as much fun as you can get without risking lengthy incarceration.
From the Metallic opener "Bl'ast Off" to the dark, deep and soulful closer "Izzy".
The Everymen put their uncanny ability to change up and switch gears effortlessly on display. The romp and the bomp we've come to love about the band is evident throughout and though the bands is as varied as it is retrospective. They seem to have created their very own genre here.
Each of the eleven songs featured on "Givin' Up On Free Jazz" cement The Everymen's reputation as one of the most loved bands out there. A pure celebration of drunken debauchery. One thankfully void the nagging hangover that often follows.
How can you possibly refuse? James Damion

Ernest Jennings Records  Get it Here

Pour the Pirate Sherry - Mirror Highs

In each of the several times I've seen Passaic County's Pour the Pirate Sherry. 

I feel I've walked away with more than I bargained for. More than I'd ever expect from a band with such a head scratcher of a name.The Passaic County trio featuring Jarett Quintana (guitars and vocals, ex- We're All Broken guitarist) Paul Beir, (current Reese Van Riper, former Vapor Apes and Paid in Full bassist) and 

Chris Osborne (Drums ex -The Escape Engine) just might surprise you.

The bands sound dances along the lines of alternative, indie and straight up rock while never straying far from the basic formula of what makes a good song, bass line or riff.

"Minor Highs" second track "Safetypen" displays a raucous party attitude with it's driving, upbeat aggression.
"New Space" continues to warm me up with it's convincing leads and twisting bass lines. One can help but celebrate the warm melodies the band delivers here. "All Most Had it" rocks a bit harder with a dreamy vocal approach that has me thinking of Evan Dando creating a Lemonheads classic on a porch somewhere in Cambridge. "Cars Gone" furthers the promise of this very busy band. Ending the set on a high note with some really sweet hooks and a bit of a Teenage Fanclub feel. With Minor Highs behind me. It might be time I look past the bands name and judge them on the music their creating. Look my peers in the eyes and say
"I too love to Pour the Pirate Sherry." James Damion

Pour the Pirate Sherry

Darryl Norrell Talks Science with Tomasz Garnek

North Jersey quintet Science have steadily developed into one of the most entertaining live bands in their area, delivering intricacy and a diverse menu of sounds with post-hardcore vigor. After dancing our asses off at a memorable Clash Bar set late in 2013, we made it a point to track them down. Guitarist/keyboardist/noisemaker Tomasz Garnek took some time to tell us about their impending debut album, their development as a band, and more.
Their single "Any Waking Moment" awaits you on their Bandcamp HERE. They'll appear live at Backroom Studios on March 1st for a Lamplighter-hosted show with The Sound Is Fine and Impossible Voyage, and with Reese Van Riper on March 9th at the Cake Shop.

Darryl: Science's sound seems to have blossomed since we first saw you play at the Meat Locker in summer of 2012. What's contributing to your development as a band?

Tomasz: Oh man, that was a great show, and definitely a turning point for us establishing ourselves in the local scene at that point. This was not long after our original guitarist left and we were trying to reconfigure our band as a 4 piece with Evan taking on lead guitar. Adam Bird of Those Mockingbirds was kind enough to get us in on that show, which was a Tiny Giant Showcase, and we were very lucky to have our sound heard and to network with a lot of great musicians that we are still very close with to this day. I think that show in particular, and the great reaction we got, gave us the confidence we needed to really push our band forward.

Darryl: What influences are at work in your new music? Is there a direction towards which you feel you're steering your sound on the full-length?

Tomasz: Well, I think one of the biggest influences in our new music and just the overall development of our band has been the acquisition of our current bassist, Andy Longo.

When we started Science in 2011, we were a 5 piece but with Alex doing bass duties.
In early 2012, one of our original guitarists left and we were forced to restructure our songs as a 4 piece. We were definitely struggling to find our sound and were leaning more towards pop punk. However, towards the end of the year, we started jamming with Andy, put Alex on guitar duty, and something just clicked.
Andy and our drummer Steve had a really good vibe off the jump and, being the highly skilled bassist that he is, he really made everyone in the band step their game up. We started writing new songs with him and moved away from our pop punk origins toward a more progressive rock sound.
We didn't lose our roots, but I can easily say that Andy was the missing ingredient in this concoction that we call Science.

Darryl: What was the recording process like?

Tomasz: We did the demos for the album at North End Studios, which is kind of like home to us. We have our practice space there and Ed Auletta, the owner and main engineer there, has been extremely supportive to us, almost like a father figure to this band. We've done plenty of demos with him, and he recorded our single "Any Waking Moment", which is currently available on our Bandcamp  HERE. (Shameless plug)
However, for the actual album recording, we went back to Backroom Studios where we recorded our first EP "Don't Panic!" in 2011. All of us have done several different projects with Kevin Antreassian over there, and we really wanted him involved on this recording.
We were lucky to have Ed come up to Backroom during our sessions as well.
We are very grateful to have such a high caliber of engineers and producers involved.

Darryl: What have you found yourselves writing songs about?

Tomasz: Alex generally writes most of the lyrics for our songs. What I personally like about Alex's song writing is that the guy can write a hell of a love song. I'm a sucker for pop, so I always appreciate a good ol' fashioned love song. However, one common theme in our band is that we're all huge nerds. So with the new record we have definitely delved into everything from Sci-Fi themes to life and death, and all that's in between. There's a loose concept of our new record about a man, in an undefined future, witnessing his world being destroyed, and the adventures of his life and death thereafter. It's very much open to interpretation, but there are songs on the new record inspired by things like MegaMan and World of Warcraft, so you can kind of see where our heads are at. Haha

Darryl: Has playing on the road been kind to you so far? How necessary do you think it is for a band to tour these days?

Tomasz: While we try to keep a busy show schedule, we definitely haven't been on the road much outside of the Tri-State area.

Our biggest struggle with the tour goal, which many local bands can relate to, has been acquiring a reliable tour van. We've been using my mom's old mini-van, the Silver Bullet, to get around to local shows, and while we all have a sentimental connection to that van (which is on it's last leg but seems like will outlive us all)
it is definitely not something we can tour with. Last year, we had a choice to either invest in a van or invest in a new record, and we chose the latter.
The next step, after the release, will be to get a good van and finally start spreading our music further. Even with the ability to get your music heard by more people due to the internet and social media, I think touring is still integral to a successful music career, and we very much look forward to it.

Darryl: Here's a chance to let it out. What's one thing we can all do to make New Jersey's music scene a little better?

Tomasz: That's a tough one, but I would say that the New Jersey scene is still thriving. Obviously, times have changed and everyone says, "it's not like it used to be, man", but it's not supposed to be how it used to be. The scene is supposed to evolve and change, and every generation of bands coming out has the responsibility to build on it. We came into this band thinking, "fuck it, there are all of these awesome bands in NJ, and all of these little sub-scenes, we're just gonna play with everyone", and that's what we did. We never pigeon holed ourselves into one genre; we've played with pop-punk bands, folk bands, metal bands, indie bands, rap artists, etc. It's amazing how many connections you make and what kind of camaraderie you start to feel. On our new record, we have several guest vocals from popular local bands, including additional horns and strings from other NJ artists. We wanted everyone to be a part of this record because the NJ scene made us who we are, and we wanted the record to reflect that. So, that's the one thing I could say we can all do.
Work together. Power in numbers.

Darryl: What's next, once the album's release is behind you? What do you guys want for the band going forward?

Tomasz: Well, we still have a little ways to go with finishing the record. Hopefully, everything will be mastered and done by the end of March; after that, we will be focusing on filming a video for our first single and releasing that. Then, we'll probably be shopping the record around for a bit. We would ideally like to have it picked up so we don't self release. That's obviously the dream, and we're thinking positive, but we don't have concrete release plans right now. Besides that, Alex is getting married in September (Congrats!), and, after that, the focus will be a van and touring most definitely. We don't know where this journey is going to take us, but we're definitely looking forward to it. After all, it's just a ride...

Darryl: Time to get serious. Stanley Cup predictions?

Tomasz: Haha, well this is definitely more of Alex's forte, as he's the big hockey fan in the band. He is predicting Chicago vs Rangers in the Stanley Cup, with the Rangers getting that W. So, I must say, Go Rangers!

Science NJ  Website
Science Faebook

The Sound is Fine - S/T EP

When a friend (Or someone who seems to be under the guise that your opinion amounts to little more than two cents.) decides to drop his latest project on your lap. The first thing that often comes to mind is "Oh God, I hope this doesn't suck." Lucky for everyone involved, The Sound is Fine more than lived up to their namesake.

Fuzzed out guitars battle bratty vocals while spacious melodies wash over the listener like cocaine on the set of
Two and a Half Men.
The opening track
'Big Dream Kid' immediately brings to mind 90's indie Rockers Archers of Loaf.
While 'Another Pup Kicked' and 'Blackout' swim in the deep end of the pool with a mix of 70's Hard Rock and 90's Alternative excellence. The EP's closer 'Running in Squares' has spacey and atmospheric characteristics that remind of the members former band
The Nico Blues. Although I miss the Indie sweethearts. It's nice to see its former members break new ground and explore new things.With a debut this good,
The Sound is Fine are sure to make a mark on the ever changing indie music landscape.
James Damion

The Sound is Fine  Get it Here

All Sensory Void - Psychedelic Syd and the Recklessly Abandoned

When Eric Goldberg sent me his latest musical output I couldn't help think back at the void that was left on Jersey's musical landscape when his band The Nico Blues, without much of a warning, fell silent, being that the band played such a large part in this blogs history through reviews, numerous images and an interview. Strangely enough, when hearing about the first release from one of the bands original members and key contributors, I wasn't exactly setting up a tent in order to be the first in line to review it.
In hindsight, maybe there was a need to be in a specific mindset that would allow these ears to listen without the many daily distractions that have the mind and ears running in varied directions.

When listening to All Sensory Void one can't help but be swept away by the laid back tones and sweeping harmonies. Overall 'Psychadelic Sid and the Recklessly Abandoned' has a warm and comforting feel  that never comes off as dull or flighty. Eric brings a lot of the songwriting quality that made The Nico Blues so enjoyable. James Damion

All Sensory Void  Bandcamp

Boxed Wine - Cheap, Fun LP

Boxed Wine are a five piece indie pop act that have been featured on UBRS a handful of times in the past. The bands upbeat, get on your feat and dance rhythms have managed to transform the contributors here from old,bitter and jaded men to lighthearted and joyous ones.

"Cheap, Fun" the ten song full length follow up to the three song EP of the same name continues that trend with ten songs that are, much like the editors here, uplifting and celebratory. The LP opens with
"Into the Night" which immediately puts the listeners toes on notice. "Cheap Fun" quickly makes its presence felt with it's falsetto vocals and intoxicating guitar melodies. Qualities that made the band stand out from the crowd early on. Though "Cheap Fun" doesn't do much to break new ground for the band. It does more than it's part to allow us to dance on it. As a band, Boxed Wine reminds me that life is all about the little pleasures. Moments when we let go of our fears and allow ourselves to just live in the moment. "Cheap, Fun" spares no expense to let us do just that.
Enjoy every note... James Damion

Cheap, Fun LP  Download Here

Courtesy Tier Debuts New Video for the Song "Cold"

Brooklyn's Courtesy Tier debuted a video that was so good, I couldn't help but share.

Official Music Video for the song "Cold" by Courtesy Tier From the Holy Hot Fire EP 

Recorded and Produced by Jeff Berner at Galuminum Foil Studios in Brooklyn, NY
Available here: Courtesy Tier
Courtesy Tier is;  Omer Leibovitz - guitar/vocals Layton Weedeman - drums/vocals

Directed by - Cameron Zonfrilli & John Welsh III
Produced by - Cory Choy & Silver Sound http://silversound.us/
AD/Producer - Reed Adler
Editor - Adam Abada
Colorist - Vladimir Kucherov
Director of Photographer - Andres Cardona

Production Assistant - Evan Zonfrilli
Production Company - Parlay Films

Gaffer - Terra Gorman
Grip - Brian Patierno
Art/Props/Swing - Danielle Pruden
Art/Swing - Peter Dodenhoff
Hair & Makeup - Sabrina De La Torre
Playback/Swing - Louis Gordon & Alex Portilla

Filmed at Parlay Studios http://www.parlaystudios.com/

The Courtesy Tier  Official

Invisible Lines Return to Headline Maxwell's

Keith Laviola "Touch me, I'm sick."

If it were a perfect world, a musically perfect world. All rock related shows in New Jersey would take place at Maxwell's. For me personally, there is no better place to play or experience music. Now, of course, we would have have to extend twenty four hour days to thirty six and me might have to fiddle around with that three hundred sixty five day year thingamagig. There would be work to be done. Things like turning the entire street into a "Maxwell's Only" event space with numerous areas to accommodate various stages and such. It sounds difficult; But we are talking about a perfect world. Work would have to be done. Sacrifices would have to be made. The simple truth is, the is no better club, bar, stage, sound, door man, ticket taker, bar or booking guru.
I've seen everyone from The Avengers to X
play there. It is one of the reasons I moved to Hoboken. It is the only reason I still live in Hoboken. If it were not for Maxwell's, I would be musically homeless.

On this particular Friday night I headed to Maxwell's in order to play catch up with both
Meet Pause and Invisible Lines while reintroducing myself to the band Lost Romance.
On top of that I'd get the chance to see what New York's Face the King had to offer.

Jimmy Hot Pants (Meet Pause)

If my calculations are correct, it's been about a year since I've seen those meatheads known as Meet Pause perform live. To be painfully honest,
I had almost forgotten just how good these guys really are. My last encounter was about a year ago at Jersey City's Lamp Post and though I thoroughly enjoyed myself. Seeing them wedged between the kitchen and the bars bathroom wasn't quite the way I like to experience music. This time around there would be no chicken cutlets and fries emerging from the drum set.
No dodging Blatter challenged bar goers. I was amped. I was ready.I would not be let down.
Meet Pause really fired on all cylinders. I really can't say enough about any opening band plays like a headliner. There were so many highlights to the set which covered both familiar and new tracks from their upcoming record. Though I've thought it to myself many times I may not have put it out there. Keith "Hotpocket" Laviola is one of the best guitar slinger the Jersey scene has to offer. Add to that the often effortless vocal delivery and story telling lyric style of Scott Thompson and you're just floored. On this particular night it was Erik Lindstrom and Jimmy Haidacher that really grabbed my attention. Erik, who seemed to be on his feet for the entire set doubling on drums and keys was candy for both the eyes and ears. While Jimmy Haidacher's bass lines were tighter than his skinny boy jeans. It was an exceptional set. One that defined the night for me.
Meet Pause Facebook

Face the King "This scarf's for you."

Now I won't go as far as saying I have any psychic powers but... whenever I see a group of hot young women dressed for sin gather around the stage to check out a band. There are too two things one can almost guarantee.
1. That band will most definitely suck.
2. You will not see any of those women once that sucky bands leaves the stage. Though I won't go as far as saying these guys sucked. Excellent musicianship and a big rock sound go a long way. The bands arena rock sound just didn't match the vibe of the room or the scant amount of people in attendance. After one or two songs I found myself looking for anything else to occupy my time.
Face The King Band Site

Gerry Perlinski of Lost Romance "Jersey Strong"

Lost Romance followed bringing somewhat of a breath of much needed fresh air to the room. While I've been keeping tabs on the bands steady climb through their Facebook page for some time now. I find it strange that I haven't seen the band since they played NYC's
Bowery Electric during the
CMJ festival in the fall of 2011. The New Brunswick trio have since kept very racking up their share of trophies, awards and praise from the New Jersey music press and beyond. Gerry, Tony and Amine play a style of alternative rock that often reminds me of the pre MTV Power Pop boom.
I had put seeing Lost Romance on a high priority for 2013. Getting to see them perform just a short walk from my home couldn't have made it easier.
Lost Romance Official Site

Invisible Line ; Will and Geoff match skills

Closing an already stellar night were Kearny, New Jersey favorites Invisible Lines. I first fell in love with these guys when they performed at the Brick City Sound Riot Music Festival back in 2011. Since that time they've become one of my favorite acts on the Jersey scene and beyond. The bands 2010 E.P. "Wise Up" helped in turning Killing Horse records and the Tiny Giants Artist Collective into household names here at United By... The band has been laying low as of late, writing and recording new material due for release in 2013. One can only hope we'll be hearing something sooner than later in the year. The band played a high energy, climactic set that mixed both old and new tracks. It's been quite a while since I'd seen them live and I couldn't help notice
Will Acevedo singing lead on more songs than in the past. It also cannot go without noting the addition of Geoff Bennington. Though he's been a member of Invisible Lines for over a year now; this was my first time seeing him perform live with the band. I really like his energy and he sure knows how to play that guitar.
Invisible Lines Facebook

I really enjoyed catching up with the bands and seeing so many familiar faces on this particular night. The Spring and the coming Summer are sure to bring us many shows, events and chances to quench our endless thirst for live music. I'll definitely be seeing you. Until then... James Damion

An Eclectic Mix Gathers at Montclair's Meatlocker

As I entered Montclair's dark, cavernous dungeon The Meatloacker. I thought to myself the same thing I think each and every time I enter the towns long standing ass in the wall. "What the fuck an I doing here?" It was almost 10:00 pm and much of nothing was taking place. After standing around for a couple of minutes I headed back to my car and started the engine. Lucky for me, I changed my mind once again and decided to go back. The following is what transpired.

I was not the least bit familiar with Old Bridge, New Jersey's The Luna Laval and twenty minutes after they had taken the stage, I still wasn't absolutely sure if what I was witnessing was a prolonged sound check or the bands actual set. To be perfectly honest, if it turned out that sound check happened to be their set, I would have been just as impressed. The band played a a complex musical style that somehow escapes a lot of the trappings of genre addicted listeners. A trait that can both open and close doors for a lot of bands, depending on the listener. As I stood there I found myself somewhat mesmerized by Tom Risi's tasty Bass play and overall movement.
Though the bass has become my most appreciated instrument in recent years.
I find most of my favorite players are too often, stationary musicians who blend into the background, rather than the forefront. Risi's movement and presence reminded me fondly of Nate Mendel (Foo Fighters,
Sunny Day Real Estate. Brotherhood.) Considering they were the shows opening band and it was my first time seeing them. They left a lasting impression on me. Definitely a band I'd like to see and hear more from. The Luna Laval

The time in between bands can often be long and socially awkward for me. But just as the stage remained empty. There was music and a sense of community happening on the floor thanks to the warm sounds of John Bentonamo's ukalele playing. Talk about a spirited individual. At the moment I didn't want to upset the intimacy of the small gathering by stepping in. Instead, I decided to loom close enough to take in all the mirth and celebration while not disturbing any tribal rituals that might be occurring.

The Harrison Four quickly assembled and though this DC area band was a late addition to the show. They made their presence notable immediately. Even as the band tuned up I could swear I heard little Minor Threat and Fugazi riffs being tested. Their set had a warm upbeat nature that was musically impressive, while remaining fun and light hearted. The addition of a horn player for the show didn't hurt things one bit. I felt a strong Lookout Records meets DC vibe. The band even busted out a Cleveland Bound Death Sentence. Impressive, to say the very least. I looked the band up before writing this and found out their also vegans. Kinda cool if you want to break bread with them after a show.
The Harrison Four

Raleigh's Empire were up next and I had the feeling I was up for something dark and heavy when I got a look at the material they were selling at the merch table. The band did not disappoint one bit. Turning the floor into their extended stage and bringing it to the small crowd of on watchers. I kept a safe distance from lead singer Ben Daughtry. Steering clear of his spitting fits. I like my bread just as crusty as the next guy. Just don't want to get caught in a shower without an umbrella. The band sounded great and brought an entirely different energy to the show. I picked up their CD "Shedding Skin" and should have some kind of review posted in the near future. In the meantime, check out the bands page and see for yourself. Empire

After three really good and diverse acts had played, I was feeling a lot better. Three bands down and two to go. Polyphony were next and just happened to be one of the two bands I was there to see. If you follow the blog you may recall they were one of the first bands interviewed for UBRS and if I remember correctly, the first guest interview from Shannon Perez of I Hope You Die. I was really shocked that the bands singer Marshall Davidson even recognized me after only meeting me once. It's been two years and though my interest in the band hasn't wained, I think I've missed a ton of shows. The band launched into their set and I could instantly see and hear the musical growth these young but very talented people have gone through. When I originally caught them at the Court Tavern they sounded raw but very good. They also seemed very stationary. Perhaps confined by the small space the  room, just to the side of the entrance, permitted. On this particular night, the band had all the room they needed to release their unbridled energy along with any other odors Marshall "Marsh-mellow" Davidson was omitting at the time. Polyphony would best be described as a screamo outfit. (Judging from the fact their lead singer seemed to be vomiting into a bag in between songs.) However, they are quite musical. They've changed drummers since the last time I saw them and as far as these ears could tell, it's brought they're blitzkrieg assault to a new level. Shortly into their set it seems the nights arctic temperatures were more than their brave frontman could handle and with some help from the aforementioned John Bentonoma's help, the shirt and eventually the pants came off. Upon witnessing this one can only hope Marsh-mellow can find some time in his busy schedule to hit the weights and get some much needed sun. Polyphony

By the time Ola Madrid hit the stage, it was well past 1:00am and to be honest, I was quickly fading. About a month back the bands guitarist Dylan Young sent me the bands September 2012 debut release
"Distance to Decay".
The five song EP has been getting a lot of play here at the UBRS headquarters.
The chance to catch them live seemed like a no brainer.
I came to this show with high expectations for this band. To say they raised the bar would be the understatement of the early year. The bands energy level and musical proficiency immediately ignited the crowd and gave me the little extra boost I needed to get through the late hour and the drive home that followed. The band has a new record due out this spring. It would be wise to keep your eyes and ears on the look out. Ola Madrid
For someone who was about to leave before the show had even started, this turned out to be the best and most eclectic show in recent memory. See you all next time.
James Damion

Talking to Aquarian Photographer Roz Smith

It's nearly impossible to go to a show these days without seeing any number of photographers lining up in front of or alongside of the stage. Add to that the sea of concert goers with iPhones, BlackBerry's and other electronic devices hoisted in the air like cigarette lighters were decades ago at stadiums, forums and auditoriums around the world. We live in an age where every moment is documented and shared for the world to see.
Being a photographer in my own right. I'm always eager to communicate and share experiences with my fellow shooters. Having shared the pit numerous times with Roz. I decided to reach out to the Aquarian Weekly photographer to learn about her beginnings, inspirations and working with the longest running alt. music weekly. James Damion

James: I don't know if you remember, but I fondly recall the first time we met. It was at the Brick City Sound Riot. We were both shooting the event and I remember being a bit drained after hours of shooting and jumping around like an idiot. We had exchanged pleasantries during the day but it's when either Invisible Lines or Those Mockingbirds were set to play, when you gave me somewhat of a warning that something really good was about to happen. Do you remember? Were you shooting for anyone in particular then?

Roz: I do remember that night and I'm pretty sure Those Mockingbirds were about to play.
I was mainly shooting for myself that night, especially seeing how it was the first show I felt like shooting in some time. That was a good night.

Lawrence Trailer

James: When did you first become interested in photography? Was there any specific style or photographers that initially inspired you?

Roz: Hrm, that's a good question.
I can't really put a year or date on when I started getting into photography. As a kid I used to buy a bunch of disposable cameras and just go shutter crazy with them- taking pictures of everything and everyone. Then I got my first point-and-shoot when I was maybe 10 or 12 and it was all uphill from there.
When it comes to photographers who have inspired me generally Cass Bird and Cindy Sherman have been two of my biggest inspirations. Todd Owyoung is another one I can lump into the group. There wasn't a particular style that inspired me, I wanted to shoot everything and everyone from landscapes, portraits, pets and especially bands.

James: How old were you when you started going to shows? Do you remember your first?

Roz: I was probably 15 or 16 when I first really started going to shows. My first show was in this basement in West New York. It was definitely a fire hazard type of deal but so much fun.

Morning James: How long before you started bringing your camera with you?

Roz: I had it with me from the first show. I had my little point and shoot with me and I probably pissed so many people off but fuck it,
I was having fun.

James: Do you remember who played? What is it that made people so pissed at you?
Were you blinding people with your flash?

Roz: Oh jeeze, I don't remember the full bill sadly. Probably my flash and the awkward positions I'd find myself in to get the shot I wanted. But hey, it's in the past (Laughs).

James: What was your first SLR camera? Do you consider yourself a gear head when it comes to what you shoot? What do you use now?

Roz: My first digital SLR was my Canon Rebel XS. I had that for four or five years before I upgraded to the Mark III. I wouldn't say I'm a "gear head" but I do some pretty ridiculous research before I purchase something new for my camera. My current body is the Canon Mark III, the lenses I shoot with are Canon's 24-105mm f/4 L IS USM, 28mm f/2.8, 40mm f/2.8 STM and my old favorite the 50mm f/1.8 II. I recently bought a Canon Speedlite 580EX II, which has been interesting to learn how to use after upgrading from a Bower flash.

James: So, what was the image that got you noticed? What was the band?

Roz: To be honest with you, I have no idea what got me noticed. 

James: Do you have any battle scars, broken gear or stories of out of control pits to share?

The Protomen

Roz: I certainly have had plenty of battle scars from shooting shows! I was at Mexicali Live shooting a band I love called
The Protomen and at one point one of the monitors fell off the stage and onto my foot. I've been pushed around, had screaming matches with other photographers (small photo pits will do that to ya) and had to protect my camera from the occasional drink thrower. I actually did crack the screen of my Rebel at a show, apparently sensitive screens aren't a fan of being pushed into sharp corners…..who would've guessed it!

James: How did you come to work with the Aquarian? What was your first assignment with them?

Roz: I just applied for an internship when I was still in college, had an interview and I've been there ever since. I started writing show previews, or Spotlights as we call them, but as far as my first major assignment I don't remember. I should probably dig through our archive and find out. Now I'm curious.

James: Have you taken on more responsibilities with them since then?
Roz: I have! I run their social-media sites and I run this video interview series called Project Greenroom.

James: I'm not familiar with it. Can you fill me in?

Roz: Project Greenroom is a video interview series where bands can, if they want to, also perform acoustically. I try to shoot them frequently but sometimes scheduling doesn't work out ya know.

Reese Van Riper

James: Where do you want to go with your photography? Where do you see yourself in say five years?

Roz: Hm, good question. As far as where
I want to go with my photography, I just want to keep on shooting bands
I love and work on coming up with some out there concepts for photo shoots. I do have an idea for a photo book I'd love to publish. Well in five years I hope to still be doing what I love, with another job to support my habits of going to shows and buying camera equipment. Frankly, I have no idea where I'll be in five years and that's the beauty of it. I'm just taking one day at a time and going from there.

(All photos, including her self portrait, by Roz Smith)

Roz Smith Photography  Facebook

Project Greenroom  The Aquarian Weekly

Boxed Wine - Cheap, Fun EP

It's been a cold, harsh winter here in New Jersey with few signs that it will ever let up. Luckily, there have been minor exceptions to the currently freezing rule of thought.
On January 22, our very own musical hedgehog,
Boxed Wine, released their three song EP titled
"Cheap Fun". Letting us know that better days are almost here. Many a time I've had to remind myself that life is all about the little things. Less is more and sometimes, big things come in small packages. All clique's aside, that is exactly what Boxed Wine have come to mean to me. They are the loose change in my couch. The twenty dollar bill I sometimes find in a coat I haven't worn in years. The pint of mirth you have to special order at your local watering hole.

The band takes a step forward stretching their musical legs a bit with "Cheap Fun".
Adding more texture and atmospheric elements to their sound without ever forgetting what made their first EP so special. See Review Here  "Bones" is an uplifting jaunt with rousing backing vocals and sweet riffs. Chris Mactire's effortless vocal deliveryoften remind me of a cross between that of  Scott Thompson of Meet Pause and Brian Sella of
The Front Bottoms. (A major compliment as far as I'm concerned) "Dayglow" crashes the party with a little more force before revealing itself as a pure party anthem. The quirky and very danceable "Boomerang" sends us home with it's very warm, inviting vibe that had me dancing in my editors chair. Boxed Wine may not change the world but it might just teach it to smile, have fun and dance, dance.
In times like theses, what more could you ask for? Go check it out.
James Damion

Cheap, Fun  Get it Here

The Everymen - New Jersey Hardcore

With several EP's and a drunken live cassette under their belts; The hardest working band in show biz delivers it first full length and as far as these ears can tell, it's a mixed bag of everything worth celebrating in life.
The band has a way of covering the entire musical map without leaving any embarrassing stains along the way.
The album hits all the sweet spots, drawing inspiration and energy from everything  50's Doo Wop and 60's Phil Spector inspired heights to Springsteen meets the Ramones while getting lost on the way to the beach.
"Dance Only, Only Dance" is a perfect example of my somewhat confusing description. It covers miles of ground with Michael Ventutolo's inspiring vocals and Scott Zillitto's amazing sax play.
Zillito's inspiring play on the  Saxophone come to the fore front on a regular basis but are most noticeable and noteworthy on the track "Novocaine".  Summoning the ghost of Clarence Clemons and remembrance of "On the Dark Side" from the cult classic
"Eddie and the Cruisers" The overall vibe on this track in particular, perfectly captures that moment at the bar where you realize you've had way too much to drink four drinks ago and that, eventually, you'll have to find your way home.

Having seen the band a handful of times over the last couple of years I can say with confidence that this album really manages to capture the spirit, energy and drunken mirth that their live shows are so known for.Though the albums title "New Jersey Hardcore" may have you lacing up your boots and practicing your best version of the "Creepy Crawl" or "Picking Up Change". This album offers more than just a spin kick and a doc marten impression on the skull. "New Jersey Hardcore" is a record to celebrate and to celebrate to. Forget about inviting the Everymen to your party. The Everymen ARE the party.

.James Damion

Get it Here  KillingHorse Records

The Everymen  Facebook

Holy City Zoo - Everybody Sells For More

New Brunswick, NJ maniacs Holly City Zoo follow up their 2012 EP "Nobody Sells for Less" with the aptly titles "Everybody Sells for More"

The EP offers six songs (two of them instrumentals) of absolute dissonance. Songs like
"Givin' Him the Business" "Karmatosed" and the instrumental
"That Was Mos Def
(not a pinch of salt)" offer some of the best 90's inspired Punk/Screamo power and aggression. Often giving the listener a front row view of what it's like to be inside a schizophrenic's head.
However, it's on "Hello, I'm Awful", by far the most cohesive track, when the band shows it's true ability to grow and mature as both a unit and individually as musicians.
I'd personally like to see more of that in the future.
This is my favorite release by the band to date. Though I really enjoyed the record.
It was the fact that I was finally able to connect the dots on why I like these guys so much. It further made me see what I feel they're capable of. My best description of Holy City Zoo would be "What if Rye Coalition and the Foo Fighters had an unhinged punk rock love child on their 2006 European Tour?" These six songs are available for download and cassette. Maybe if we wait long enough they'll put it on wax.
James Damion

Everybody Sells For More Get it Here

Gone Quite Mad - S/T Full Length

Back in late 2011 I was introduced to the band
Blue Chip Village through a collective known as
Tiny Giants. My first impressions of the band were mixed. It was a lot different from what I was listening to at the time and very different from a lot of the music we had featured on the blog. It was that difference that made them stand out for me and made me like them. After seeing them perform live a few times my curiosity and interest in the band wained considerably.
I just found myself twiddling my thumbs, waiting for something to happen.

Enter Gone Quite Mad, the newly formed version of that band. Their first EP follows the same path as Blue Chip Village's 2011 release with it's laid back, jazzy and dramatic eccentricities. Only this time around, the bands style has more of a drunken effect on these ears.

Though there are many moments where I find myself thoroughly swept up in the musicianship of the band; (The bass on "Team" and the guitar on "Drunk" immediately come to mind.) It's Gesualdi's vocal style that drives a stake through it. Often reminding me of those moments where every Diva or "American Idol"contestant holds onto that high note just long enough to remind you that, "When I take a shit; I shit gold bricks."
Gone Quite Mad come off sounding very professional, well groomed and produced on these eight tracks. Not a wrinkle in sight or a hair out of place. However, for me personally, I can respect the musicianship without actually liking the music.

Just as I found Blue Chip Village's 2011 EP to be very promising, (Review) even going as far as comparing them to a jazzier Shudder to Think. Time and further exposure to the band has left me bored and indifferent. Gone Quite Mad maintain the same personnel, sound as Blue Chip Village with a more appealing name. If you were a fan of them then, you will not be disappointed in the least. With Gone Quite Mad you're getting everything you loved with Blue Chip Village. Nothing more, nothing less.
James Damion

Bandcamp

Brooklyn's Courtesy Tier Offers "Something Better"

Brooklyn's Courtesy Tier have a new track up on their Bandcamp. It was issued December 26th 2012 and is available in numerous formats at a "Name Your Price" offer. "Something Better" was Recorded and Mixed by Ben Rice at DeGraw Sound in Brooklyn, NYand Mastered by Alan Douches at West Side Sound. Just check the link below.

Something Better

Cicada Radio Currently Streaming New Album

Cicada Radio are streaming their new album "No Fate But What We Make" as we speak. Click the link below before you order a copy at KillingHorse Records . The band is having their official "CD Release Party" with A Balance Between, Let Me Run, Meet Pause and 

The Rose Riot this Saturday December 1st at the newly reopened Court Tavern in 

New Brunswick NJ. Now, if that don't get your dick hard.... I got nothing for ya'. 

James Damion

No Fate But What We Make

The Everymen "Coney Island High" Video

The Everyman and Johnny Komar of 'Village Basement Sessions' have produced one of the funniest videos since Cicada Radio's "Oceans". It's the first single of their debut album entitled "New Jersey Hardcore". Check it out and keep check, check, checkin'. 

James Damion

Cicada Radio Premiere Video for "Oceans"

Local favorites Cicada Radio have released a video for the song "Oceans". The track is from their forthcoming record "No Fate But What We Make". Check it out here. JD

Killing Horse Records Doing it's Part to Help the Relief Effort

Our friends over at Killing Horse Records are doing their part to help the relief effort. 

They've just st up a store front on the labels page. 100% proceeds from these sales will be donated to some Hurricane Relief. Do your part by going over and ordering something, anything. Every little bit counts. JD

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