An Eclectic Mix Gathers at Montclair's Meatlocker

As I entered Montclair's dark, cavernous dungeon The Meatloacker. I thought to myself the same thing I think each and every time I enter the towns long standing ass in the wall. "What the fuck an I doing here?" It was almost 10:00 pm and much of nothing was taking place. After standing around for a couple of minutes I headed back to my car and started the engine. Lucky for me, I changed my mind once again and decided to go back. The following is what transpired.

I was not the least bit familiar with Old Bridge, New Jersey's The Luna Laval and twenty minutes after they had taken the stage, I still wasn't absolutely sure if what I was witnessing was a prolonged sound check or the bands actual set. To be perfectly honest, if it turned out that sound check happened to be their set, I would have been just as impressed. The band played a a complex musical style that somehow escapes a lot of the trappings of genre addicted listeners. A trait that can both open and close doors for a lot of bands, depending on the listener. As I stood there I found myself somewhat mesmerized by Tom Risi's tasty Bass play and overall movement.
Though the bass has become my most appreciated instrument in recent years.
I find most of my favorite players are too often, stationary musicians who blend into the background, rather than the forefront. Risi's movement and presence reminded me fondly of Nate Mendel (Foo Fighters,
Sunny Day Real Estate. Brotherhood.) Considering they were the shows opening band and it was my first time seeing them. They left a lasting impression on me. Definitely a band I'd like to see and hear more from. The Luna Laval

The time in between bands can often be long and socially awkward for me. But just as the stage remained empty. There was music and a sense of community happening on the floor thanks to the warm sounds of John Bentonamo's ukalele playing. Talk about a spirited individual. At the moment I didn't want to upset the intimacy of the small gathering by stepping in. Instead, I decided to loom close enough to take in all the mirth and celebration while not disturbing any tribal rituals that might be occurring.

The Harrison Four quickly assembled and though this DC area band was a late addition to the show. They made their presence notable immediately. Even as the band tuned up I could swear I heard little Minor Threat and Fugazi riffs being tested. Their set had a warm upbeat nature that was musically impressive, while remaining fun and light hearted. The addition of a horn player for the show didn't hurt things one bit. I felt a strong Lookout Records meets DC vibe. The band even busted out a Cleveland Bound Death Sentence. Impressive, to say the very least. I looked the band up before writing this and found out their also vegans. Kinda cool if you want to break bread with them after a show.
The Harrison Four

Raleigh's Empire were up next and I had the feeling I was up for something dark and heavy when I got a look at the material they were selling at the merch table. The band did not disappoint one bit. Turning the floor into their extended stage and bringing it to the small crowd of on watchers. I kept a safe distance from lead singer Ben Daughtry. Steering clear of his spitting fits. I like my bread just as crusty as the next guy. Just don't want to get caught in a shower without an umbrella. The band sounded great and brought an entirely different energy to the show. I picked up their CD "Shedding Skin" and should have some kind of review posted in the near future. In the meantime, check out the bands page and see for yourself. Empire

After three really good and diverse acts had played, I was feeling a lot better. Three bands down and two to go. Polyphony were next and just happened to be one of the two bands I was there to see. If you follow the blog you may recall they were one of the first bands interviewed for UBRS and if I remember correctly, the first guest interview from Shannon Perez of I Hope You Die. I was really shocked that the bands singer Marshall Davidson even recognized me after only meeting me once. It's been two years and though my interest in the band hasn't wained, I think I've missed a ton of shows. The band launched into their set and I could instantly see and hear the musical growth these young but very talented people have gone through. When I originally caught them at the Court Tavern they sounded raw but very good. They also seemed very stationary. Perhaps confined by the small space the  room, just to the side of the entrance, permitted. On this particular night, the band had all the room they needed to release their unbridled energy along with any other odors Marshall "Marsh-mellow" Davidson was omitting at the time. Polyphony would best be described as a screamo outfit. (Judging from the fact their lead singer seemed to be vomiting into a bag in between songs.) However, they are quite musical. They've changed drummers since the last time I saw them and as far as these ears could tell, it's brought they're blitzkrieg assault to a new level. Shortly into their set it seems the nights arctic temperatures were more than their brave frontman could handle and with some help from the aforementioned John Bentonoma's help, the shirt and eventually the pants came off. Upon witnessing this one can only hope Marsh-mellow can find some time in his busy schedule to hit the weights and get some much needed sun. Polyphony

By the time Ola Madrid hit the stage, it was well past 1:00am and to be honest, I was quickly fading. About a month back the bands guitarist Dylan Young sent me the bands September 2012 debut release
"Distance to Decay".
The five song EP has been getting a lot of play here at the UBRS headquarters.
The chance to catch them live seemed like a no brainer.
I came to this show with high expectations for this band. To say they raised the bar would be the understatement of the early year. The bands energy level and musical proficiency immediately ignited the crowd and gave me the little extra boost I needed to get through the late hour and the drive home that followed. The band has a new record due out this spring. It would be wise to keep your eyes and ears on the look out. Ola Madrid
For someone who was about to leave before the show had even started, this turned out to be the best and most eclectic show in recent memory. See you all next time.
James Damion

I Don't Feel Tardy: The Week in Images

Below are some images from two shows I attended last week. Arriving late to both Montclair's Meatlocker and Clifton's Clash Bar, I ended up missing half of each of the shows. Lucky for me I made it in time to see old favorites in The Nolan Gate and
Cinema Cinema. At the same time, my ears were open to Toothgrinder and Dad Brother for the first time. Here were two very different bands that excelled in different ways. Toothgrinder, with their intense sound and out of control performance had me craving for more. While Dad Brother won me over with their Bluesy laid back Rock sound. I'm looking forward to hearing and seeing more from each of these acts in the coming months.
Until then... James Damion

Darin Galgano The Nolan Gate

Tooth Grinder

Ev Gold Cinema Cinema

Paul Claro Cinema Cinema

Andrew Lange Dad Brother

Talking to Aquarian Photographer Roz Smith

It's nearly impossible to go to a show these days without seeing any number of photographers lining up in front of or alongside of the stage. Add to that the sea of concert goers with iPhones, BlackBerry's and other electronic devices hoisted in the air like cigarette lighters were decades ago at stadiums, forums and auditoriums around the world. We live in an age where every moment is documented and shared for the world to see.
Being a photographer in my own right. I'm always eager to communicate and share experiences with my fellow shooters. Having shared the pit numerous times with Roz. I decided to reach out to the Aquarian Weekly photographer to learn about her beginnings, inspirations and working with the longest running alt. music weekly. James Damion

James: I don't know if you remember, but I fondly recall the first time we met. It was at the Brick City Sound Riot. We were both shooting the event and I remember being a bit drained after hours of shooting and jumping around like an idiot. We had exchanged pleasantries during the day but it's when either Invisible Lines or Those Mockingbirds were set to play, when you gave me somewhat of a warning that something really good was about to happen. Do you remember? Were you shooting for anyone in particular then?

Roz: I do remember that night and I'm pretty sure Those Mockingbirds were about to play.
I was mainly shooting for myself that night, especially seeing how it was the first show I felt like shooting in some time. That was a good night.

Lawrence Trailer

James: When did you first become interested in photography? Was there any specific style or photographers that initially inspired you?

Roz: Hrm, that's a good question.
I can't really put a year or date on when I started getting into photography. As a kid I used to buy a bunch of disposable cameras and just go shutter crazy with them- taking pictures of everything and everyone. Then I got my first point-and-shoot when I was maybe 10 or 12 and it was all uphill from there.
When it comes to photographers who have inspired me generally Cass Bird and Cindy Sherman have been two of my biggest inspirations. Todd Owyoung is another one I can lump into the group. There wasn't a particular style that inspired me, I wanted to shoot everything and everyone from landscapes, portraits, pets and especially bands.

James: How old were you when you started going to shows? Do you remember your first?

Roz: I was probably 15 or 16 when I first really started going to shows. My first show was in this basement in West New York. It was definitely a fire hazard type of deal but so much fun.

Morning James: How long before you started bringing your camera with you?

Roz: I had it with me from the first show. I had my little point and shoot with me and I probably pissed so many people off but fuck it,
I was having fun.

James: Do you remember who played? What is it that made people so pissed at you?
Were you blinding people with your flash?

Roz: Oh jeeze, I don't remember the full bill sadly. Probably my flash and the awkward positions I'd find myself in to get the shot I wanted. But hey, it's in the past (Laughs).

James: What was your first SLR camera? Do you consider yourself a gear head when it comes to what you shoot? What do you use now?

Roz: My first digital SLR was my Canon Rebel XS. I had that for four or five years before I upgraded to the Mark III. I wouldn't say I'm a "gear head" but I do some pretty ridiculous research before I purchase something new for my camera. My current body is the Canon Mark III, the lenses I shoot with are Canon's 24-105mm f/4 L IS USM, 28mm f/2.8, 40mm f/2.8 STM and my old favorite the 50mm f/1.8 II. I recently bought a Canon Speedlite 580EX II, which has been interesting to learn how to use after upgrading from a Bower flash.

James: So, what was the image that got you noticed? What was the band?

Roz: To be honest with you, I have no idea what got me noticed. 

James: Do you have any battle scars, broken gear or stories of out of control pits to share?

The Protomen

Roz: I certainly have had plenty of battle scars from shooting shows! I was at Mexicali Live shooting a band I love called
The Protomen and at one point one of the monitors fell off the stage and onto my foot. I've been pushed around, had screaming matches with other photographers (small photo pits will do that to ya) and had to protect my camera from the occasional drink thrower. I actually did crack the screen of my Rebel at a show, apparently sensitive screens aren't a fan of being pushed into sharp corners…..who would've guessed it!

James: How did you come to work with the Aquarian? What was your first assignment with them?

Roz: I just applied for an internship when I was still in college, had an interview and I've been there ever since. I started writing show previews, or Spotlights as we call them, but as far as my first major assignment I don't remember. I should probably dig through our archive and find out. Now I'm curious.

James: Have you taken on more responsibilities with them since then?
Roz: I have! I run their social-media sites and I run this video interview series called Project Greenroom.

James: I'm not familiar with it. Can you fill me in?

Roz: Project Greenroom is a video interview series where bands can, if they want to, also perform acoustically. I try to shoot them frequently but sometimes scheduling doesn't work out ya know.

Reese Van Riper

James: Where do you want to go with your photography? Where do you see yourself in say five years?

Roz: Hm, good question. As far as where
I want to go with my photography, I just want to keep on shooting bands
I love and work on coming up with some out there concepts for photo shoots. I do have an idea for a photo book I'd love to publish. Well in five years I hope to still be doing what I love, with another job to support my habits of going to shows and buying camera equipment. Frankly, I have no idea where I'll be in five years and that's the beauty of it. I'm just taking one day at a time and going from there.

(All photos, including her self portrait, by Roz Smith)

Roz Smith Photography  Facebook

Project Greenroom  The Aquarian Weekly

The Last Stand - The Time is Now LP

Many of my favorite records require a few go throughs before really getting a sense of what works and what makes me really appreciate  just what it is about that particular grouping of songs that resonate with me. "The Time is Now" reminded me of that, with one exception. In listening to these songs the first and second time through. I felt an immediate kinship with the music and the songs. However, it wasn't until
I sat down to write this review that I realized just what that connection was. It was that
The Last Stand and
"The Time is Now" reminds me of all the things I loved about late 80's Hardcore mixed with  the very few things that kept me interested in the genre during the 90's.
Heavy riffage, deep rhythms and pile on backing  vocals run rampant throughout the records thirteen songs. Scondotto's voice is powerful, delivering smart lyrics that convey strength and mental toughness. Imagine, if you can, a more fluid, cohesive sounding Roger Miret (Agnostic Front).Though  the bands sound easily follows the lineage of acts such as Sick of it All, Madball and the aforementioned Agnostic Front. The Last Stand clearly create their own identity while establishing themselves as a Hardcore act to help fuel the future of the genre. James Damion

Eulogy Recordings  Buy it Here

The Last Stand  Band Site

The Fax Machine Situation - Breakfast at the Pagan House

We really enjoy hearing from you here at 

United By Rocket Science. Being given the opportunity to hear new and different sounds from our area and beyond only broaden our horizons and help us to expand the music we feature here. With that said, we'd appreciate it if the artists that submit music for review take a moment to familiarize themselves with the blog to better understand what we cover. I feel that minimal investment of time will go a long way in helping you decide if these are the best hands to leave your love and passion with.

Princeton New Jersey's The Fax Machine Situation might have benefited from that investment and gotten a return on it by skipping right over U.B.R.S. when submitting material to the many local entertainment outlets.

Add the Fax Machine Situation and their EP "Breakfast at the Pagan House" to my short list of the most unlistenable releases of 2013. Not since the Gone Quite Mad's self titled over indulgence has a release moved me in such a negative way. Though "System", 

"Finding a Pause", "Bullseye Blues" and "Breakfast at the Pagan House" are respectable musically with their blend of laid back and jazzy vibes. It's Katie Henkels whose voice would be best described as an ice pick to the ears.  As the EP begins I found myself racing for the volume with the hopes of saving my eardrums from the caterwauling that immediately ensues. (Imagine in horror, attempting to make it through the opening track of a record. Hoping in vain that the next would somehow, be better.) Unfortunately, braving the following three was no pleasure cruise either. Though I'm sure this would bode well in some cafe or back room parlor. I find it to be a rather bitter pill to swallow. James Damion

The Situation  Facebook

TV Sound - Record Jacket Life

As we returned from vacation
I was greeted by a package from my favorite local record nerds at Killing Horse Records.
Within the package were familiar new releases from Cicada Radio Review and
The Everymen Review. Releases I had waited on for months with baited breath. Along with those familiar faces came the highly recommended "Record Jacket Life" by TV Sound, a band I had no previous knowledge of.

Though I thought this to be a new release
"Record Jacket Life" is a
re-release of the Kearny, NJ bands 1999 album.
In hindsight I'm happy to have had a chance to listen to this for the first time in 2013, being that my taste in music has evolved some over the years. I'm not sure I would have appreciated it as much then as I do now.

There's not a wasted note on here. A perfect blend of straight up rock and roll sprinkled with power pop muscle, punk attitude and post punk brilliance. As I listened to these sixteen tracks I couldn't help but be reminded of the big power pop sound that peaked just prior to the rise of MTV. "End of Arrogance" is an outstanding track deserves a peak spot on your favorite mix tape. The opening chords to "Posters" immediately had me thinking of R.E.M.'s "What's the Frequency Kenneth". The bratty vocals and genius bass work that follow are as close to perfection as it gets. "Record Jacket Life" is a  gem of an album just waiting to be revisited.
Though the band had been out of commission for years. They're writing new songs and just might  have new music to share in the coming year. One can only hope.
James Damion

Get it Here  KillingHorse Records

Feral Babies / Chemical Ache Split EP

Tampa Florida's Feral Babies team up with Orlando's Chemical Ache to create one hell of a split. Allowing me to enjoy a band I love, all while discovering another.

The Feral Babies side features five songs of muscular Hardcore that are fast, aggressive, angry and above all, musically tight. The band draws you in immediately on the opener "Next Week".
The track is an avalanche of sound with it's bass, drums and blazing guitar excellence. You're already swept up in it's powerful grip by the time
Justin Arnold's vocal attack begins mere seconds later. The next four songs are just as impressive and addictive.
Sulynn Hago's guitar prowess cannot go without mention or praise. Her style and delivery make he one of the best in the game. Having followed the band since their demo days and seeing them live at Brooklyn's Stolen Sleeves Collective in 2012. They've become a favorite of the blog. I sincerely hope they find themselves in our neck of the woods this year.

Chemical Ache's side of the coin offers a different style but sounds just as good in comparison. The band delivers three songs of fast, laser sharp punk with a bratty vocals. "Medicated Kids" comes off sounding like an O.C. Punk classic. The sound is tight and smart with a really great energy.  Each of these three songs had me craving for more.

A stellar release by Kiss of Death records, the Feral Babies and Chemical Ache.
James Damion

Get it Here

Rough Kids - The State I'm In

I've come to a point where I find myself picking up records from Sorry State Records based solely on the clout and reputation the label has built for itself over the years. Much like Revelation Records did in the late 80's. Sorry State is releasing the very best the punk and hardcore communities have to offer.

I came across LA's Rough Kids on the "new releases" section of the label's website.
The labels history matched with the Rough Kids eye catching album artwork more than warranted a purchase. Upon arrival, I slapped it on the turntable, eager to listen to my well chosen investment.

On the band debut full length, L.A.'s Rough Kids deliver some excellent 77' style Punk Rock that might draw comparison and find influence in bands of that era. A nice mix of the adolescent angst of The Undertones and The Buzzcocks ability to write memorable lyrics and choruses. Add to it the guitar bombast of Johnny Thunders with a splash of The Jam's angular guitar smarts. The Rough Kids bring all these elements together to form their own sound. Helping to make "The State I'm In" one hell of an album. Thanks to the Rough Kids and Sorry State Records for this dose of Punk Rock excellence. James Damion

Get it Here  Sorry State Records

The Mistaken - Between Memory and Habit LP

The Mistaken features
Andy Guida and Matt Warnke who team up for the first time since working together on Running Like Thieves 2003 release "Same Time Next Year..."

On "Between Memory and Habit" The Mistaken live up to their namesake as they throw us a musical curve switching gears and sounding unlike any of their past musical endeavors.

This is not Hardcore.
Instead, these ten songs offer a nice blend of Bluesy-Rock and surprising, dare I say,  Country leanings. A lot can be said for musicians, known for creating music within a certain, set genre, step out of the box to create something different. It doesn't always work and is often
illl received. But when it comes off sounding this good and honest. How can one not embrace it with open arms? Matt's Bluesy baritone vocals have him sounding like he spent some time on chain gang channeling the likes of Johnny Cash and Mike Ness. Andy Guida does an excellent job sharing guitar duties, playing bass, piano and drums. All while handling  production duties at his Six III Studios. He really lives up to his reputation as a go to engineer and musician time in and time out.

Though currently a two piece, The Mistaken are looking to take things out of the studio and on to the stage in 2013. They've enlisted Gavin Van Vlack and Dan Cav of Absolution to handle Bass and Guitar duties. So stay tuned. James Damion

Get it Here

Absolution - S/T 4 Song EP

Ever wish you could go back in time and hit the "Do-Over" button? Right the wrongs of the past and tidy shit up a bit? Well, that's exactly what the band Absolution did here. Originally released in 1989 by Combined Effort records.
The self titled four song EP was well received by the Hardcore/Punk community and deservingly praised as somewhat of a much needed breath of fresh air to a style of music that had grown stale due to mediocrity, caused largely by an influx of cookie cutter, paint by number Hardcore bands.
Fast forward twenty something years and a few reunion shows later. The band, which features original members Djinji Brown and Gavin Van Vlack joined by Hardcore veterans Dan Cav and Andy Guida, decided to right some wrongs by going back into the studio and tightening the screws a bit.

Upon hearing the band was going into the studio to record, I was sent into an anticipatory orbit. When Andy Guida, the bands drummer, engineer and producer informed me they were re-recording old material... Well, my anticipation quickly came crashing back to earth. Regardless of the results the improved recording and production might achieve. I couldn't help but scratch my head, wondering "What if that time in the studio produced new Absolution songs?" It felt like a cop out.

Fortunately for me, I decided to put aside any and all preconceived notions and listen with both an open mind and open ears. As the needle hit the records and "A Drop of Patience" kicked in. I was presented with a moment of precise clarity. It had been years since I last played the original EP. Yet, I could instantly hear the difference in the quality and overall power of the newer recording.

The marriage of Guida's colossul drumming and Van Vlack's signature guitar style create a sinister and unforgiving sound. Not to mention the addition of Dan Cav on bass. However, it's not until singer Djinji Brown enters the fray that I have to wonder aloud "I remember liking this band a lot." "How is it possible I didn't love this band?" While Brown's style will easily draw comparisons to a younger, healthier H.R. (Bad Brains). It also allows us a glimpse into, what was then, the not so distant future and Chaka Malik (Burn, Orange 9 mm). To close,
I'll say this,"Though I may have come to this record feeling a bit cheated."
"I left with a nice reward." The future of this band is yet to be determined. One can only hope that we'll see some new music from Absolution in 2013.  James Damion


Lush Life NYC  Order it Here

Boxed Wine - Cheap, Fun EP

It's been a cold, harsh winter here in New Jersey with few signs that it will ever let up. Luckily, there have been minor exceptions to the currently freezing rule of thought.
On January 22, our very own musical hedgehog,
Boxed Wine, released their three song EP titled
"Cheap Fun". Letting us know that better days are almost here. Many a time I've had to remind myself that life is all about the little things. Less is more and sometimes, big things come in small packages. All clique's aside, that is exactly what Boxed Wine have come to mean to me. They are the loose change in my couch. The twenty dollar bill I sometimes find in a coat I haven't worn in years. The pint of mirth you have to special order at your local watering hole.

The band takes a step forward stretching their musical legs a bit with "Cheap Fun".
Adding more texture and atmospheric elements to their sound without ever forgetting what made their first EP so special. See Review Here  "Bones" is an uplifting jaunt with rousing backing vocals and sweet riffs. Chris Mactire's effortless vocal deliveryoften remind me of a cross between that of  Scott Thompson of Meet Pause and Brian Sella of
The Front Bottoms. (A major compliment as far as I'm concerned) "Dayglow" crashes the party with a little more force before revealing itself as a pure party anthem. The quirky and very danceable "Boomerang" sends us home with it's very warm, inviting vibe that had me dancing in my editors chair. Boxed Wine may not change the world but it might just teach it to smile, have fun and dance, dance.
In times like theses, what more could you ask for? Go check it out.
James Damion

Cheap, Fun  Get it Here

Back Off!! them there Casettes!!

If you had a chance to check out my review of Back Off's 2013 Demo Here you'd know how much I enjoyed getting a taste of the bands no holds barred old school sound. Well, if you are like me you appreciate physical copies of music a lot more than an impersonal digital download.
Well, here's a chance to get your hands on the real thing. Copies are very limited so jump that plane as soon as you can and reserve your copy NOW!!! James Damion

Star Beat Records Celebrate a Year of Musical Excellence

This past week I went to my first show of the year in attending Star Beat Music's first anniversary shindig at the Lamp Post in Jersey City. Though I had a shot at a last minute ticket to see Quicksand I wasn't quite in the mood to attend a big and somewhat impersonal show. I'm sure I'll have the chance to see them again when the weather gets warmer. Getting back to my night at the Lamp Post. I had gotten a message from my buddy
Adam Bird of Those Mockingbirds a few weeks earlier, inviting me to a "Secret Show'.
My mind immediately conjured up thoughts of some sexy loft show with suggestive lighting, fancy drinks served in knee high hooker boots and a cast of shady hipsters dressed in their best pimp wear. Upon hearing that it was being held at a tiny bar where the band is pinned between the bathroom and the kitchen door. Any such visions quickly faded. Regardless, the bands were excellent, the crowd responsive and the vodka tasted just as good in a glass as it would in a boot.

Melissa Luciolla

I got there just in time to see Melissa Luciolla open the nights event. Melissa, best known from Melissa and Paul, (One of New Jersey's most deservingly notable acts.) had been doing some solo work as of late and I was eager to listen to what she had to offer. Melissa's soulful, bluesy voice and inspiring guitar work was just what this old man needed to shake the cold off and get the late night off to a roaring start. You can check out Melissa's solo work as well as her Melissa and Paul releases and news here. melissaandpaul

Brooklyn  two piece  Hilly Eye followed and didn't really leave the best impression on me. After just a few songs I headed to the bar for a refill and some conversation with a few friends. Hilly Eye

Those Mockingbirds Adam Bird

Soon after, the nights secret band was revealed as none other than
Those Mockingbirds.
The band just finished recording their new album and performed a set that gave us a nice taste of what's coming. I really like this band a lot. They've got a great rock sound. One that seems to been completely ignored by FM radio for some time.
The band combines excellent hooks and rhythms with notable songwriting and structure.
The bands singer/lead guitarist Adam has excellent charisma and stage presence
(Though the Lamp Post lacks anything remotely close to a stage.) I always look forward to seeing them live. Can't wait to hear the new album.
Band Site

Ralph Icastro of Boxed Wine

Putting the perfect end to an almost perfect night was Boxed Wine. I first heard about them through none other than a above mentioned Adam Bird about a year and a half ago. At the time, I couldn't decide if "Boxed Wine" was the worst band name ever chosen or the absolute best. I'm still kinda on the fence. Ask me any given day and you'll probably get a different answer. Regardless, Boxed Wine are an elixir to be savored and appreciated if not danced to spastically. As much as I loved the bands self titled EP See Review Here, the bands just released "Cheap Fun" EP is a nice step forward.
Prior to the bands set I had the pleasure of meeting the bands guitarist Ralph Icastro.
We had been friends on Facebook for sometime and had been exchanging pleasantries as of late. However, like it is with many of my acquaintances on social networks. I wouldn't know them if I walked past them on the street or if I had to pick them out in a lineup. Getting to put a face to the Facebook picture is always a step in the right direction.

Boxed Wine

As the band set up I was surprised by one thing. In listening to the bands quirky and very danceable rhythmic  beats, I couldn't help but think I'd be watching keyboards, samplers and
Mac Books roll into the bar. While instead I watched in respectful awe as guitar, bass and drums began to fill the space. It was great getting to finally catch Boxed Wine in a live and intimate environment. One simply cannot be mad, sad or surly when listening to what this band has to offer. Pure mirth with nerdy melodies that would have even the grumpiest feet looking to spring into action. It was an extreme pleasure getting to come out and support these guys, no matter how cold it was outside. Congratulations to the bands and to Star Beat Music on their first anniversary; I can't wait to see what year two brings. Check out the new EP here Boxed Wine
See you guys when the weather gets warmer. James Damion

Stuck in a Rut - Nothing in Common EP

I've been on a bit of a Hardcore kick recently and to my surprise, a lot of what I've been listening to has been coming from Europe.

Liverpool's Stuck in the Rut really deliver the goods on their first EP "Nothing in Common". Four songs of straight forward, no frills Hardcore who's influence can be traced to bands like Negative Approach. Each of the four songs have a heavy, relentless sound that struck a chord with me.
At times I felt like I was listening to a distant cousin to NYHC curmudgeons Killing Time. Though the bands isn't exactly reinventing the wheel here. They are certainly doing their part in keeping it greased. James Damion

Bandcamp

The Pelvis Douglas - digital album 2013

If you like catchy female fronted punk rock then The Pelvis Douglas should be appealing to you. The songs are snappy and hooky and overall this is a very well done punk rock album. That's about it honestly, jangly guitars, cool female vocals and just a solid release that will get your feet tapping and your head bopping...Dave G.

Bandcamp

Back Off - Demo 2013

When my friend Mike Bullshit posted Back Off's demo on his Facebook page. I assumed that this was a recently recovered tape from a long forgotten, unsung New York Hardcore band circa 1982. And why not? Newly formed Back Off play straight up early Hardcore that would slip in seamlessly with bands like Major Conflict, The Abused, Antidote and 

NY's Psychos. Six songs of punishing Hardcore with fierce vocals, skull fucking guitar and lightning fast drumming.
With five of the six tracks coming in under a minute and the other scratching and clawing to make the one minute mark. It's "Fast, Loud, Rules" at it's very best. The bands Facebook page Here doesn't really tell us much but I'm sure there is much to come in the near future. James Damion

Band Camp  Back Off

The Everymen - New Jersey Hardcore

With several EP's and a drunken live cassette under their belts; The hardest working band in show biz delivers it first full length and as far as these ears can tell, it's a mixed bag of everything worth celebrating in life.
The band has a way of covering the entire musical map without leaving any embarrassing stains along the way.
The album hits all the sweet spots, drawing inspiration and energy from everything  50's Doo Wop and 60's Phil Spector inspired heights to Springsteen meets the Ramones while getting lost on the way to the beach.
"Dance Only, Only Dance" is a perfect example of my somewhat confusing description. It covers miles of ground with Michael Ventutolo's inspiring vocals and Scott Zillitto's amazing sax play.
Zillito's inspiring play on the  Saxophone come to the fore front on a regular basis but are most noticeable and noteworthy on the track "Novocaine".  Summoning the ghost of Clarence Clemons and remembrance of "On the Dark Side" from the cult classic
"Eddie and the Cruisers" The overall vibe on this track in particular, perfectly captures that moment at the bar where you realize you've had way too much to drink four drinks ago and that, eventually, you'll have to find your way home.

Having seen the band a handful of times over the last couple of years I can say with confidence that this album really manages to capture the spirit, energy and drunken mirth that their live shows are so known for.Though the albums title "New Jersey Hardcore" may have you lacing up your boots and practicing your best version of the "Creepy Crawl" or "Picking Up Change". This album offers more than just a spin kick and a doc marten impression on the skull. "New Jersey Hardcore" is a record to celebrate and to celebrate to. Forget about inviting the Everymen to your party. The Everymen ARE the party.

.James Damion

Get it Here  KillingHorse Records

The Everymen  Facebook

Ex-Breathers - Collision

Ex-Breather are a post hardcore band hailing from Tallahassee TN. The band's stated influence are No Means No, Fugazi and Botch, however while the band does not clearly wear these influences on their sleeves I can hear where they draw the passion of Fugazi and mix it with the Quirkiness of No Means No and then top it of with the power and aggression of Botch. Overall a band worth checking out...So give them a listen...Dave G.

Gameday Regulars - Nobody Likes A Quitter

I first caught Gameday Regulars back in February of 2012 when they played with Man on Fire and Brick + Mortar over in nearby Jersey City.
At the time the band really stood out. However, as the year progressed I never really heard much from or about the band.
I chalked it up to them being just another band passing through the area while on tour. Fast forward and almost a year later their latest EP "Nobody Likes a Quitter" fall in my lap. To my surprise, Gameday Regulars were from nearby Bronx, New York and not some working class part of Boston or Chicago, like I had thought.

On "Nobody Likes A Quitter" the band deliver four memorable songs of straight forward working class Pub Rock that feature warm but driving guitar sound and gravely vocals delivered by singer/songwriter/guitarist Gino Romero. There's a live and in your face vibe about these four songs that bring it all to another level. I couldn't help feel as if I was inches away with beer in hand, drunkenly cheering and singing along with every note. Rounding our the band respectively is brother Will Romero (Bass) and John Ryan Clifford (Drums) respectively on drums and bass. While the band may draw instant comparison to acts such as Gaslight Anthem, Dropkick Murphy's, The Menzingers and even Hot Water Music.
Gameday Regulars and each of the four songs offered on "Nobody Likes A Quitter" deliver more than their share of raw energy and authenticity. Here is an EP and a band more than worthy of clinging onto. 
James Damion

Get it Here  Bandcamp

Cicada Radio - No Fate But What We Make

Cicada Radio has been a favorite band of UBRS since we first laid our ears on their excellent debut ep "Imposter" back in the early summer of 2011. The "Imposter" EP was full of emotional heaviness and hooks that were firmly planted in the 90's Emo sound that reminded this listener of  bands like Karate, Knapsack and Small Brown Bike.

On the new album "No Fate But What We Make" the band has moved away from the Emo tendencies heard on "Imposter" and seem to have infused a bit of a shoegaze feel to their guitar tones. There's also an openness and clarity to their sound that was honestly off putting upon initial listen. I initially struggled with this album quite a bit. I was confused by the vocals that sound like they are being shouted across an empty concert hall and the overall production approach of the album had me confused. Therefore,  I decided to put this record aside to possibly revisit another day. The strange thing is that over the next few days I would catch myself with the melody to one of their songs stuck in my head. At first it was "Charity Mafia" and then it was "Oceans" so I decided that I better give this album another chance and I am really happy that I did. "No Fate But What We Make" showcases a band that is maturing right in front of our eyes and I now appreciate the way they approached this album.

I now believe the production of the record and the things I struggled with at first were absolutely intentional on the bands part. I like the fact that I had to really listen to understand and to gain an appreciation of their developing sound. Sometimes the best albums are the ones that don't immediately grab you, but the ones that plant a seed in your brain upon initial listen and then keep dragging you back for more. Even when you aren't sure why you keep listening... Until one day you realize that you can't stop listening....I present to you "No Fate But What We Make"...Dave G. 

Cicada Radio Bandcamp
Killing Horse Records Purchase CD

Holy City Zoo - Everybody Sells For More

New Brunswick, NJ maniacs Holly City Zoo follow up their 2012 EP "Nobody Sells for Less" with the aptly titles "Everybody Sells for More"

The EP offers six songs (two of them instrumentals) of absolute dissonance. Songs like
"Givin' Him the Business" "Karmatosed" and the instrumental
"That Was Mos Def
(not a pinch of salt)" offer some of the best 90's inspired Punk/Screamo power and aggression. Often giving the listener a front row view of what it's like to be inside a schizophrenic's head.
However, it's on "Hello, I'm Awful", by far the most cohesive track, when the band shows it's true ability to grow and mature as both a unit and individually as musicians.
I'd personally like to see more of that in the future.
This is my favorite release by the band to date. Though I really enjoyed the record.
It was the fact that I was finally able to connect the dots on why I like these guys so much. It further made me see what I feel they're capable of. My best description of Holy City Zoo would be "What if Rye Coalition and the Foo Fighters had an unhinged punk rock love child on their 2006 European Tour?" These six songs are available for download and cassette. Maybe if we wait long enough they'll put it on wax.
James Damion

Everybody Sells For More Get it Here

Gone Quite Mad - S/T Full Length

Back in late 2011 I was introduced to the band
Blue Chip Village through a collective known as
Tiny Giants. My first impressions of the band were mixed. It was a lot different from what I was listening to at the time and very different from a lot of the music we had featured on the blog. It was that difference that made them stand out for me and made me like them. After seeing them perform live a few times my curiosity and interest in the band wained considerably.
I just found myself twiddling my thumbs, waiting for something to happen.

Enter Gone Quite Mad, the newly formed version of that band. Their first EP follows the same path as Blue Chip Village's 2011 release with it's laid back, jazzy and dramatic eccentricities. Only this time around, the bands style has more of a drunken effect on these ears.

Though there are many moments where I find myself thoroughly swept up in the musicianship of the band; (The bass on "Team" and the guitar on "Drunk" immediately come to mind.) It's Gesualdi's vocal style that drives a stake through it. Often reminding me of those moments where every Diva or "American Idol"contestant holds onto that high note just long enough to remind you that, "When I take a shit; I shit gold bricks."
Gone Quite Mad come off sounding very professional, well groomed and produced on these eight tracks. Not a wrinkle in sight or a hair out of place. However, for me personally, I can respect the musicianship without actually liking the music.

Just as I found Blue Chip Village's 2011 EP to be very promising, (Review) even going as far as comparing them to a jazzier Shudder to Think. Time and further exposure to the band has left me bored and indifferent. Gone Quite Mad maintain the same personnel, sound as Blue Chip Village with a more appealing name. If you were a fan of them then, you will not be disappointed in the least. With Gone Quite Mad you're getting everything you loved with Blue Chip Village. Nothing more, nothing less.
James Damion

Bandcamp

Living Laser - Versus Pigs 7" (Trip Machine Laboratories)

Living Laser from NY state have released one hell of a killer 7" in "Versus Pigs". The music is tight and quick paced with plenty of starts and stops and monster riffs in the breakdowns that are sure to result in some circular motion in the pit. 

I think Trip Machine Laboratories has hit on a real gem in this band...I only hope an Lp is in their near future because "Versus Pigs" has definitely left me wanting more.

Living Lasers kick ass...there I said it...Dave G.

P.S. I see the excellent  Living Laser "Ragged Glory" cassette tape is still available from TML. I highly recommend you pick one up if your buying a 7".

Trip Machine Laboratories Purchase
Living Laser Facebook

Dark Empire - From Refuge to Ruin 2012

Wow a real metal band from my home state of New Jersey who actually have the chops, production value and talent to make a name for themsleves in the current prog metal scene.

The three songs on the bands Facebook page are very varied offerings. The first track "A Plague in the Throne Room" contains excellent riffs and mostly clean vocals, and just when I think I have the band figured out the second song "Dreaming in Vengeance" kicks off with a riff reminiscent of the best Fear Factory ever had to offer. The final track "The Crimson Portrait" slows things down a touch but still moves  along at a steady pace held aloft by excellent riffing, tight precise drumming and the strong clean pipes of vocalist Brian Larkin.

Overall, these three songs have left me thoroughly impressed and eager to hear more. If you are a fan of bands like Fear Factory, or maybe Opeth would be a better comparison, then I think Dark Empire may be right up your alley...Dave G

Bandcamp
Facebook
Nightmare Records

These Branches / Cycles Schmeichel split 2012

These Branches and Cycle Schmeichel  play a style of Emo  that ignites fond memories of hours upon hours spent in crowded basements and VFW Halls all across the state of New Jersey back in the mid 90's. I'm not saying that these bands sound dated, this is just the feeling I personally get from their music.

These Branches present music that is on one hand  intense and emotional and on the other hand catchy and melodic. As I stated in my review of their previous ep , if you dig bands like small Brown Bike then you need to give These Branches a listen.

The flipside of this split release features Cycle Schmeichel whose sound  is very quirky and spastic to my ears. There is melody hidden away in their songs that may take a listen or two to come to the surface, but upon repeated listens Cycle Schmeichel's sound is growing on me...Overall this is a solid split release that deserves  attention from the masses...Dave G.

Bandcamp The Branches
Bandcamp Cycle Schmeichel

Clear For Takeoff - Line of Fire

What they say: "With the release of their sophomore album “Line Of Fire” recorded by platinum-selling producer Rob Freeman (Gym Class Heroes, Cobra Starship,
Hit The Lights),
Clear For Takeoff have been blasting the East Coast with their distinctive brand of punk-inspired vocal rock. Aiming for the lyrical prowess of Queen and The Beatles while maintaining the all out rock and roll mindset of Foo Fighters and Green Day. Clear For Takeoff have a refreshingly honest approach to their songwriting and live performances.
“Throw down your arms and make music” – the authenticity of the band’s message prevails, on stage and off!

What this listener says: This is the kind of Corporate Rock shit the industry has been spoon feeding the public for decades. "Line of Fire" serves as a reminder of just how sad and desperate the music industry has become with their signings and marketing campaigns.
I have no idea where the bands "Punk inspired" sound or influences come from.
I would imagine they got it from listening to a lot of Richard Marx and Bryan Adams records. The mere mention of acts like the Beatles, Queen and Foo Fighters is enough to get their PR man sued for liable if not prove that he was as high as a fucking kite when he wrote the bands bio. Each of the songs sounds like it was written to be featured in a future douching or viagra ad. The EP opens with an ode to their listeners in "No More Hate Mail". An upbeat, syrupy track that could draw close comparison to any upbeat, syrupy track that New Found Glory ever wrote. From there it's just five more radio friendly Taco Bell, Pizza Hut,
Birth Control jingles that make the listener want to vomit. If I were to leave you with anything positive about Clear For Takeoff and their second release. It's that they can play their instruments well and create some pleasing harmonies. If you're a parent of a pre-teen/tween and you want to have him or her listening to a radio safe alternative to Justin Beiber or
One Direction; This might be a safe bet. The band is playing Cheeseburger in Paradise in Pasadena MD on January 2nd if you'd like to catch them. James Damion

Band Site

The Tea Club - Quickly, Quickly, Quickly

When Dan McGowen, a key contributor to The Tea Club, contacted me asking that
I review his bands EP
"Quickly, Quickly, Quickly"
I was more than happy to oblige. You see, that's one of the things we do here at
United By Rocket Science. When he told me he had played guitar on Suit of Lights
"Shine on Forever", a record I had previously reviewed and given high praise. I became a bit more curious.
Then came the term that often gives me the shakes, if not all out night terror; It was the term "Indie Prog Rock". Bands such as Yes, Emerson Lake and Palmer, Jethro Tull and Tool are high on my list as
"Least Favorite Bands of All Time". I don't think I can count the times I've thought aloud
"If only I could never hear Pink Floyd again, I would die a happy man."

Though this was my first exposure to the band. Deptford, New Jersey's The Tea Party have been recording since 2004 with this being the bands eigth release to date. The band features guitar, (shared by Dan and his brother Patrick) bass, drums and keys.

The EP features four songs that clock in at forty-two minutes with the opener "Firebears" breaking the clock at just under eighteen minutes. "Quickly, Quickly, Quickly" is musically large and atmospheric while never shying away from actually rocking. "Firebears" opens on a rather high note before getting a bit lost in it's own over indulgence. Any song that's heart is still beating after seventeen minutes is presenting a pretty big challenge to keeps it's listeners attention. The following three songs "The Eternal German Infant", "Mr Freeze" and
"I Shall Consume Everything" follow a similar path musically though for a shorter span. Each song offers all of the best in musicianship, arraignments and song structure. Add to that Dan's passionate vocal melodies and you've got all the ingredients for a winning recipe. Though the Tea Club prove that the Prog Rock movement is still alive and breathing.
While I would easily recommend "Quickly, Quickly, Quickly" and The Tea Club to any fan of Progressive Rock; These four songs didn't do much to convince me to order my
King Crimson tickets just yet. James Damion

Get it Here
Official Site

Brooklyn's Courtesy Tier Offers "Something Better"

Brooklyn's Courtesy Tier have a new track up on their Bandcamp. It was issued December 26th 2012 and is available in numerous formats at a "Name Your Price" offer. "Something Better" was Recorded and Mixed by Ben Rice at DeGraw Sound in Brooklyn, NYand Mastered by Alan Douches at West Side Sound. Just check the link below.

Something Better

Super Snake - Summer Girls

As I sit here with tingling extremities in an apartment within view of Japan's
Mount Fuji waiting to add layers before heading out. I thought it would be the perfect time to add my two cents about an EP that's been on replay since I got off the plane two weeks ago.

It's hard to imagine it's taken me so long to review a four song EP I downloaded on Bandcamp over a month ago. It's just that these four songs are excellent on so many levels that it's taken it's fair share of time to fully delve into their unique eccentricities.

Super Snakes is a "Super Group" of sorts. Comprising Jerry Jones of Trophy Scars and former personnel from Chambers and I am Heresy respectively. Three uniquely special bands in their own way; Jerry Jones being the most notable.

On the bands debut they pull out all the stops and take things to a level usually selected by seasoned veterans and bands we hold in the highest regard.
Dirty, "Don't Give A Fuck" relentless Rock excess. Jerry Jones delivery is part screamish, part menacing, demonic slithered word. Each of the four track names come from some real badass characters both real and fictitious. "Baron Samedi" was a Loa of Haitian Voodoo. "Frank Booth" the fictional character and antagonist from the 1986 classic "Blue Velvet" "Anton Chigurh" was the hit man from the novel "No Country for Old Men" and "Stringer Bell" the drug kingpin from the TV dram  "The Wire". Lyrically these tracks are even more sinister and creepy. "Frank Booth" was so dirty I felt like I needed to be bathed upon listening. John Pinho's guitar work on "Summer Girls" is not only notable but praise worthy to say the very least.  Whether or not you're a fan of any of the aforementioned bands. This is an EP and a band you should be looking into. Super Snake has it's first full length already recorded and due out soon. Go make yourself familiar with these four songs before it arrives. James Damion

Get it Here

Dot Dash - Winter Garden Lite

Washington D.C.'s Dot Dash may not be immediately recognizable to our readers but the bands personnel have been staples to the indie and punk community for decades. Guitarist/Vocalist Terry Banks and Bassist Hunter Bennet are formerly of Julie Ocean while drummer Danny Ingram played with the legendary Swervedriver. Guitarist Bill Crandall, formerly of Adam West rounds out the band.

On "Winter Garden Light", the bands second album. Dot Dash (Taken from the Wire song of the same name) craft an impressive collection of
post-punk power pop. The band together elements of The Jam, Joy Division and the Buzzcocks with a dash of minimalism that has me thinking of the production values of
The Jesus Mary Chain's "Psychocandy". All of it blending together nicely to form a perfect Power Pop sound. "Winter Garden Light" has a refreshing and catchy vibe. Highlighted by mature song writing and structure. Each song has it own warm and distinctive feel with a hook laden, jangly vibe.

Though this took a few listens to find a deeper appreciation and connection with the songs.
I found myself enjoying more and more with each listen. "Winter Garden Light" is a record more than worth investing in.
James Damion

Get it Here

Sautrus - Kuelmaggah Mysticism: The Proloque EP

Every now and then we get a request for a review from outside of the country. The majority of which don't even seem to come close to matching the kind of material we cover here at United By Rocket Science. That said, when I first came across The Proloque EP from Sautrus I was not expecting much return on the bands download. Never mind the name, title or the fact that this came to me all the way from Poland. This complete "Out of Left Field" surprise is a complete gem and one of my most listened to EP's of the late year.

Kuelmaggah Mysticism offers four songs of sludgy,
Stoner Metal that also offers a good dash of bluesy, 70's Hard Rock debauchery. Weno's vocals are deep, soulful and bluesy while still holding down the Rock n' Roll fort. There are moments on "The Blackest Hole/Black Hole" that remind me of an insanely dark and sinister MRI I had last week at 2:30 in the morning. I found myself immediately hooked on these four tracks. One can only hope that the band will delivering many more dirty little gems in quick form. With hope the wait won't be long.
Very impressive. James Damion

Get it Here

Strife - Witness a Rebirth

Hardcore torch bearers Strife return to the fold with "Witness A Rebirth" the bands first studio material in more than ten years.
Back in the 90's when California straightedge band Strife first appeared on the Hardcore radar. They filled the void left by bands such as Judge,
Chain of Strength and
Youth of Today and may have even tightened the screws a bit. While 1994's "One Truth" refueled us. 1997's "In this Defiance" inspired us.

When first hearing about the reunion and the making of the record I tossed it into the figurative abyss of reunited bands looking to relive old glories on the dance floor. However, unlike many of the unmentioned newly reunited and reinvented bands. Strife held a special place in my later Hardcore history. At a time when it seemed like I was holding on to a genre that had been littered with bands playing metal riffs and representing their gangsta' hood. Strife, along with a handful of bands gave me inspiration and made me feel that.... all hope was not lost.
So I proceeded with caution and an open mind.

On "Witness A Rebirth" the band fires on all cylinders at a breakneck pace. All the elements that made Strife stand out two decades ago coming rushing back as the band return to their relentless beast of a sound. Passionate vocals that renew old battle cries coupled with a relentless guitar assault and enough mosh parts to turn any square footage into a war zone. The album features it's fare  share of who's who from a list of bands I never really cared much for myself. Terror's Scott Vogel, Chino Moreno of the Deftones, Dino Cazeres of Fear Factory and Igor Cavalera of Sepultura add to the mix. Making one wonder if anyone from the actual band even showed up for the recording. Regardless of whether or not those players made any major differences in the records sound. It works!!!

Though the record doesn't really break any new ground. It doesn't do anything to erode the foundation and reputation the band worked so hard to create. It might just win over a new legion of fans. As far as reunions go, this is about as good as it's gonna get. James Damion

Bad Brains - Into the Future

It's never a good thing when you have a negative attitude about a record before even listening to it. Thus was the case with the Bad Brains latest release. Sad yet appropriate considering how much the band meant to me and basically everyone that listened to Punk or Hardcore in the 80's. The ROIR cassette and 'Rock for Light' were part of my introduction to Hardcore. I saw the Bad Brains many times between the release of  
"I Against I" and "Quickness". Including leaving my senior prom early with my date to catch them at the Ritz in NYC.

My love, respect and admiration for this band never really died but remained firmly placed in that 80's decade. When 2007s "Build A Nation", (the bands first album of new material in twelve years) arrived I harnessed that love and respect to have hope that the band would somehow gather the solid musicianship of Daryl Jennifer, Dr. Know and Earl Hudson, matched with  the production on long time fan, friend and supporter Adam Yauch to help overcome the fragilities of H.R.'s worn vocals and well documented mental state. Disappointment followed, as did my hopes the Brains would ever recapture old glory or even come remotely close to what they accomplished decades ago. Sadly this was not the case with "Build A Nation". Even sadder, it is not the case with "Into the Future". The band really does try to.

As far as I can see the problem with being the Bad Brains is living up to the incredibly large reputation the band is do deserving of. The problem I have with "Into the Future" is though the band is working hard on creating an album that will bring us back to that golden age, all while providing hope for the future. It comes off more like the Bad Brains have become a Bad Brains cover act. Sure, they can play the songs while looking the look; But they never come close to sounding or feeling like the original. Dooming themselves to playing weddings, high school reunions and frat bars. If "Into the Future" holds any clues to where we're headed. Book me on the first flight out of here. One can only dry hump the past for so long without becoming dehydrated and uninspired by glories long past. I will not be brainwashed into thinking this band will ever produce anything close to what they did in the 80's.
James Damion

Chris Neptune - S/T

Every now and then our blog gets a submission that has us scratching our head and wondering "Do they have any idea what we do here?" "Did this artist take even a few seconds to explore the content of the blog?"

"How would you like your white bread sir?" "White, very white with the crusts cut off and an unhealthy dollop of mayonnaise for good measure." That is how I would describe the sampling
I received. Chris' bio only tells part of the story. Influences ranging from Alan Parsons Project to Toto to John Mayer to Coldplay. Chris manages to gain inspiration and ammunition from the dullest and most uninspiring artists to plague the universe with their horse tranquilizing odes to sedation. If I can take anything positive from listening to this it would be that the track "You'll be Surprised" had me racing through You Tube for the theme song to the 80's TV show "Greatest American Hero". In support of his EP and upcoming full length; Chris recently headlined 'The Crossroads' in Garwood, NJ. Sadly, I was unable to attend. That would have been interesting to say the very least.  James Damion

Chris Neptune

Antidote - No Peace In Our Time

As a teenager growing up in the mid to late 80's New York Hardcore scene Antidote were already a legendary and somewhat mysterious band to many who entered the scene at the time. "Thou Shalt Not Kill" was already an almost unattainable, long out of print classic.
The EP rivaled and to many, even overshadowed that of Agnostic Front's "United Blood",
Cause for Alarm's self titled EP,  The Mob's "Upset the System" and The Abused
"Loud and Clear".

Thirty years later after a series of reunion shows that seemed to be born out of the monumentally shitty
 "American Hardcore" book and movie. The band has been promising a record of their first new material since the
Reagan Era. The wait seemed to be a long one but the band has delivered on their promise.

"No Peace in our Time" delivers ten songs of classic Hardcore sound in just over twenty minutes. The album feels a lot like what should have originally followed "Thou Shalt Not Kill" sometime in the mid 80's before crossover put a stranglehold on New York Hardcore. An element that really helps the record stand out amongst a lot of the more currently polished and metallic Hardcore acts. An element I strongly believe the band was dead set on accomplishing.

Though Drew Stone's vocals wore on me at times. I felt Rob Nunzio's guitar work was stellar and really helps to overshadow that shortcoming. "Uneffected" and the forty-three second "Time to fight, ready to fight" stand out as my favorites. Throw in a cover of Black Flag's "Rise Above" with guest vocals from Agnostic Front's Roger Miret'  and you have a strong foundation to build on.

Though this was not the monumental release many had hyped it to be. I feel that it captured a lof of the spirit and intensity of Antidote's original sound and that of some of the more notable early New York Hardcore sound. "No peace in our time" isn't a great record but it's good enough to make me want to dig up my re-issue of "Thou Shalt Not Kill" and try to remember what it was like to be thirteen years old again. James Damion

Get it Here