The Pelvis Douglas - digital album 2013

If you like catchy female fronted punk rock then The Pelvis Douglas should be appealing to you. The songs are snappy and hooky and overall this is a very well done punk rock album. That's about it honestly, jangly guitars, cool female vocals and just a solid release that will get your feet tapping and your head bopping...Dave G.

Bandcamp

Back Off - Demo 2013

When my friend Mike Bullshit posted Back Off's demo on his Facebook page. I assumed that this was a recently recovered tape from a long forgotten, unsung New York Hardcore band circa 1982. And why not? Newly formed Back Off play straight up early Hardcore that would slip in seamlessly with bands like Major Conflict, The Abused, Antidote and 

NY's Psychos. Six songs of punishing Hardcore with fierce vocals, skull fucking guitar and lightning fast drumming.
With five of the six tracks coming in under a minute and the other scratching and clawing to make the one minute mark. It's "Fast, Loud, Rules" at it's very best. The bands Facebook page Here doesn't really tell us much but I'm sure there is much to come in the near future. James Damion

Band Camp  Back Off

The Everymen - New Jersey Hardcore

With several EP's and a drunken live cassette under their belts; The hardest working band in show biz delivers it first full length and as far as these ears can tell, it's a mixed bag of everything worth celebrating in life.
The band has a way of covering the entire musical map without leaving any embarrassing stains along the way.
The album hits all the sweet spots, drawing inspiration and energy from everything  50's Doo Wop and 60's Phil Spector inspired heights to Springsteen meets the Ramones while getting lost on the way to the beach.
"Dance Only, Only Dance" is a perfect example of my somewhat confusing description. It covers miles of ground with Michael Ventutolo's inspiring vocals and Scott Zillitto's amazing sax play.
Zillito's inspiring play on the  Saxophone come to the fore front on a regular basis but are most noticeable and noteworthy on the track "Novocaine".  Summoning the ghost of Clarence Clemons and remembrance of "On the Dark Side" from the cult classic
"Eddie and the Cruisers" The overall vibe on this track in particular, perfectly captures that moment at the bar where you realize you've had way too much to drink four drinks ago and that, eventually, you'll have to find your way home.

Having seen the band a handful of times over the last couple of years I can say with confidence that this album really manages to capture the spirit, energy and drunken mirth that their live shows are so known for.Though the albums title "New Jersey Hardcore" may have you lacing up your boots and practicing your best version of the "Creepy Crawl" or "Picking Up Change". This album offers more than just a spin kick and a doc marten impression on the skull. "New Jersey Hardcore" is a record to celebrate and to celebrate to. Forget about inviting the Everymen to your party. The Everymen ARE the party.

.James Damion

Get it Here  KillingHorse Records

The Everymen  Facebook

Ex-Breathers - Collision

Ex-Breather are a post hardcore band hailing from Tallahassee TN. The band's stated influence are No Means No, Fugazi and Botch, however while the band does not clearly wear these influences on their sleeves I can hear where they draw the passion of Fugazi and mix it with the Quirkiness of No Means No and then top it of with the power and aggression of Botch. Overall a band worth checking out...So give them a listen...Dave G.

Gameday Regulars - Nobody Likes A Quitter

I first caught Gameday Regulars back in February of 2012 when they played with Man on Fire and Brick + Mortar over in nearby Jersey City.
At the time the band really stood out. However, as the year progressed I never really heard much from or about the band.
I chalked it up to them being just another band passing through the area while on tour. Fast forward and almost a year later their latest EP "Nobody Likes a Quitter" fall in my lap. To my surprise, Gameday Regulars were from nearby Bronx, New York and not some working class part of Boston or Chicago, like I had thought.

On "Nobody Likes A Quitter" the band deliver four memorable songs of straight forward working class Pub Rock that feature warm but driving guitar sound and gravely vocals delivered by singer/songwriter/guitarist Gino Romero. There's a live and in your face vibe about these four songs that bring it all to another level. I couldn't help feel as if I was inches away with beer in hand, drunkenly cheering and singing along with every note. Rounding our the band respectively is brother Will Romero (Bass) and John Ryan Clifford (Drums) respectively on drums and bass. While the band may draw instant comparison to acts such as Gaslight Anthem, Dropkick Murphy's, The Menzingers and even Hot Water Music.
Gameday Regulars and each of the four songs offered on "Nobody Likes A Quitter" deliver more than their share of raw energy and authenticity. Here is an EP and a band more than worthy of clinging onto. 
James Damion

Get it Here  Bandcamp

Cicada Radio - No Fate But What We Make

Cicada Radio has been a favorite band of UBRS since we first laid our ears on their excellent debut ep "Imposter" back in the early summer of 2011. The "Imposter" EP was full of emotional heaviness and hooks that were firmly planted in the 90's Emo sound that reminded this listener of  bands like Karate, Knapsack and Small Brown Bike.

On the new album "No Fate But What We Make" the band has moved away from the Emo tendencies heard on "Imposter" and seem to have infused a bit of a shoegaze feel to their guitar tones. There's also an openness and clarity to their sound that was honestly off putting upon initial listen. I initially struggled with this album quite a bit. I was confused by the vocals that sound like they are being shouted across an empty concert hall and the overall production approach of the album had me confused. Therefore,  I decided to put this record aside to possibly revisit another day. The strange thing is that over the next few days I would catch myself with the melody to one of their songs stuck in my head. At first it was "Charity Mafia" and then it was "Oceans" so I decided that I better give this album another chance and I am really happy that I did. "No Fate But What We Make" showcases a band that is maturing right in front of our eyes and I now appreciate the way they approached this album.

I now believe the production of the record and the things I struggled with at first were absolutely intentional on the bands part. I like the fact that I had to really listen to understand and to gain an appreciation of their developing sound. Sometimes the best albums are the ones that don't immediately grab you, but the ones that plant a seed in your brain upon initial listen and then keep dragging you back for more. Even when you aren't sure why you keep listening... Until one day you realize that you can't stop listening....I present to you "No Fate But What We Make"...Dave G. 

Cicada Radio Bandcamp
Killing Horse Records Purchase CD

Holy City Zoo - Everybody Sells For More

New Brunswick, NJ maniacs Holly City Zoo follow up their 2012 EP "Nobody Sells for Less" with the aptly titles "Everybody Sells for More"

The EP offers six songs (two of them instrumentals) of absolute dissonance. Songs like
"Givin' Him the Business" "Karmatosed" and the instrumental
"That Was Mos Def
(not a pinch of salt)" offer some of the best 90's inspired Punk/Screamo power and aggression. Often giving the listener a front row view of what it's like to be inside a schizophrenic's head.
However, it's on "Hello, I'm Awful", by far the most cohesive track, when the band shows it's true ability to grow and mature as both a unit and individually as musicians.
I'd personally like to see more of that in the future.
This is my favorite release by the band to date. Though I really enjoyed the record.
It was the fact that I was finally able to connect the dots on why I like these guys so much. It further made me see what I feel they're capable of. My best description of Holy City Zoo would be "What if Rye Coalition and the Foo Fighters had an unhinged punk rock love child on their 2006 European Tour?" These six songs are available for download and cassette. Maybe if we wait long enough they'll put it on wax.
James Damion

Everybody Sells For More Get it Here

Gone Quite Mad - S/T Full Length

Back in late 2011 I was introduced to the band
Blue Chip Village through a collective known as
Tiny Giants. My first impressions of the band were mixed. It was a lot different from what I was listening to at the time and very different from a lot of the music we had featured on the blog. It was that difference that made them stand out for me and made me like them. After seeing them perform live a few times my curiosity and interest in the band wained considerably.
I just found myself twiddling my thumbs, waiting for something to happen.

Enter Gone Quite Mad, the newly formed version of that band. Their first EP follows the same path as Blue Chip Village's 2011 release with it's laid back, jazzy and dramatic eccentricities. Only this time around, the bands style has more of a drunken effect on these ears.

Though there are many moments where I find myself thoroughly swept up in the musicianship of the band; (The bass on "Team" and the guitar on "Drunk" immediately come to mind.) It's Gesualdi's vocal style that drives a stake through it. Often reminding me of those moments where every Diva or "American Idol"contestant holds onto that high note just long enough to remind you that, "When I take a shit; I shit gold bricks."
Gone Quite Mad come off sounding very professional, well groomed and produced on these eight tracks. Not a wrinkle in sight or a hair out of place. However, for me personally, I can respect the musicianship without actually liking the music.

Just as I found Blue Chip Village's 2011 EP to be very promising, (Review) even going as far as comparing them to a jazzier Shudder to Think. Time and further exposure to the band has left me bored and indifferent. Gone Quite Mad maintain the same personnel, sound as Blue Chip Village with a more appealing name. If you were a fan of them then, you will not be disappointed in the least. With Gone Quite Mad you're getting everything you loved with Blue Chip Village. Nothing more, nothing less.
James Damion

Bandcamp

Living Laser - Versus Pigs 7" (Trip Machine Laboratories)

Living Laser from NY state have released one hell of a killer 7" in "Versus Pigs". The music is tight and quick paced with plenty of starts and stops and monster riffs in the breakdowns that are sure to result in some circular motion in the pit. 

I think Trip Machine Laboratories has hit on a real gem in this band...I only hope an Lp is in their near future because "Versus Pigs" has definitely left me wanting more.

Living Lasers kick ass...there I said it...Dave G.

P.S. I see the excellent  Living Laser "Ragged Glory" cassette tape is still available from TML. I highly recommend you pick one up if your buying a 7".

Trip Machine Laboratories Purchase
Living Laser Facebook

Dark Empire - From Refuge to Ruin 2012

Wow a real metal band from my home state of New Jersey who actually have the chops, production value and talent to make a name for themsleves in the current prog metal scene.

The three songs on the bands Facebook page are very varied offerings. The first track "A Plague in the Throne Room" contains excellent riffs and mostly clean vocals, and just when I think I have the band figured out the second song "Dreaming in Vengeance" kicks off with a riff reminiscent of the best Fear Factory ever had to offer. The final track "The Crimson Portrait" slows things down a touch but still moves  along at a steady pace held aloft by excellent riffing, tight precise drumming and the strong clean pipes of vocalist Brian Larkin.

Overall, these three songs have left me thoroughly impressed and eager to hear more. If you are a fan of bands like Fear Factory, or maybe Opeth would be a better comparison, then I think Dark Empire may be right up your alley...Dave G

Bandcamp
Facebook
Nightmare Records

These Branches / Cycles Schmeichel split 2012

These Branches and Cycle Schmeichel  play a style of Emo  that ignites fond memories of hours upon hours spent in crowded basements and VFW Halls all across the state of New Jersey back in the mid 90's. I'm not saying that these bands sound dated, this is just the feeling I personally get from their music.

These Branches present music that is on one hand  intense and emotional and on the other hand catchy and melodic. As I stated in my review of their previous ep , if you dig bands like small Brown Bike then you need to give These Branches a listen.

The flipside of this split release features Cycle Schmeichel whose sound  is very quirky and spastic to my ears. There is melody hidden away in their songs that may take a listen or two to come to the surface, but upon repeated listens Cycle Schmeichel's sound is growing on me...Overall this is a solid split release that deserves  attention from the masses...Dave G.

Bandcamp The Branches
Bandcamp Cycle Schmeichel

Clear For Takeoff - Line of Fire

What they say: "With the release of their sophomore album “Line Of Fire” recorded by platinum-selling producer Rob Freeman (Gym Class Heroes, Cobra Starship,
Hit The Lights),
Clear For Takeoff have been blasting the East Coast with their distinctive brand of punk-inspired vocal rock. Aiming for the lyrical prowess of Queen and The Beatles while maintaining the all out rock and roll mindset of Foo Fighters and Green Day. Clear For Takeoff have a refreshingly honest approach to their songwriting and live performances.
“Throw down your arms and make music” – the authenticity of the band’s message prevails, on stage and off!

What this listener says: This is the kind of Corporate Rock shit the industry has been spoon feeding the public for decades. "Line of Fire" serves as a reminder of just how sad and desperate the music industry has become with their signings and marketing campaigns.
I have no idea where the bands "Punk inspired" sound or influences come from.
I would imagine they got it from listening to a lot of Richard Marx and Bryan Adams records. The mere mention of acts like the Beatles, Queen and Foo Fighters is enough to get their PR man sued for liable if not prove that he was as high as a fucking kite when he wrote the bands bio. Each of the songs sounds like it was written to be featured in a future douching or viagra ad. The EP opens with an ode to their listeners in "No More Hate Mail". An upbeat, syrupy track that could draw close comparison to any upbeat, syrupy track that New Found Glory ever wrote. From there it's just five more radio friendly Taco Bell, Pizza Hut,
Birth Control jingles that make the listener want to vomit. If I were to leave you with anything positive about Clear For Takeoff and their second release. It's that they can play their instruments well and create some pleasing harmonies. If you're a parent of a pre-teen/tween and you want to have him or her listening to a radio safe alternative to Justin Beiber or
One Direction; This might be a safe bet. The band is playing Cheeseburger in Paradise in Pasadena MD on January 2nd if you'd like to catch them. James Damion

Band Site

The Tea Club - Quickly, Quickly, Quickly

When Dan McGowen, a key contributor to The Tea Club, contacted me asking that
I review his bands EP
"Quickly, Quickly, Quickly"
I was more than happy to oblige. You see, that's one of the things we do here at
United By Rocket Science. When he told me he had played guitar on Suit of Lights
"Shine on Forever", a record I had previously reviewed and given high praise. I became a bit more curious.
Then came the term that often gives me the shakes, if not all out night terror; It was the term "Indie Prog Rock". Bands such as Yes, Emerson Lake and Palmer, Jethro Tull and Tool are high on my list as
"Least Favorite Bands of All Time". I don't think I can count the times I've thought aloud
"If only I could never hear Pink Floyd again, I would die a happy man."

Though this was my first exposure to the band. Deptford, New Jersey's The Tea Party have been recording since 2004 with this being the bands eigth release to date. The band features guitar, (shared by Dan and his brother Patrick) bass, drums and keys.

The EP features four songs that clock in at forty-two minutes with the opener "Firebears" breaking the clock at just under eighteen minutes. "Quickly, Quickly, Quickly" is musically large and atmospheric while never shying away from actually rocking. "Firebears" opens on a rather high note before getting a bit lost in it's own over indulgence. Any song that's heart is still beating after seventeen minutes is presenting a pretty big challenge to keeps it's listeners attention. The following three songs "The Eternal German Infant", "Mr Freeze" and
"I Shall Consume Everything" follow a similar path musically though for a shorter span. Each song offers all of the best in musicianship, arraignments and song structure. Add to that Dan's passionate vocal melodies and you've got all the ingredients for a winning recipe. Though the Tea Club prove that the Prog Rock movement is still alive and breathing.
While I would easily recommend "Quickly, Quickly, Quickly" and The Tea Club to any fan of Progressive Rock; These four songs didn't do much to convince me to order my
King Crimson tickets just yet. James Damion

Get it Here
Official Site

Brooklyn's Courtesy Tier Offers "Something Better"

Brooklyn's Courtesy Tier have a new track up on their Bandcamp. It was issued December 26th 2012 and is available in numerous formats at a "Name Your Price" offer. "Something Better" was Recorded and Mixed by Ben Rice at DeGraw Sound in Brooklyn, NYand Mastered by Alan Douches at West Side Sound. Just check the link below.

Something Better

Super Snake - Summer Girls

As I sit here with tingling extremities in an apartment within view of Japan's
Mount Fuji waiting to add layers before heading out. I thought it would be the perfect time to add my two cents about an EP that's been on replay since I got off the plane two weeks ago.

It's hard to imagine it's taken me so long to review a four song EP I downloaded on Bandcamp over a month ago. It's just that these four songs are excellent on so many levels that it's taken it's fair share of time to fully delve into their unique eccentricities.

Super Snakes is a "Super Group" of sorts. Comprising Jerry Jones of Trophy Scars and former personnel from Chambers and I am Heresy respectively. Three uniquely special bands in their own way; Jerry Jones being the most notable.

On the bands debut they pull out all the stops and take things to a level usually selected by seasoned veterans and bands we hold in the highest regard.
Dirty, "Don't Give A Fuck" relentless Rock excess. Jerry Jones delivery is part screamish, part menacing, demonic slithered word. Each of the four track names come from some real badass characters both real and fictitious. "Baron Samedi" was a Loa of Haitian Voodoo. "Frank Booth" the fictional character and antagonist from the 1986 classic "Blue Velvet" "Anton Chigurh" was the hit man from the novel "No Country for Old Men" and "Stringer Bell" the drug kingpin from the TV dram  "The Wire". Lyrically these tracks are even more sinister and creepy. "Frank Booth" was so dirty I felt like I needed to be bathed upon listening. John Pinho's guitar work on "Summer Girls" is not only notable but praise worthy to say the very least.  Whether or not you're a fan of any of the aforementioned bands. This is an EP and a band you should be looking into. Super Snake has it's first full length already recorded and due out soon. Go make yourself familiar with these four songs before it arrives. James Damion

Get it Here

Dot Dash - Winter Garden Lite

Washington D.C.'s Dot Dash may not be immediately recognizable to our readers but the bands personnel have been staples to the indie and punk community for decades. Guitarist/Vocalist Terry Banks and Bassist Hunter Bennet are formerly of Julie Ocean while drummer Danny Ingram played with the legendary Swervedriver. Guitarist Bill Crandall, formerly of Adam West rounds out the band.

On "Winter Garden Light", the bands second album. Dot Dash (Taken from the Wire song of the same name) craft an impressive collection of
post-punk power pop. The band together elements of The Jam, Joy Division and the Buzzcocks with a dash of minimalism that has me thinking of the production values of
The Jesus Mary Chain's "Psychocandy". All of it blending together nicely to form a perfect Power Pop sound. "Winter Garden Light" has a refreshing and catchy vibe. Highlighted by mature song writing and structure. Each song has it own warm and distinctive feel with a hook laden, jangly vibe.

Though this took a few listens to find a deeper appreciation and connection with the songs.
I found myself enjoying more and more with each listen. "Winter Garden Light" is a record more than worth investing in.
James Damion

Get it Here

Sautrus - Kuelmaggah Mysticism: The Proloque EP

Every now and then we get a request for a review from outside of the country. The majority of which don't even seem to come close to matching the kind of material we cover here at United By Rocket Science. That said, when I first came across The Proloque EP from Sautrus I was not expecting much return on the bands download. Never mind the name, title or the fact that this came to me all the way from Poland. This complete "Out of Left Field" surprise is a complete gem and one of my most listened to EP's of the late year.

Kuelmaggah Mysticism offers four songs of sludgy,
Stoner Metal that also offers a good dash of bluesy, 70's Hard Rock debauchery. Weno's vocals are deep, soulful and bluesy while still holding down the Rock n' Roll fort. There are moments on "The Blackest Hole/Black Hole" that remind me of an insanely dark and sinister MRI I had last week at 2:30 in the morning. I found myself immediately hooked on these four tracks. One can only hope that the band will delivering many more dirty little gems in quick form. With hope the wait won't be long.
Very impressive. James Damion

Get it Here

Strife - Witness a Rebirth

Hardcore torch bearers Strife return to the fold with "Witness A Rebirth" the bands first studio material in more than ten years.
Back in the 90's when California straightedge band Strife first appeared on the Hardcore radar. They filled the void left by bands such as Judge,
Chain of Strength and
Youth of Today and may have even tightened the screws a bit. While 1994's "One Truth" refueled us. 1997's "In this Defiance" inspired us.

When first hearing about the reunion and the making of the record I tossed it into the figurative abyss of reunited bands looking to relive old glories on the dance floor. However, unlike many of the unmentioned newly reunited and reinvented bands. Strife held a special place in my later Hardcore history. At a time when it seemed like I was holding on to a genre that had been littered with bands playing metal riffs and representing their gangsta' hood. Strife, along with a handful of bands gave me inspiration and made me feel that.... all hope was not lost.
So I proceeded with caution and an open mind.

On "Witness A Rebirth" the band fires on all cylinders at a breakneck pace. All the elements that made Strife stand out two decades ago coming rushing back as the band return to their relentless beast of a sound. Passionate vocals that renew old battle cries coupled with a relentless guitar assault and enough mosh parts to turn any square footage into a war zone. The album features it's fare  share of who's who from a list of bands I never really cared much for myself. Terror's Scott Vogel, Chino Moreno of the Deftones, Dino Cazeres of Fear Factory and Igor Cavalera of Sepultura add to the mix. Making one wonder if anyone from the actual band even showed up for the recording. Regardless of whether or not those players made any major differences in the records sound. It works!!!

Though the record doesn't really break any new ground. It doesn't do anything to erode the foundation and reputation the band worked so hard to create. It might just win over a new legion of fans. As far as reunions go, this is about as good as it's gonna get. James Damion

Bad Brains - Into the Future

It's never a good thing when you have a negative attitude about a record before even listening to it. Thus was the case with the Bad Brains latest release. Sad yet appropriate considering how much the band meant to me and basically everyone that listened to Punk or Hardcore in the 80's. The ROIR cassette and 'Rock for Light' were part of my introduction to Hardcore. I saw the Bad Brains many times between the release of  
"I Against I" and "Quickness". Including leaving my senior prom early with my date to catch them at the Ritz in NYC.

My love, respect and admiration for this band never really died but remained firmly placed in that 80's decade. When 2007s "Build A Nation", (the bands first album of new material in twelve years) arrived I harnessed that love and respect to have hope that the band would somehow gather the solid musicianship of Daryl Jennifer, Dr. Know and Earl Hudson, matched with  the production on long time fan, friend and supporter Adam Yauch to help overcome the fragilities of H.R.'s worn vocals and well documented mental state. Disappointment followed, as did my hopes the Brains would ever recapture old glory or even come remotely close to what they accomplished decades ago. Sadly this was not the case with "Build A Nation". Even sadder, it is not the case with "Into the Future". The band really does try to.

As far as I can see the problem with being the Bad Brains is living up to the incredibly large reputation the band is do deserving of. The problem I have with "Into the Future" is though the band is working hard on creating an album that will bring us back to that golden age, all while providing hope for the future. It comes off more like the Bad Brains have become a Bad Brains cover act. Sure, they can play the songs while looking the look; But they never come close to sounding or feeling like the original. Dooming themselves to playing weddings, high school reunions and frat bars. If "Into the Future" holds any clues to where we're headed. Book me on the first flight out of here. One can only dry hump the past for so long without becoming dehydrated and uninspired by glories long past. I will not be brainwashed into thinking this band will ever produce anything close to what they did in the 80's.
James Damion

Chris Neptune - S/T

Every now and then our blog gets a submission that has us scratching our head and wondering "Do they have any idea what we do here?" "Did this artist take even a few seconds to explore the content of the blog?"

"How would you like your white bread sir?" "White, very white with the crusts cut off and an unhealthy dollop of mayonnaise for good measure." That is how I would describe the sampling
I received. Chris' bio only tells part of the story. Influences ranging from Alan Parsons Project to Toto to John Mayer to Coldplay. Chris manages to gain inspiration and ammunition from the dullest and most uninspiring artists to plague the universe with their horse tranquilizing odes to sedation. If I can take anything positive from listening to this it would be that the track "You'll be Surprised" had me racing through You Tube for the theme song to the 80's TV show "Greatest American Hero". In support of his EP and upcoming full length; Chris recently headlined 'The Crossroads' in Garwood, NJ. Sadly, I was unable to attend. That would have been interesting to say the very least.  James Damion

Chris Neptune

Antidote - No Peace In Our Time

As a teenager growing up in the mid to late 80's New York Hardcore scene Antidote were already a legendary and somewhat mysterious band to many who entered the scene at the time. "Thou Shalt Not Kill" was already an almost unattainable, long out of print classic.
The EP rivaled and to many, even overshadowed that of Agnostic Front's "United Blood",
Cause for Alarm's self titled EP,  The Mob's "Upset the System" and The Abused
"Loud and Clear".

Thirty years later after a series of reunion shows that seemed to be born out of the monumentally shitty
 "American Hardcore" book and movie. The band has been promising a record of their first new material since the
Reagan Era. The wait seemed to be a long one but the band has delivered on their promise.

"No Peace in our Time" delivers ten songs of classic Hardcore sound in just over twenty minutes. The album feels a lot like what should have originally followed "Thou Shalt Not Kill" sometime in the mid 80's before crossover put a stranglehold on New York Hardcore. An element that really helps the record stand out amongst a lot of the more currently polished and metallic Hardcore acts. An element I strongly believe the band was dead set on accomplishing.

Though Drew Stone's vocals wore on me at times. I felt Rob Nunzio's guitar work was stellar and really helps to overshadow that shortcoming. "Uneffected" and the forty-three second "Time to fight, ready to fight" stand out as my favorites. Throw in a cover of Black Flag's "Rise Above" with guest vocals from Agnostic Front's Roger Miret'  and you have a strong foundation to build on.

Though this was not the monumental release many had hyped it to be. I feel that it captured a lof of the spirit and intensity of Antidote's original sound and that of some of the more notable early New York Hardcore sound. "No peace in our time" isn't a great record but it's good enough to make me want to dig up my re-issue of "Thou Shalt Not Kill" and try to remember what it was like to be thirteen years old again. James Damion

Get it Here

Cicada Radio Currently Streaming New Album

Cicada Radio are streaming their new album "No Fate But What We Make" as we speak. Click the link below before you order a copy at KillingHorse Records . The band is having their official "CD Release Party" with A Balance Between, Let Me Run, Meet Pause and 

The Rose Riot this Saturday December 1st at the newly reopened Court Tavern in 

New Brunswick NJ. Now, if that don't get your dick hard.... I got nothing for ya'. 

James Damion

No Fate But What We Make

Become - Cassette - Take It Back Records 2012

Driving emotive hardcore with a bit of an old school Dischord vibe mixed with a touch of the 90's Emo sound that you would find on many of the Gravity Records releases of that time period.

Become features current and ex-members of Manumission, Ochre, Lumber Lung, X-Wing, Worship, Bone Explosion, Desperate Hours, Masisin, No Man's Land, Eden in Flames, Sutrama, Embassy, Uphill Battle, Broken Needle, Blasting Concept, and Surprise Vacation. I must say that that is one hell of pedigree. If you are a fan of any of these bands or simply a fan of well done emotional hardcore music then I urge you to give Become a listen...Dave G.

Bandcamp
Purchase

The Everymen "Coney Island High" Video

The Everyman and Johnny Komar of 'Village Basement Sessions' have produced one of the funniest videos since Cicada Radio's "Oceans". It's the first single of their debut album entitled "New Jersey Hardcore". Check it out and keep check, check, checkin'. 

James Damion

Neurosis - Honor Found In Decay - Neurot 2012

This is either a tough record to review or a very easy record to review. I am going to take the easy route and say that Honor Found In Decay sounds exactly like what we have come to expect from Neurosis over their past 3 albums or so...atmospheric, plodding, somewhat heavy music with gruff vocals, and a nice heaping of emotion. Now I am not trying to be a wise-ass  or anything, it's just that Neurosis have found there formula and they do not stray from it in the slightest.    

Overall, I think that while there is nothing new here it is comforting none the less to have new Neurosis music playing from my speakers, and Honor Found In Decay is certainly worthy of repeated listens....I wish these guys would play NY again, and soon...Dave G.

Cicada Radio Premiere Video for "Oceans"

Local favorites Cicada Radio have released a video for the song "Oceans". The track is from their forthcoming record "No Fate But What We Make". Check it out here. JD

Unite Webzine Calls it a Day

Last night I cancelled my 

Mac Highway account, thus ending Unite Fanzines online presence. The decision was a long time coming with a number of issues contributing to the decision. This is not to say that the original Unite won't return in some form at one time or another. I just felt that the site, it's layout and focus were outdated and did not represent who or where I am today. I'm very proud of the Fanzine's history and the interviews 

I conducted during the websites existence but it was time to move on. If you're a fan or just an occasional visitor to this blog you may have noticed I've reposted some of my favorite 'Unite' interviews with updated content and images. 

I plan to continue doing so in the near future. Thanks to everyone who supported Unite since it's inception in 1988 as a print zine. It's been a lot of fun. To quote my good friend 

Ken Salerno, "Over and Out" James Unite

Jersey Beat to Host Benefit for victims of Hurricane Sandy

Here's a chance to rock out to some stellar bands while making a difference in the lives of people still suffering from the damage of Hurricane Sandy. JD

Rest in Peace Ol' Dirty Bastard!

U.B.R.S. sends some love to the Ol' Dirty Bastard up above. Rest In Peace. JD

Ev Gold; Five Albums, One Lifetime.

The "Essential Albums" list will definitely not win United By.. any points for originality considering the countless times it's been done in magazines, radio, television and just about anything related to music in general. It is however, something that continues to intrigue me. Asking the people who make music that moves you only adds to that intrigue.

In asking Ev to do this little piece for the blog I was looking to gain a little more insight into what musically brought him to where he is where he is now as a musician and as an individual. I've poured over Cinema Cinema's recordings and witnessed the band lay waist to clubs and bars alike. During the past year or so I've gone from a casual acquaintance to a good friend and what he refers to as "Family", Getting to know where he comes from musically can only add another layer to our friendship. James Damion

As we grow and evolve we often take time to look back at the people, places and moments that helped shape us along the way.

They say the body regenerates its cells every 7 years. 

Your tastebuds change. 

You change. Old is replaced by new. This is what they say. 

So, I say that if this is so - then our musical "taste-buds" must evolve as well.

I found it nearly impossible to craft this list down to five. 

As I rolled over ALL the amazing music that i have been blessed to hear and experience thus far in my days, I found a myriad different reasons to include specific albums.. to the point of WAY over thinking this! But I kept coming back to the realization that I would have to make this list based on my sensibilities TODAY and what records came to shape who I am and the music I help to create.

The essential records in my life are the ones that find my ears as fresh to them today as they were the day I was touched by them. Over the years of winding change and evolution, they still excite and move me deeply. They are the ones I always call back on. 

They transcend the moment, thus rendering them timeless to me. They allow me magic.

I’m a buoyant spirit, dancing and filled with joy when I put on each of the next five LP’s or CD’s (or, if need be - mp3’s) and press PLAY. Ev Gold

1. Guns N' Roses - Appetite for Destruction (released July 21, 1987)

This was the Atomic Bomb in my little 9 year old life. Totally leveling the earth for me, totally enthralling me with its intense vibe. A sound like nothing else for my ears yet. I knew I wanted to be in a band, whatever that meant, immediately. It sounded like these guys didn't take shit from anyone. It seemed dangerous. They cursed!! a LOT. 

Let alone those vocals! Screeching at top level, full blast throat shredding - coming after you with vengeance... fukkin' behold AXL!!..And the dirt beneath the finger nails in all the grooves and riffs.
So defiant! And different..and just tasty all around. And great songs. The first album that I not only knew every lyric from the liner notes, - but I could actually recite ALL the production, engineering, mixing and instrumental credits. I listened to this thing so much and just stared at and studied the booklet. This was late 1987; there wasn't Google in my world, or content readily available to check out on a new band via YouTube.. just the CD and booklet. Ah, it excites me to even think of how it was... firstlove! Thank you Axl, Slash, Izzy, Duff, & Steve.

2. Neil Young - Decade (released October 28, 1977)

Another absolute life changer. In 1992 my father taught me how to playmguitar (for which I shall remain forever grateful). The method was, rather

than heavy theory or scales – just to get me sound & proficient with chords, playing songs early on to keep me focused and then learn the rest of the essentials along the way... in hindsight, it worked.
I am so happy it did.

He taught me
"Knocking on Heaven’s Door" by Bob Dylan first...then "Wild Horses" by The Stones. After getting those under my belt, for my birthday that year he got me the songbook (another pre-internet fashion!) to"Decade", a double disc retrospective of Neil Young's work between 1966 and 1977. The album itself had been on in my house growing up and just seemed to be one of those records that was gravitating toward me, as I toward it, from birth.

I immediately fell in love with Neil's vocals, so obtuse and unique.Fragile but cutting.. and so much staying power behind the words he'd choose for lyrics. So much weight. And his approach to the guitar when playing acoustic and then when playing electric, so independent of each other. Total master, in my opinion, breathing such deep life into his open voiced chord choices or feedback drenched electric smatterings. I could die with a Neil Young record playing and be OK with that. I learned all 35 songs and still run across them at points when practicing guitar as recent as last night. Get some DECADE in your life!

3. Fugazi - In On the Kill Taker (released June 30, 1993)

Ok, if "Appetite for Destruction" was the A Bomb, then I guess this is where it went totally fukkin nuclear for me. DEF one of those taste bud

changers... Burn away the old.. Explode the land.. Charred and tarred and gonna have to be repaved now...all new.

The intensity. The all out approach. The solid musicianship.
The awesome tempo shifts. 

The lyrics. The dual vocal attack!! Fugazi remains one of, if not my favorite band to this day. ..and, this was my total introduction into the whole Dischord DC punk sound and the idea of east coast hardcore and whatever else came along with reaching back to the start – which I did with fervor from that moment forward – all influenced by Fugazi.

I didn't know about Minor Threat first. I was like 5 when Minor Threat was out... so by the time I got to 15 and Fugazi released "In on the Kill Taker", my little mind was just ripe to be fukkkin exploded again, and so it was and so it is and so I am thankful to this record. It very much opened up a door to tons and tons of other deeply influential records for me.

Side note, - this specific record planted the seed in my mind to grow up and form a band with the goal of being serious enough to record one day at Inner Ear Studios. I don't think even in my craziest 15 year old cream dreams back then that doing so WITH Don Zientara at the helm (the guy who was listed as engineer on this record as well as almost every other record that this one would lead me to) would ever even be an option. But life is full of surprises! And I am ultra-grateful the opportunity came to be

reality years later.

4. Afghan Whigs - Black Love (released March 12, 1996)

I do not even know where to begin with this one.
The fact that it had a storyline and theme that was never made apparent or obvious running throughout the record, like an opera filled with rolling black out's.. Uneven and perfect, just like real life. Unexpected but right on time. It really blew my mind and inspired the fukk out of the songwriter in me that was emerging at that young age....And the vocals! Oh my GOD! 

The conviction with which Dulli attacks these songs and his vocal approach on this record, -where passion and feeling totally over ride all else, still chill me and move my ass to this very second.
They influence every vocal I’ve ever taken in a recording studio. Get fukkin naked. 

Get crazy. Go intimate. Float off key. Be unafraid. Just crucify it. Get bloody. 

Soul sing mutherfukker!!... That don't mean try to sound like Al Green - it means reach down deep and sound like YOURSELF!

Need I mention the closing three songs of this record are just far beyond cathartic and filled with bruised beauty and triumph and more bruises and victory?? A true over looked gem of my time and one that I will always value.. DEF the 1st record I play for my grandchildren - cause damn, the future gonna have to know about this one.

5. Black Flag - My War (released March 1984)

So terrifyingly brilliant that it still confuses me. Just like all the best Hendrix, you hear something new every time you listen to it. Overwhelming. Bewildering. Fukkin awesome. Greg Ginn is one of my favorite guitar players, DEF one of the biggest guitar playing influences on me and he really begins to break down barriers between ALL genres of playing with his approach on this record. In a time when the musical peers and

landscape that Black Flag trod upon was considered to be called "hardcore", this album came rolling along totally pronouncing 

LOUD and CLEAR that Black Flag didn't subscribe to any genre title or premeditated

idea of "punk" or anything else. I mean, shit - this is another record where the last three songs happen to be specifically over the top..  So heavy & slow in a time of everyone trying to prove how fast they could be. The Flag had been there and done that and in my opinion, invented the wheel and then destroyed it and reinvented it again and so on and so forth.

Honorable mention afterthought:

-Radiohead “Ok Computer”, -Sunny Day Real Estate “How It Feels To Be

Something On”, -Sex Pistols “Never Mind the Bollocks”, and -Frank Zappa

“Apostrophe/Overnight Sensation”.

Killing Horse Records Doing it's Part to Help the Relief Effort

Our friends over at Killing Horse Records are doing their part to help the relief effort. 

They've just st up a store front on the labels page. 100% proceeds from these sales will be donated to some Hurricane Relief. Do your part by going over and ordering something, anything. Every little bit counts. JD

Click Here To Help

OFF!, The Spits, Double Negative @ Mexicali Live

Wednesday night Dave and I headed over to Teaneck's Mexicali Live to see OFF! play with one of our mutual favorites Double Negative. It was a night of firsts as we had never been to the club or seen any of the bands perform live. With Dave G.'s magical GPS system and Mario Andrete' driving skills we were able to locate the place within minutes before the show opened. There were lots of friends and familiar faces in attendance and the overall vibe was friendly and laid back. We were both impressed with the club. Big yet intimate with a sizable stage in the front, bar in the back, balcony and seating to the side. Good enough? Let's go! James Damion

Double Negative opened the night on a spiteful note. I've been listening and compiling records from this Raleigh, NC band for a few years now and was more excited to finally see them than anyone else on the bill. The band more than lived up to their reputation. Lot's of energy and stage presence. The band has just released a new Ep. Unfortunately for Dave and me, we were a day early and there was no copy to be snagged. Seeing them perform live for the first time rivaled my chance to see Deep Sleep earlier this year as highlights of my show going year. I only wish they would have played longer.
Double Negative

The Spits followed and to be honest, I didn't know the first thing about them prior to that day. The band took the stage each donning Ronald Reagan masks conjuring memories of the movie 'Point Break'.
The bands drummer Wayne Draves started things off by splashing his drums with lighter fluid and setting a small fire. Though the fire was about as  inspiring as the stone henge featured in Spinal Tap. It stunk up the place pretty bad. Moments later the fire was out, the masks were off and The Spits launched into their set. Earlier that night Vinnie from Mint Tone records described them as The Ramones playing Misfits songs or The Misfits playing The Ramones. I guess that's a pretty accurate description. Personally, they reminded me of a typical pub band. I liked their gritty, dirty vibe but can't say they interested me enough to listen any further.
The Spits

What was already turning out to be an amazing night of seeing old friends and enjoying stellar music in a pretty intimate setting was about to come to a head as OFF! made their way to the stage. I was feeling a sudden sense that I had come full circle as far as my Punk life was concerned. Some of my earliest memories as a young teen finding his own identity was hearing my first Black Flag album and putting the needle to the record and the life changing significance of having my mind blown back by the Circle Jerks 'Wild in the Streets'.

Whenever I think of OFF! I can't help but think of attending the opening night of 'American Hardcore'. Towards the very end of the movie Keith Morris wraps it up with "It's over." "It's been over for a long time." Honestly, with the massive amount of reunions, rockumentaries and masturbatory worshipping of the past. It can be debated. Regardless, the love for the music, the angst and aggression and angst refuses to go home.

As the band launched into it's apocalyptic set I felt the music wash over me and bring me back to a time of mosh pits, stage diving and wild abandon. The entire band was in great form and proving that the music and that sense of alienation and not quite fitting in with the accepted norm never leaves. No matter how old we get, we seem to maintain that universal bond. Keith was in great form walking a fine line between singer, entertainer and master of ceremonies. Putting every ounce of bitter passion into the set while engaging the crowd and making everyone feel as if they were part of the family. It was a great  set that topped off a great night. I can't wait for my next opportunity to see OFF! as well as my next show at Mexicali Live. JD

OFF!

More Images from OFF!, The Spits and Double Negative

Here are some more images from the showing. Expecting the venue to be much larger and that I wouldn't be able to get up close. I left my wide angle lens at home and opted for the 28-135. Regardless of not having my trusted Canon 15mm. I was grateful to be so close to the action. James Damion

Double Negative set list

Double Negative's CC

Double Negative

The Spits Wayne Draves

Keith Morris OFF!

Dimitri Coats OFF!

Steven McDonald OFF!

Keith Morris channels George Carlin

Don Juan Matus / Oxido - Split Label Split EP

When childhood friend and Wardance Records ambassador of cool Freddy Alva sent this split band/label release. I was thinking about passing it on to the blogs resident Metal expert Dave G. As time passed and Dave and me hadn't crossed paths I realized the task rested solely on my shoulders.

Few splits offer each band the opportunity to display their personal artwork or unique covers.
This split more than accomplishes a sense of individuality by offering a two sided front cover. The artwork for both Don Juan Matus and Oxido are epic in nature and offer a glimpse into what any first time listener is about to experience.

The Basilica Records side features Peru's Oxido "El Angel De La Muerte" (Angel of Death)
A spirited battle cry with it's driving guitars, war machine drums, dark bass and dramatic vocal delivery. Listening to this track had me visualizing a Peruvian Ronnie James Dio riding a horse into a burning forest wearing nothing but a sword and a loin cloth. The songs delivery is just as epic and big as the subject matter. Impressive to say the very least.
The song and the lyrics provided within are in their native language. However, the power provided in the songs delivery does all the translating needed. After just a sampling of this band I immediately headed to the bands site to learn more.

While the Wardance side features a heavy psych, doom Don Juan Matus who slow it down and get downright muddy on the track "Kadath". Punishing riffs matched with dark, haunting drums and bass. Complimented by bluesy, mournful vocals. It's a trip to say the very least.

I never thought I would gain such an appreciation and interest for Metal at this age. If you told me I'd be bowing my head to devilish sounds from the valleys  of Peru; I would have told you to get off the drugs. This record is just the drug I was looking for. Check it out. James Damion

Get it Here

Debuting New Damion Photo Music Site

Come check out my new and improved music photography site featuring some favorite shots both live and in the studio. Images include links to interviews and reviews I've posted here and elsewhere. As A bonus, our good friend Jim Testa of Jersey Beat fame wrote a little bio for me. I'll be adding images on a consistent basis so be sure to bookmark it in order to keep up with what's new. James Damion

Click Below

Damion Photo Music

No Mistake - Connect the Dots...Complete the Puzzle

In the months leading up to
No Mistake's quick rise from unnamed project to full fledged band I was contacted numerous times by guitarist and old friend Mike Bromberg. (Mike Bullshit, GO, SFA) Being asked my opinion on everything from the bands name, sound and even art. Staying in touch with someone like Mike is always a positive. Being asked my thoughts on a project he deems important is well, pretty special.

California's No Mistake made a very lasting impression with this thirteen song gem. "Connect the Dots...Complete the Puzzle"is an out and out thrasher, featuring thirteen songs that come in just over fourteen minutes. Fast HardCore Punk that brings us back to the early ThrashCore we first fell in love with in the early to mid 80's. As I listen closely I'm hearing elements of Negative Approach, SSD, Crass and even New York's Straight Ahead.

Greg's verbal attack is amazing. Despite his angry, snarling growls. The lyrics lean towards the positive side. Something I miss hearing from a lot of my HardCore brethren these days. Surround those vocals with drumming that mirrors that of an artillery barrage, outstanding bass work and  Mike's impressive attack on the strings You've got an impressive debut on your hands.

The band is already playing alongside some impressive bands such as old friends
Citizens Arrest, Outlook and Night Birds. They've also rolled out production on some sweet looking gear. GO check them out now.  James Damion

No Mistake  Bandcamp

Victory and Associates - Plausibly Wild/ Wildly...

After watching a sweat drenched
Victory and Associates turn a small, yet intimate Maxwell's crowd into their very own army of devoted supporters. I was eager to get my hands on anything and everything the band had ever produced.
(Well, minus the tremendous pools of man juice they left on the stage that night.)

If "Plausibly Wild / Wildly Plausible" is any indicator to what this band can accomplish. Then I may have just found a new band to worship at the alter of Rock n' Roll.

Victory and Associates three song stinger mixes anthemic classic rock with punk rock aesthetics, energy, angst, bombast and balls out fun. "Plausibly Wild" is a feel good rocker with a chorus that would best be described as a power pop "Wild in the Streets". While "Wildly Plausible" slows is down a bit. A danceable ode that had this listener on the tip of his toes screaming every note. "Friend Rock City" (a bonus that comes with the download) is a rock anthem if there ever was one. To add to this already stellar record is cover art by the enormously talented Brian Musikoff from local heroes Stuyvesant.

The band is just finishing up their tour and will be heading back to sunny San Francisco where they will be opening for the legendary Mike Watt. One can only hope they'll be back again soon. James Damion

Get it Here

Converge - All We Love We Leave Behind

The first thing that caught my ear about the new Converge record is the slightly broader use of clean vocals which brings a new dimension to Converges' ferocious sound  that was needed in my opinion, as my ears had become numb to their brutal full on assault a few records back. In my opinion the use of clean vocals gives the gruff vocals all the more power and effectiveness, like being lulled to sleep and then awoken with a hammer to the temple.However, 98% of "All We Love We Leave Behind" is still dominated by the full on brutal vocal style you have come to expect from converge.

Musically Converge is as sick as ever, the music is tight, the drumming is spot on, the level of brutality is high, and the heaviness is down right intense...I have a headache after one listen, but I'm popping a few aspirin and going back for more...Dave G.

Converge
Epitaph order CD or Vinyl
Deathwish order Vinyl